WEBVTT
00:00:01.801 --> 00:00:09.541
>> THEY CAPTURE LIFE AS IT WAS,
EACH ONE TELLING A STORY
OF FAMILY, FRIENDS, COMMUNITY.
00:00:09.543 --> 00:00:11.276
EACH ONE TELLING A STORY
OF FAMILY, FRIENDS, COMMUNITY.
PHOTOGRAPHS WE CHERISH
00:00:11.278 --> 00:00:13.212
OF FAMILY, FRIENDS, COMMUNITY.
PHOTOGRAPHS WE CHERISH
AND, IN THIS CASE,
00:00:13.214 --> 00:00:15.981
PHOTOGRAPHS WE CHERISH
AND, IN THIS CASE,
SNAPSHOTS THAT GIVE A REFLECTION
00:00:15.983 --> 00:00:20.219
AND, IN THIS CASE,
SNAPSHOTS THAT GIVE A REFLECTION
OF "THE SHADES OF CALIFORNIA."
00:00:20.487 --> 00:00:21.420
CALIFORNIA'S GOLD
00:00:21.554 --> 00:00:22.788
IS PRODUCED IN ASSOCIATION
00:00:22.922 --> 00:00:25.524
WITH KCET LOS ANGELES
00:00:25.658 --> 00:00:27.259
AND IS SEEN STATEWIDE
00:00:27.394 --> 00:00:29.895
ON CALIFORNIA PUBLIC TELEVISION.
00:00:30.163 --> 00:00:34.433
THIS SERIES IS ENDORSED
BY THE CALIFORNIA
TEACHER'S ASSOCIATION,
00:00:34.435 --> 00:00:35.300
BY THE CALIFORNIA
TEACHER'S ASSOCIATION,
THE CALIFORNIA
00:00:35.302 --> 00:00:37.102
TEACHER'S ASSOCIATION,
THE CALIFORNIA
SCHOOL BOARD'S ASSOCIATION,
00:00:37.370 --> 00:00:38.237
AND THE CALIFORNIA
00:00:38.371 --> 00:00:41.740
LIBRARY ASSOCIATION.
00:00:42.008 --> 00:00:44.610
HELLO, EVERYBODY,
I'M HUELL HOWSER
AND HERE WE ARE
00:00:44.612 --> 00:00:46.812
I'M HUELL HOWSER
AND HERE WE ARE
ON A BEAUTIFUL SATURDAY MORNING.
00:00:46.814 --> 00:00:48.047
AND HERE WE ARE
ON A BEAUTIFUL SATURDAY MORNING.
IT'S ABOUT 9:00.
00:00:48.049 --> 00:00:49.782
ON A BEAUTIFUL SATURDAY MORNING.
IT'S ABOUT 9:00.
I'VE GOT MY MORNING COFFEE HERE
00:00:49.784 --> 00:00:52.017
IT'S ABOUT 9:00.
I'VE GOT MY MORNING COFFEE HERE
AND WE'RE IN CYPRESS PARK
00:00:52.019 --> 00:00:52.718
I'VE GOT MY MORNING COFFEE HERE
AND WE'RE IN CYPRESS PARK
HERE IN LOS ANGELES,
00:00:52.720 --> 00:00:53.652
AND WE'RE IN CYPRESS PARK
HERE IN LOS ANGELES,
RIGHT IN FRONT
00:00:53.654 --> 00:00:55.721
HERE IN LOS ANGELES,
RIGHT IN FRONT
OF THE CYPRESS PARK BRANCH
00:00:55.723 --> 00:00:56.622
RIGHT IN FRONT
OF THE CYPRESS PARK BRANCH
OF THE LOS ANGELES
00:00:56.624 --> 00:00:58.691
OF THE CYPRESS PARK BRANCH
OF THE LOS ANGELES
PUBLIC LIBRARY.
00:00:58.693 --> 00:00:59.591
OF THE LOS ANGELES
PUBLIC LIBRARY.
WE'RE GOING TO BE SPENDING
00:00:59.593 --> 00:01:02.227
PUBLIC LIBRARY.
WE'RE GOING TO BE SPENDING
THE WHOLE DAY INSIDE THE LIBRARY
00:01:02.229 --> 00:01:03.095
WE'RE GOING TO BE SPENDING
THE WHOLE DAY INSIDE THE LIBRARY
AND THIS IS GOING TO BE
00:01:03.097 --> 00:01:05.197
THE WHOLE DAY INSIDE THE LIBRARY
AND THIS IS GOING TO BE
AN EXCITING DAY,
00:01:05.199 --> 00:01:07.132
AND THIS IS GOING TO BE
AN EXCITING DAY,
A DAY FILLED WITH FAMILY,
00:01:07.134 --> 00:01:10.035
AN EXCITING DAY,
A DAY FILLED WITH FAMILY,
WITH HISTORY, WITH REMEMBRANCE,
00:01:10.037 --> 00:01:11.637
A DAY FILLED WITH FAMILY,
WITH HISTORY, WITH REMEMBRANCE,
WITH CELEBRATION.
00:01:11.639 --> 00:01:12.671
WITH HISTORY, WITH REMEMBRANCE,
WITH CELEBRATION.
IN FACT, THIS WHOLE DAY
00:01:12.673 --> 00:01:14.340
WITH CELEBRATION.
IN FACT, THIS WHOLE DAY
IS A CELEBRATION
00:01:14.342 --> 00:01:17.643
IN FACT, THIS WHOLE DAY
IS A CELEBRATION
OF "THE SHADES OF CALIFORNIA."
00:01:32.325 --> 00:01:36.695
WE'RE INSIDE THE LIBRARY.
I'M STANDING HERE WITH
CAROLYN KOZO COLE,
00:01:36.697 --> 00:01:38.364
I'M STANDING HERE WITH
CAROLYN KOZO COLE,
WHO IS GOING TO BE OUR,
00:01:38.366 --> 00:01:40.065
CAROLYN KOZO COLE,
WHO IS GOING TO BE OUR,
KIND OF OUR GUIDE HERE TODAY,
00:01:40.067 --> 00:01:42.801
WHO IS GOING TO BE OUR,
KIND OF OUR GUIDE HERE TODAY,
AND, CAROLYN, THIS IS EXCITING.
00:01:42.803 --> 00:01:45.237
KIND OF OUR GUIDE HERE TODAY,
AND, CAROLYN, THIS IS EXCITING.
THERE'S ENERGY IN THIS ROOM.
00:01:45.239 --> 00:01:46.772
AND, CAROLYN, THIS IS EXCITING.
THERE'S ENERGY IN THIS ROOM.
THERE ARE MORE PEOPLE HERE
00:01:46.774 --> 00:01:48.707
THERE'S ENERGY IN THIS ROOM.
THERE ARE MORE PEOPLE HERE
THAN I EXPECTED THIS EARLY
00:01:48.709 --> 00:01:50.109
THERE ARE MORE PEOPLE HERE
THAN I EXPECTED THIS EARLY
ON A SATURDAY MORNING,
00:01:50.111 --> 00:01:52.611
THAN I EXPECTED THIS EARLY
ON A SATURDAY MORNING,
BUT LET'S GO BACK IN TIME
00:01:52.613 --> 00:01:54.813
ON A SATURDAY MORNING,
BUT LET'S GO BACK IN TIME
BECAUSE THIS WHOLE PROJECT,
00:01:54.815 --> 00:01:56.915
BUT LET'S GO BACK IN TIME
BECAUSE THIS WHOLE PROJECT,
THIS WHOLE IDEA STARTED
00:01:56.917 --> 00:01:59.918
BECAUSE THIS WHOLE PROJECT,
THIS WHOLE IDEA STARTED
BACK IN THE EARLY 1990s.
00:01:59.920 --> 00:02:02.054
THIS WHOLE IDEA STARTED
BACK IN THE EARLY 1990s.
>> THAT'S CORRECT, AROUND 1991.
00:02:02.056 --> 00:02:02.921
BACK IN THE EARLY 1990s.
>> THAT'S CORRECT, AROUND 1991.
I'VE BEEN DOING EXHIBITS
00:02:02.923 --> 00:02:05.524
>> THAT'S CORRECT, AROUND 1991.
I'VE BEEN DOING EXHIBITS
AT THE LIBRARY WITH PHOTOGRAPHS
00:02:05.526 --> 00:02:06.792
I'VE BEEN DOING EXHIBITS
AT THE LIBRARY WITH PHOTOGRAPHS
FROM OUR COLLECTION
00:02:06.794 --> 00:02:08.861
AT THE LIBRARY WITH PHOTOGRAPHS
FROM OUR COLLECTION
OF 2.5 MILLION PHOTOS,
00:02:08.863 --> 00:02:10.095
FROM OUR COLLECTION
OF 2.5 MILLION PHOTOS,
BUT WE DIDN'T HAVE
00:02:10.097 --> 00:02:11.030
OF 2.5 MILLION PHOTOS,
BUT WE DIDN'T HAVE
THE PHOTOGRAPHS THAT REPRESENTED
00:02:11.032 --> 00:02:12.131
BUT WE DIDN'T HAVE
THE PHOTOGRAPHS THAT REPRESENTED
THE ETHNIC COMMUNITIES
00:02:12.133 --> 00:02:13.232
THE PHOTOGRAPHS THAT REPRESENTED
THE ETHNIC COMMUNITIES
OF LOS ANGELES.
00:02:13.234 --> 00:02:14.166
THE ETHNIC COMMUNITIES
OF LOS ANGELES.
NOTHING ABOUT
00:02:14.168 --> 00:02:15.067
OF LOS ANGELES.
NOTHING ABOUT
THEIR CONTRIBUTIONS,
00:02:15.069 --> 00:02:15.901
NOTHING ABOUT
THEIR CONTRIBUTIONS,
WHERE THEY LIVED,
00:02:15.903 --> 00:02:16.969
THEIR CONTRIBUTIONS,
WHERE THEY LIVED,
WHAT PART THEY TOOK
00:02:16.971 --> 00:02:18.003
WHERE THEY LIVED,
WHAT PART THEY TOOK
IN THEIR SOCIETY.
00:02:18.005 --> 00:02:19.338
WHAT PART THEY TOOK
IN THEIR SOCIETY.
>> NOW WHY DIDN'T YOU HAVE
00:02:19.340 --> 00:02:20.406
IN THEIR SOCIETY.
>> NOW WHY DIDN'T YOU HAVE
THOSE KIND OF PHOTOS
00:02:20.408 --> 00:02:21.740
>> NOW WHY DIDN'T YOU HAVE
THOSE KIND OF PHOTOS
IN THE COLLECTION,
00:02:21.742 --> 00:02:22.574
THOSE KIND OF PHOTOS
IN THE COLLECTION,
BECAUSE YOU HAD MILLIONS
00:02:22.576 --> 00:02:24.176
IN THE COLLECTION,
BECAUSE YOU HAD MILLIONS
OF PHOTOGRAPHS?
00:02:24.178 --> 00:02:24.877
BECAUSE YOU HAD MILLIONS
OF PHOTOGRAPHS?
>> I THINK IT'S BECAUSE
00:02:24.879 --> 00:02:25.811
OF PHOTOGRAPHS?
>> I THINK IT'S BECAUSE
MOST MAINSTREAM
00:02:25.813 --> 00:02:28.180
>> I THINK IT'S BECAUSE
MOST MAINSTREAM
PHOTO COLLECTIONS IN THOSE DAYS
00:02:28.182 --> 00:02:30.049
MOST MAINSTREAM
PHOTO COLLECTIONS IN THOSE DAYS
STILL DIDN'T RECOGNIZE
00:02:30.051 --> 00:02:32.885
PHOTO COLLECTIONS IN THOSE DAYS
STILL DIDN'T RECOGNIZE
THE DIVERSITY OF THE CITY,
00:02:32.887 --> 00:02:33.886
STILL DIDN'T RECOGNIZE
THE DIVERSITY OF THE CITY,
AND SO YOU HAVE
00:02:33.888 --> 00:02:35.354
THE DIVERSITY OF THE CITY,
AND SO YOU HAVE
THE ANGLO COMMUNITY
00:02:35.356 --> 00:02:38.791
AND SO YOU HAVE
THE ANGLO COMMUNITY
WHO WERE THE POLITICIANS KIND,
00:02:38.793 --> 00:02:40.459
THE ANGLO COMMUNITY
WHO WERE THE POLITICIANS KIND,
THE WEALTHY FAMILIES.
00:02:40.461 --> 00:02:41.093
WHO WERE THE POLITICIANS KIND,
THE WEALTHY FAMILIES.
AND IT WASN'T REALLY
00:02:41.095 --> 00:02:42.461
THE WEALTHY FAMILIES.
AND IT WASN'T REALLY
THE HISTORY OF A NEIGHBORHOOD,
00:02:42.463 --> 00:02:43.262
AND IT WASN'T REALLY
THE HISTORY OF A NEIGHBORHOOD,
IT WAS MORE OR LESS HOW,
00:02:43.264 --> 00:02:44.163
THE HISTORY OF A NEIGHBORHOOD,
IT WAS MORE OR LESS HOW,
YOU KNOW,
00:02:44.165 --> 00:02:44.997
IT WAS MORE OR LESS HOW,
YOU KNOW,
JUST SOME OF THE PEOPLE
00:02:44.999 --> 00:02:47.066
YOU KNOW,
JUST SOME OF THE PEOPLE
WHO WERE RECOGNIZED BY OTHERS--
00:02:47.068 --> 00:02:49.768
JUST SOME OF THE PEOPLE
WHO WERE RECOGNIZED BY OTHERS--
>> MORE OF THE OFFICIAL,
00:02:49.770 --> 00:02:50.569
WHO WERE RECOGNIZED BY OTHERS--
>> MORE OF THE OFFICIAL,
KIND OF, STRUCTURED--
00:02:50.571 --> 00:02:51.170
>> MORE OF THE OFFICIAL,
KIND OF, STRUCTURED--
>> EXACTLY.
00:02:51.172 --> 00:02:52.271
KIND OF, STRUCTURED--
>> EXACTLY.
>> ESTABLISHMENT TYPE
00:02:52.273 --> 00:02:53.172
>> EXACTLY.
>> ESTABLISHMENT TYPE
PHOTOGRAPHS.
00:02:53.174 --> 00:02:53.672
>> ESTABLISHMENT TYPE
PHOTOGRAPHS.
>> YES.
00:02:53.674 --> 00:02:54.573
PHOTOGRAPHS.
>> YES.
>> SO WHAT DID YOU DECIDE TO DO
00:02:54.575 --> 00:02:55.574
>> YES.
>> SO WHAT DID YOU DECIDE TO DO
ABOUT THIS,
00:02:55.576 --> 00:02:56.842
>> SO WHAT DID YOU DECIDE TO DO
ABOUT THIS,
BECAUSE YOU DID MAKE A DECISION,
00:02:56.844 --> 00:02:57.776
ABOUT THIS,
BECAUSE YOU DID MAKE A DECISION,
DIDN'T YOU?
00:02:57.778 --> 00:02:58.811
BECAUSE YOU DID MAKE A DECISION,
DIDN'T YOU?
>> YES, WELL,
00:02:58.813 --> 00:02:59.812
DIDN'T YOU?
>> YES, WELL,
I'M A FOURTH GENERATION
00:02:59.814 --> 00:03:00.846
>> YES, WELL,
I'M A FOURTH GENERATION
PHOTOGRAPHER AND I GREW UP
00:03:00.848 --> 00:03:02.881
I'M A FOURTH GENERATION
PHOTOGRAPHER AND I GREW UP
IN DARKROOMS IN VIRGINIA
00:03:02.883 --> 00:03:04.283
PHOTOGRAPHER AND I GREW UP
IN DARKROOMS IN VIRGINIA
WATCHING MY GRANDPARENTS
00:03:04.285 --> 00:03:06.118
IN DARKROOMS IN VIRGINIA
WATCHING MY GRANDPARENTS
AND MY FAMILY, YOU KNOW,
00:03:06.120 --> 00:03:06.919
WATCHING MY GRANDPARENTS
AND MY FAMILY, YOU KNOW,
DEVELOP, ACTUALLY,
00:03:06.921 --> 00:03:08.053
AND MY FAMILY, YOU KNOW,
DEVELOP, ACTUALLY,
THE COMMUNITY'S PHOTOS
00:03:08.055 --> 00:03:09.021
DEVELOP, ACTUALLY,
THE COMMUNITY'S PHOTOS
IN THOSE DAYS,
00:03:09.023 --> 00:03:10.055
THE COMMUNITY'S PHOTOS
IN THOSE DAYS,
NOT THE DRUG STORE DID IT,
00:03:10.057 --> 00:03:11.890
IN THOSE DAYS,
NOT THE DRUG STORE DID IT,
THE LOCAL STUDIO.
00:03:11.892 --> 00:03:12.825
NOT THE DRUG STORE DID IT,
THE LOCAL STUDIO.
AND I KNEW
00:03:12.827 --> 00:03:13.859
THE LOCAL STUDIO.
AND I KNEW
THAT THOSE PHOTOGRAPHS
00:03:13.861 --> 00:03:14.693
AND I KNEW
THAT THOSE PHOTOGRAPHS
AND FAMILY ALBUMS
00:03:14.695 --> 00:03:15.861
THAT THOSE PHOTOGRAPHS
AND FAMILY ALBUMS
WERE IMPORTANT,
00:03:15.863 --> 00:03:17.963
AND FAMILY ALBUMS
WERE IMPORTANT,
AND THAT IN MY OWN FAMILY ALBUMS
00:03:17.965 --> 00:03:19.264
WERE IMPORTANT,
AND THAT IN MY OWN FAMILY ALBUMS
THAT THERE'S PIECES OF HISTORY
00:03:19.266 --> 00:03:21.367
AND THAT IN MY OWN FAMILY ALBUMS
THAT THERE'S PIECES OF HISTORY
THERE THAT SHOULD BE SHARED
00:03:21.369 --> 00:03:22.868
THAT THERE'S PIECES OF HISTORY
THERE THAT SHOULD BE SHARED
WITH THE LARGER PUBLIC.
00:03:22.870 --> 00:03:24.436
THERE THAT SHOULD BE SHARED
WITH THE LARGER PUBLIC.
AND I JUST DECIDED TO GO
00:03:24.438 --> 00:03:25.270
WITH THE LARGER PUBLIC.
AND I JUST DECIDED TO GO
AND KNOCK ON DOORS
00:03:25.272 --> 00:03:25.904
AND I JUST DECIDED TO GO
AND KNOCK ON DOORS
AND ASK PEOPLE
00:03:25.906 --> 00:03:26.939
AND KNOCK ON DOORS
AND ASK PEOPLE
TO SHARE THEIR FAMILY ALBUMS
00:03:26.941 --> 00:03:28.240
AND ASK PEOPLE
TO SHARE THEIR FAMILY ALBUMS
WITH US.
00:03:28.242 --> 00:03:30.576
TO SHARE THEIR FAMILY ALBUMS
WITH US.
>> THEIR FAMILY ALBUMS
00:03:30.578 --> 00:03:32.211
WITH US.
>> THEIR FAMILY ALBUMS
AND THAT'S WHAT'S INTERESTING
00:03:32.213 --> 00:03:34.113
>> THEIR FAMILY ALBUMS
AND THAT'S WHAT'S INTERESTING
BECAUSE FAMILY ALBUMS
00:03:34.115 --> 00:03:36.515
AND THAT'S WHAT'S INTERESTING
BECAUSE FAMILY ALBUMS
ARE SOMETHING WE ALL HAVE,
00:03:36.517 --> 00:03:38.784
BECAUSE FAMILY ALBUMS
ARE SOMETHING WE ALL HAVE,
BUT I DON'T THINK WE NECESSARILY
00:03:38.786 --> 00:03:41.220
ARE SOMETHING WE ALL HAVE,
BUT I DON'T THINK WE NECESSARILY
THINK OF THEM IN TERMS
00:03:41.222 --> 00:03:43.122
BUT I DON'T THINK WE NECESSARILY
THINK OF THEM IN TERMS
OF BEING IMPORTANT TO ANYONE
00:03:43.124 --> 00:03:45.691
THINK OF THEM IN TERMS
OF BEING IMPORTANT TO ANYONE
BUT OUR OWN FAMILIES.
00:03:45.693 --> 00:03:47.092
OF BEING IMPORTANT TO ANYONE
BUT OUR OWN FAMILIES.
>> AND EVEN IN SOME FAMILIES,
00:03:47.094 --> 00:03:47.993
BUT OUR OWN FAMILIES.
>> AND EVEN IN SOME FAMILIES,
IT'S ONLY ONE PERSON
00:03:47.995 --> 00:03:49.094
>> AND EVEN IN SOME FAMILIES,
IT'S ONLY ONE PERSON
WHO KNOWS THE IMPORTANCE
00:03:49.096 --> 00:03:50.662
IT'S ONLY ONE PERSON
WHO KNOWS THE IMPORTANCE
OF THE ALBUM, YOU KNOW?
00:03:50.664 --> 00:03:51.263
WHO KNOWS THE IMPORTANCE
OF THE ALBUM, YOU KNOW?
>> YES.
00:03:51.265 --> 00:03:52.064
OF THE ALBUM, YOU KNOW?
>> YES.
>> AND SOME OF THOSE PEOPLE,
00:03:52.066 --> 00:03:53.198
>> YES.
>> AND SOME OF THOSE PEOPLE,
"THE FAMILY HISTORIANS" RISE
00:03:53.200 --> 00:03:54.933
>> AND SOME OF THOSE PEOPLE,
"THE FAMILY HISTORIANS" RISE
AND COME INTO THESE DAYS
00:03:54.935 --> 00:03:56.168
"THE FAMILY HISTORIANS" RISE
AND COME INTO THESE DAYS
BECAUSE THEY KNOW
00:03:56.170 --> 00:03:57.236
AND COME INTO THESE DAYS
BECAUSE THEY KNOW
THAT THEIR FAMILY HISTORY
00:03:57.238 --> 00:03:59.505
BECAUSE THEY KNOW
THAT THEIR FAMILY HISTORY
IS NOT JUST
00:03:59.507 --> 00:04:00.873
THAT THEIR FAMILY HISTORY
IS NOT JUST
THEIR FAMILY HISTORY,
00:04:00.875 --> 00:04:02.508
IS NOT JUST
THEIR FAMILY HISTORY,
IT'S THE COMMUNITY HISTORY,
00:04:02.510 --> 00:04:03.742
THEIR FAMILY HISTORY,
IT'S THE COMMUNITY HISTORY,
AND IT HAS IMPORTANCE.
00:04:03.744 --> 00:04:05.444
IT'S THE COMMUNITY HISTORY,
AND IT HAS IMPORTANCE.
IT SHOULD BE SHARED.
00:04:05.446 --> 00:04:06.245
AND IT HAS IMPORTANCE.
IT SHOULD BE SHARED.
>> NOW WHEN YOU TALK ABOUT
00:04:06.247 --> 00:04:07.713
IT SHOULD BE SHARED.
>> NOW WHEN YOU TALK ABOUT
"THESE DAYS,"
00:04:07.715 --> 00:04:08.547
>> NOW WHEN YOU TALK ABOUT
"THESE DAYS,"
LET'S WALK OVER
00:04:08.549 --> 00:04:09.148
"THESE DAYS,"
LET'S WALK OVER
BECAUSE THIS IS
00:04:09.150 --> 00:04:10.149
LET'S WALK OVER
BECAUSE THIS IS
ONE OF "THESE DAYS"
00:04:10.151 --> 00:04:12.818
BECAUSE THIS IS
ONE OF "THESE DAYS"
TAKING PLACE RIGHT NOW.
00:04:12.820 --> 00:04:13.919
ONE OF "THESE DAYS"
TAKING PLACE RIGHT NOW.
WHAT DO WE TALKING ABOUT
00:04:13.921 --> 00:04:15.988
TAKING PLACE RIGHT NOW.
WHAT DO WE TALKING ABOUT
WHEN WE SAY "THESE DAYS"?
00:04:16.256 --> 00:04:17.523
>> WELL, HERE WE HAVE ROSARIO,
00:04:17.657 --> 00:04:19.458
WHO HEARD ABOUT THE PROJECT HERE
00:04:19.592 --> 00:04:20.626
AT THE CYPRESS PARK
00:04:20.760 --> 00:04:22.094
BRANCH LIBRARY,
00:04:22.228 --> 00:04:24.296
AND WE VISITED
00:04:24.431 --> 00:04:25.531
AND SHE BROUGHT IN PHOTOS
00:04:25.665 --> 00:04:26.598
TO SHOW US.
00:04:26.733 --> 00:04:27.866
SHE CAME ORIGINALLY WITH,
00:04:28.001 --> 00:04:30.235
LIKE, TWO BOXES
00:04:30.370 --> 00:04:32.504
AND SO THAT'S WHY I SAW HER
00:04:32.639 --> 00:04:36.008
ORIGINALLY, AND WE SORT OF--
00:04:36.142 --> 00:04:37.076
YEAH, WE GOT HER DOWN
00:04:37.210 --> 00:04:39.778
TO THESE FEW ALBUMS HERE,
00:04:39.913 --> 00:04:41.080
BUT SHE HAS A RICH HISTORY.
00:04:41.214 --> 00:04:41.714
SHE'S LIVED HERE
00:04:41.848 --> 00:04:42.915
IN CYPRESS PARK.
00:04:43.049 --> 00:04:43.782
AT ONE POINT HER FAMILY
00:04:43.917 --> 00:04:46.218
MOVED BACK TO MEXICO,
00:04:46.353 --> 00:04:47.119
AND THEY RAN A RESTAURANT
00:04:47.253 --> 00:04:48.120
DOWN THERE,
00:04:48.254 --> 00:04:49.254
AND THEN THEY RETURNED
00:04:49.389 --> 00:04:50.622
TO CYPRESS PARK AND--
00:04:50.757 --> 00:04:51.457
>> BUT WAIT A MINUTE.
00:04:51.591 --> 00:04:51.990
WE'RE GETTING
00:04:52.125 --> 00:04:53.158
AHEAD OF OURSELVES, AREN'T WE?
00:04:53.293 --> 00:04:53.959
BECAUSE I'M NOT SURE
00:04:54.094 --> 00:04:55.761
WE'VE YET EXPLAINED
00:04:55.895 --> 00:04:57.629
WHAT THE FUNCTION
00:04:57.764 --> 00:04:58.797
OF THESE DAYS IS--
00:04:58.932 --> 00:04:59.264
>> OH.
00:04:59.399 --> 00:04:59.999
>> --AND WHY THESE DAYS
00:05:00.133 --> 00:05:00.733
ARE IMPORTANT?
00:05:00.867 --> 00:05:01.433
>> OH, OKAY.
00:05:01.568 --> 00:05:03.002
WELL, THE IMPORTANCE
00:05:03.136 --> 00:05:03.969
OF THESE DAYS
00:05:04.104 --> 00:05:05.637
IS TO COPY PHOTOGRAPHS
00:05:05.772 --> 00:05:06.772
THAT REPRESENT THE HISTORY
00:05:06.906 --> 00:05:08.240
OF THE COMMUNITY.
00:05:08.375 --> 00:05:09.675
THIS IS SO THAT WE CAN
00:05:09.809 --> 00:05:10.776
TAKE THE PHOTOS,
00:05:10.910 --> 00:05:11.810
PUT THEM INTO THE L.A.
00:05:11.945 --> 00:05:13.545
PUBLIC LIBRARY'S COLLECTION,
00:05:13.680 --> 00:05:14.913
AND MAKE THEM AVAILABLE
00:05:15.048 --> 00:05:15.714
FOR PEOPLE NOW
00:05:15.849 --> 00:05:17.182
AND FOR GENERATIONS TO COME.
00:05:17.317 --> 00:05:19.518
>> SO THE LIBRARY, STARTING BACK
00:05:19.652 --> 00:05:21.653
IN THE EARLY 1990s,
00:05:21.788 --> 00:05:24.423
SENT OUT A CALL.
00:05:24.691 --> 00:05:29.595
>> YES, WE DID.
>> FOR PEOPLE TO BRING IN
THEIR FAMILY ALBUMS,
00:05:29.597 --> 00:05:31.497
>> FOR PEOPLE TO BRING IN
THEIR FAMILY ALBUMS,
THEIR FAMILY HISTORIES.
00:05:31.499 --> 00:05:32.164
THEIR FAMILY ALBUMS,
THEIR FAMILY HISTORIES.
>> EXACTLY.
00:05:32.166 --> 00:05:33.499
THEIR FAMILY HISTORIES.
>> EXACTLY.
>> AND WHAT HAPPENS TO THEM
00:05:33.501 --> 00:05:35.134
>> EXACTLY.
>> AND WHAT HAPPENS TO THEM
WHEN THEY BRING THEM IN ON A DAY
00:05:35.136 --> 00:05:36.935
>> AND WHAT HAPPENS TO THEM
WHEN THEY BRING THEM IN ON A DAY
LIKE THIS?
00:05:36.937 --> 00:05:38.404
WHEN THEY BRING THEM IN ON A DAY
LIKE THIS?
>> WELL, WE REGISTER THEM
00:05:38.406 --> 00:05:39.104
LIKE THIS?
>> WELL, WE REGISTER THEM
AND WE GET A LITTLE BIT
00:05:39.106 --> 00:05:40.606
>> WELL, WE REGISTER THEM
AND WE GET A LITTLE BIT
OF THEIR HISTORY AT THAT TIME
00:05:40.608 --> 00:05:41.640
AND WE GET A LITTLE BIT
OF THEIR HISTORY AT THAT TIME
AND THEN WE BRING THEM
00:05:41.642 --> 00:05:42.741
OF THEIR HISTORY AT THAT TIME
AND THEN WE BRING THEM
TO A TABLE.
00:05:42.743 --> 00:05:43.909
AND THEN WE BRING THEM
TO A TABLE.
WE HAVE VOLUNTEERS HERE
00:05:43.911 --> 00:05:45.277
TO A TABLE.
WE HAVE VOLUNTEERS HERE
THAT ARE GOING TO GO
00:05:45.279 --> 00:05:46.512
WE HAVE VOLUNTEERS HERE
THAT ARE GOING TO GO
THROUGH THE ALBUMS
00:05:46.514 --> 00:05:47.913
THAT ARE GOING TO GO
THROUGH THE ALBUMS
AND SELECT IMAGES
00:05:47.915 --> 00:05:49.348
THROUGH THE ALBUMS
AND SELECT IMAGES
THAT ARE IN AGREEMENT WITH OUR,
00:05:49.350 --> 00:05:51.417
AND SELECT IMAGES
THAT ARE IN AGREEMENT WITH OUR,
SORT OF, POLICY OF RELATING
00:05:51.419 --> 00:05:54.520
THAT ARE IN AGREEMENT WITH OUR,
SORT OF, POLICY OF RELATING
TO COMMUNITY HISTORY, YOU KNOW--
00:05:54.522 --> 00:05:55.688
SORT OF, POLICY OF RELATING
TO COMMUNITY HISTORY, YOU KNOW--
>> WELL, HOW DO YOU MAKE
00:05:55.690 --> 00:05:56.121
TO COMMUNITY HISTORY, YOU KNOW--
>> WELL, HOW DO YOU MAKE
A DECISION?
00:05:56.123 --> 00:05:57.056
>> WELL, HOW DO YOU MAKE
A DECISION?
LOOK AT WHAT WE GOT GOING
00:05:57.058 --> 00:05:58.123
A DECISION?
LOOK AT WHAT WE GOT GOING
OVER HERE.
00:05:58.125 --> 00:05:59.291
LOOK AT WHAT WE GOT GOING
OVER HERE.
WHO'S MAKING THE DECISIONS
00:05:59.293 --> 00:06:00.659
OVER HERE.
WHO'S MAKING THE DECISIONS
OVER HERE?
00:06:00.661 --> 00:06:01.994
WHO'S MAKING THE DECISIONS
OVER HERE?
HOW IN THE WORLD DO YOU DECIDE
00:06:01.996 --> 00:06:02.728
OVER HERE?
HOW IN THE WORLD DO YOU DECIDE
WHEN YOU'RE GOING
00:06:02.730 --> 00:06:04.096
HOW IN THE WORLD DO YOU DECIDE
WHEN YOU'RE GOING
THROUGH AN ALBUM
00:06:04.098 --> 00:06:06.765
WHEN YOU'RE GOING
THROUGH AN ALBUM
WHAT TO KEEP AND WHAT TO USE?
00:06:06.767 --> 00:06:08.634
THROUGH AN ALBUM
WHAT TO KEEP AND WHAT TO USE?
>> IT'S VERY DIFFICULT.
00:06:08.636 --> 00:06:09.668
WHAT TO KEEP AND WHAT TO USE?
>> IT'S VERY DIFFICULT.
ONE OF THE THINGS WE LOOK AT
00:06:09.670 --> 00:06:11.403
>> IT'S VERY DIFFICULT.
ONE OF THE THINGS WE LOOK AT
IS THE QUALITY OF THE PICTURE,
00:06:11.405 --> 00:06:13.205
ONE OF THE THINGS WE LOOK AT
IS THE QUALITY OF THE PICTURE,
IF IT WILL REPRODUCE WELL.
00:06:13.207 --> 00:06:14.573
IS THE QUALITY OF THE PICTURE,
IF IT WILL REPRODUCE WELL.
EVEN IF IT'S VERY INTERESTING,
00:06:14.575 --> 00:06:16.308
IF IT WILL REPRODUCE WELL.
EVEN IF IT'S VERY INTERESTING,
IF IT'S BLURRY,
00:06:16.310 --> 00:06:17.710
EVEN IF IT'S VERY INTERESTING,
IF IT'S BLURRY,
THAT'S NOT A GOOD SELECTION.
00:06:17.712 --> 00:06:18.577
IF IT'S BLURRY,
THAT'S NOT A GOOD SELECTION.
>> THERE ARE SOME BLURRY
00:06:18.579 --> 00:06:20.112
THAT'S NOT A GOOD SELECTION.
>> THERE ARE SOME BLURRY
PICTURES IN FAMILY ALBUMS,
00:06:20.114 --> 00:06:21.714
>> THERE ARE SOME BLURRY
PICTURES IN FAMILY ALBUMS,
AREN'T THERE?
00:06:21.716 --> 00:06:22.715
PICTURES IN FAMILY ALBUMS,
AREN'T THERE?
>> YES.
00:06:22.717 --> 00:06:23.415
AREN'T THERE?
>> YES.
>> OCCASIONALLY.
00:06:23.417 --> 00:06:24.416
>> YES.
>> OCCASIONALLY.
>> NOT VERY WELL CENTERED.
00:06:24.418 --> 00:06:25.017
>> OCCASIONALLY.
>> NOT VERY WELL CENTERED.
I'M JUST THINKING
00:06:25.019 --> 00:06:26.385
>> NOT VERY WELL CENTERED.
I'M JUST THINKING
OF THE HOWSER FAMILY ALBUM.
00:06:26.387 --> 00:06:27.252
I'M JUST THINKING
OF THE HOWSER FAMILY ALBUM.
I'M NOT SURE I'D EVEN
00:06:27.254 --> 00:06:28.520
OF THE HOWSER FAMILY ALBUM.
I'M NOT SURE I'D EVEN
WANT TO BRING IT IN.
00:06:28.522 --> 00:06:28.987
I'M NOT SURE I'D EVEN
WANT TO BRING IT IN.
>> YES.
00:06:28.989 --> 00:06:30.456
WANT TO BRING IT IN.
>> YES.
>> BUT WHAT ARE YOU LOOKING FOR?
00:06:30.458 --> 00:06:31.990
>> YES.
>> BUT WHAT ARE YOU LOOKING FOR?
ARE YOU LOOKING FOR
00:06:31.992 --> 00:06:33.559
>> BUT WHAT ARE YOU LOOKING FOR?
ARE YOU LOOKING FOR
WHO'S IN THE PICTURE?
00:06:33.561 --> 00:06:34.626
ARE YOU LOOKING FOR
WHO'S IN THE PICTURE?
WHAT'S IN THE PICTURE?
00:06:34.628 --> 00:06:36.662
WHO'S IN THE PICTURE?
WHAT'S IN THE PICTURE?
WHERE THE PICTURE'S TAKEN?
00:06:36.664 --> 00:06:38.630
WHAT'S IN THE PICTURE?
WHERE THE PICTURE'S TAKEN?
>> ALL OF THOSE THINGS.
00:06:38.632 --> 00:06:39.431
WHERE THE PICTURE'S TAKEN?
>> ALL OF THOSE THINGS.
THINGS THAT ARE IMPORTANT
00:06:39.433 --> 00:06:40.833
>> ALL OF THOSE THINGS.
THINGS THAT ARE IMPORTANT
TO THE COMMUNITY,
00:06:40.835 --> 00:06:41.500
THINGS THAT ARE IMPORTANT
TO THE COMMUNITY,
THAT ARE IMPORTANT
00:06:41.502 --> 00:06:42.201
TO THE COMMUNITY,
THAT ARE IMPORTANT
IN THE FAMILY,
00:06:42.203 --> 00:06:42.701
THAT ARE IMPORTANT
IN THE FAMILY,
THAT ARE IMPORTANT
00:06:42.703 --> 00:06:44.303
IN THE FAMILY,
THAT ARE IMPORTANT
IN THE CULTURE
00:06:44.305 --> 00:06:45.804
THAT ARE IMPORTANT
IN THE CULTURE
THAT THE FAMILY IS IN.
00:06:45.806 --> 00:06:46.972
IN THE CULTURE
THAT THE FAMILY IS IN.
>> SO YOU'RE COMING IN
00:06:46.974 --> 00:06:47.706
THAT THE FAMILY IS IN.
>> SO YOU'RE COMING IN
AND YOU'RE LOOKING
00:06:47.708 --> 00:06:48.674
>> SO YOU'RE COMING IN
AND YOU'RE LOOKING
THROUGH THIS--
00:06:48.676 --> 00:06:49.241
AND YOU'RE LOOKING
THROUGH THIS--
THERE ARE HUNDREDS
00:06:49.243 --> 00:06:51.543
THROUGH THIS--
THERE ARE HUNDREDS
OF PICTURES IN HERE--
00:06:51.545 --> 00:06:54.279
THERE ARE HUNDREDS
OF PICTURES IN HERE--
AND WHAT ARE WE SEEING HERE?
00:06:54.281 --> 00:06:54.847
OF PICTURES IN HERE--
AND WHAT ARE WE SEEING HERE?
>> YOU MIGHT SHOW HIM
00:06:54.849 --> 00:06:57.016
AND WHAT ARE WE SEEING HERE?
>> YOU MIGHT SHOW HIM
THE ONE OF THE--
00:06:57.018 --> 00:07:00.352
>> YOU MIGHT SHOW HIM
THE ONE OF THE--
>> PHONOGRAPH.
00:07:00.354 --> 00:07:01.253
THE ONE OF THE--
>> PHONOGRAPH.
>> NOW YOU'VE GOT A TAG
00:07:01.255 --> 00:07:02.254
>> PHONOGRAPH.
>> NOW YOU'VE GOT A TAG
ON THIS PAGE.
00:07:02.256 --> 00:07:03.722
>> NOW YOU'VE GOT A TAG
ON THIS PAGE.
>> IT'S FOR THIS ONE.
00:07:03.724 --> 00:07:04.923
ON THIS PAGE.
>> IT'S FOR THIS ONE.
LOOK AT THIS OLD PHONOGRAPH.
00:07:04.925 --> 00:07:07.659
>> IT'S FOR THIS ONE.
LOOK AT THIS OLD PHONOGRAPH.
>> WELL, LET'S TAKE THIS OUT.
00:07:07.661 --> 00:07:08.894
LOOK AT THIS OLD PHONOGRAPH.
>> WELL, LET'S TAKE THIS OUT.
NOW HERE'S THE PHOTOGRAPH
00:07:08.896 --> 00:07:09.895
>> WELL, LET'S TAKE THIS OUT.
NOW HERE'S THE PHOTOGRAPH
RIGHT THERE,
00:07:09.897 --> 00:07:11.563
NOW HERE'S THE PHOTOGRAPH
RIGHT THERE,
AND WHAT'S THAT A PHOTOGRAPH OF?
00:07:11.565 --> 00:07:12.431
RIGHT THERE,
AND WHAT'S THAT A PHOTOGRAPH OF?
>> AN OLD,
00:07:12.433 --> 00:07:14.199
AND WHAT'S THAT A PHOTOGRAPH OF?
>> AN OLD,
OLD PHONOGRAPH PLAYER.
00:07:14.201 --> 00:07:15.367
>> AN OLD,
OLD PHONOGRAPH PLAYER.
RECORD PLAYER.
00:07:15.369 --> 00:07:17.703
OLD PHONOGRAPH PLAYER.
RECORD PLAYER.
>> OKAY, SO IN THIS PHOTOGRAPH,
00:07:17.705 --> 00:07:19.905
RECORD PLAYER.
>> OKAY, SO IN THIS PHOTOGRAPH,
YOU'RE LOOKING FOR AN OBJECT
00:07:19.907 --> 00:07:20.706
>> OKAY, SO IN THIS PHOTOGRAPH,
YOU'RE LOOKING FOR AN OBJECT
THAT'S IN THERE,
00:07:20.708 --> 00:07:22.274
YOU'RE LOOKING FOR AN OBJECT
THAT'S IN THERE,
NOT A PERSON THAT'S IN THERE.
00:07:22.276 --> 00:07:23.409
THAT'S IN THERE,
NOT A PERSON THAT'S IN THERE.
>> THAT'S RIGHT.
00:07:23.411 --> 00:07:24.777
NOT A PERSON THAT'S IN THERE.
>> THAT'S RIGHT.
>> AND WHAT WILL HAPPEN
00:07:24.779 --> 00:07:25.277
>> THAT'S RIGHT.
>> AND WHAT WILL HAPPEN
TO THIS--
00:07:25.279 --> 00:07:25.978
>> AND WHAT WILL HAPPEN
TO THIS--
>> AND IT DOES HAVE A PERSON.
00:07:25.980 --> 00:07:27.379
TO THIS--
>> AND IT DOES HAVE A PERSON.
IT HAS HER HUSBAND IN IT.
00:07:27.381 --> 00:07:28.047
>> AND IT DOES HAVE A PERSON.
IT HAS HER HUSBAND IN IT.
>> OH, OKAY.
00:07:28.049 --> 00:07:29.114
IT HAS HER HUSBAND IN IT.
>> OH, OKAY.
THIS IS YOUR HUSBAND?
00:07:29.116 --> 00:07:31.417
>> OH, OKAY.
THIS IS YOUR HUSBAND?
>> YES.
00:07:31.419 --> 00:07:35.487
THIS IS YOUR HUSBAND?
>> YES.
I THINK IT WAS IN 1959.
00:07:35.489 --> 00:07:36.588
>> YES.
I THINK IT WAS IN 1959.
>> DO YOU KNOW WHAT
00:07:36.590 --> 00:07:37.890
I THINK IT WAS IN 1959.
>> DO YOU KNOW WHAT
ALL THESE PICTURES ARE IN HERE?
00:07:37.892 --> 00:07:39.558
>> DO YOU KNOW WHAT
ALL THESE PICTURES ARE IN HERE?
>> THOSE ARE MY PICTURES, YES.
00:07:39.560 --> 00:07:41.293
ALL THESE PICTURES ARE IN HERE?
>> THOSE ARE MY PICTURES, YES.
>> OKAY.
00:07:41.295 --> 00:07:43.128
>> THOSE ARE MY PICTURES, YES.
>> OKAY.
>> I HAD TO KNOW, YES.
00:07:43.130 --> 00:07:45.097
>> OKAY.
>> I HAD TO KNOW, YES.
>> AND YOUR FAMILY, OBVIOUSLY,
00:07:45.099 --> 00:07:46.932
>> I HAD TO KNOW, YES.
>> AND YOUR FAMILY, OBVIOUSLY,
LIKES TO TAKE PICTURES.
00:07:46.934 --> 00:07:47.766
>> AND YOUR FAMILY, OBVIOUSLY,
LIKES TO TAKE PICTURES.
>> YES.
00:07:47.768 --> 00:07:49.668
LIKES TO TAKE PICTURES.
>> YES.
WE LIKE IT.
00:07:49.670 --> 00:07:50.269
>> YES.
WE LIKE IT.
>> DO YOU TAKE PICTURES
00:07:50.271 --> 00:07:51.670
WE LIKE IT.
>> DO YOU TAKE PICTURES
ALL THE TIME?
00:07:51.672 --> 00:07:53.472
>> DO YOU TAKE PICTURES
ALL THE TIME?
>> WHEREVER WE GO, YES, YES.
00:07:53.474 --> 00:07:55.007
ALL THE TIME?
>> WHEREVER WE GO, YES, YES.
>> VACATIONS?
00:07:55.009 --> 00:07:56.141
>> WHEREVER WE GO, YES, YES.
>> VACATIONS?
AROUND THE NEIGHBORHOOD?
00:07:56.143 --> 00:07:59.545
>> VACATIONS?
AROUND THE NEIGHBORHOOD?
>> SPECIAL OCCASIONS, YES.
00:07:59.547 --> 00:08:00.212
AROUND THE NEIGHBORHOOD?
>> SPECIAL OCCASIONS, YES.
>> THERE ARE LOTS OF PARTIES
00:08:00.214 --> 00:08:00.846
>> SPECIAL OCCASIONS, YES.
>> THERE ARE LOTS OF PARTIES
AND LOTS OF BIRTHDAYS
00:08:00.848 --> 00:08:03.282
>> THERE ARE LOTS OF PARTIES
AND LOTS OF BIRTHDAYS
IN THIS BOOK.
00:08:03.550 --> 00:08:04.717
>> OH, LOOK.
00:08:04.851 --> 00:08:06.752
>> THIS WEDDING WAS MY SON
00:08:06.886 --> 00:08:08.354
IN THE BEACH.
00:08:08.488 --> 00:08:09.421
SHE WANTS TO GET MARRIED
00:08:09.556 --> 00:08:09.922
IN THE BEACH,
00:08:10.056 --> 00:08:11.123
SO THEY GET MARRIED
00:08:11.257 --> 00:08:11.924
IN THE BEACH--
00:08:12.058 --> 00:08:13.158
>> OH, THAT'S YOUR SON.
00:08:13.293 --> 00:08:13.859
>> AND IT'S A LITTLE TOWN
00:08:13.993 --> 00:08:14.426
IN PUERTO VALLARTA.
00:08:14.561 --> 00:08:15.194
THIS IS MY SON
00:08:15.328 --> 00:08:17.796
AND THIS IS MY DAUGHTER-IN-LAW.
00:08:17.931 --> 00:08:18.764
LOOK, THEY GET MARRIED
00:08:18.898 --> 00:08:19.698
IN THE BEACH.
00:08:19.833 --> 00:08:20.766
MY HUSBAND PUT UP TABLE
00:08:20.900 --> 00:08:22.801
AND VERY CLOSE TO THE BEACH.
00:08:22.936 --> 00:08:23.969
>> WHO IS THIS?
00:08:24.104 --> 00:08:25.371
>> THIS IS MY NEPHEW.
00:08:25.505 --> 00:08:26.772
>> WHAT'S THE STORY
00:08:26.906 --> 00:08:28.574
ON THIS PICTURE?
00:08:28.708 --> 00:08:29.475
LET'S TALK A LITTLE BIT
00:08:29.609 --> 00:08:30.642
ABOUT THIS PICTURE.
00:08:30.777 --> 00:08:34.480
>> WHEN HE WENT TO THE SERVICE,
00:08:34.614 --> 00:08:36.982
I DON'T KNOW WHAT YEAR.
00:08:37.117 --> 00:08:37.883
THIS IS--
00:08:38.018 --> 00:08:41.387
>> 1986, NOW YOU ALL
00:08:41.521 --> 00:08:43.956
HAVE THIS MARKED.
00:08:44.090 --> 00:08:47.893
WHY DO YOU HAVE THIS MARKED?
>> WELL, BECAUSE WE WANT
TO COPY IT,
00:08:47.895 --> 00:08:48.927
>> WELL, BECAUSE WE WANT
TO COPY IT,
AND WE'RE GOING TO PUT
00:08:48.929 --> 00:08:50.829
TO COPY IT,
AND WE'RE GOING TO PUT
THE NUMBER ON THE POST-IT
00:08:50.831 --> 00:08:52.364
AND WE'RE GOING TO PUT
THE NUMBER ON THE POST-IT
SO THAT THEN THE PHOTOGRAPH--
00:08:52.366 --> 00:08:53.932
THE NUMBER ON THE POST-IT
SO THAT THEN THE PHOTOGRAPH--
>> BUT WHAT ABOUT THIS PICTURE?
00:08:53.934 --> 00:08:55.501
SO THAT THEN THE PHOTOGRAPH--
>> BUT WHAT ABOUT THIS PICTURE?
THIS IS JUST A PICTURE OF A GUY
00:08:55.503 --> 00:08:58.871
>> BUT WHAT ABOUT THIS PICTURE?
THIS IS JUST A PICTURE OF A GUY
IN HIS UNIFORM FROM 1986.
00:08:58.873 --> 00:09:00.339
THIS IS JUST A PICTURE OF A GUY
IN HIS UNIFORM FROM 1986.
WHAT IS IT ABOUT THAT PICTURE
00:09:00.341 --> 00:09:01.106
IN HIS UNIFORM FROM 1986.
WHAT IS IT ABOUT THAT PICTURE
THAT MAKES YOU THINK
00:09:01.108 --> 00:09:03.542
WHAT IS IT ABOUT THAT PICTURE
THAT MAKES YOU THINK
IT'S IMPORTANT TO SEE?
00:09:03.544 --> 00:09:04.243
THAT MAKES YOU THINK
IT'S IMPORTANT TO SEE?
>> ONE REASON
00:09:04.245 --> 00:09:04.877
IT'S IMPORTANT TO SEE?
>> ONE REASON
IS THAT WE DON'T HAVE
00:09:04.879 --> 00:09:06.478
>> ONE REASON
IS THAT WE DON'T HAVE
A LOT OF PICTURES LIKE THAT.
00:09:06.480 --> 00:09:07.713
IS THAT WE DON'T HAVE
A LOT OF PICTURES LIKE THAT.
WE'RE LOOKING FOR THINGS
00:09:07.715 --> 00:09:08.447
A LOT OF PICTURES LIKE THAT.
WE'RE LOOKING FOR THINGS
THAT ARE DIFFERENT
00:09:08.449 --> 00:09:09.314
WE'RE LOOKING FOR THINGS
THAT ARE DIFFERENT
FROM WHAT WE ALREADY HAVE
00:09:09.316 --> 00:09:10.649
THAT ARE DIFFERENT
FROM WHAT WE ALREADY HAVE
IN THE COLLECTION
00:09:10.651 --> 00:09:12.051
FROM WHAT WE ALREADY HAVE
IN THE COLLECTION
AND WE DON'T HAVE
00:09:12.053 --> 00:09:13.752
IN THE COLLECTION
AND WE DON'T HAVE
A LOT OF SERVICEMEN.
00:09:13.754 --> 00:09:14.353
AND WE DON'T HAVE
A LOT OF SERVICEMEN.
WE DON'T HAVE
00:09:14.355 --> 00:09:17.056
A LOT OF SERVICEMEN.
WE DON'T HAVE
A LOT OF LATINO SERVICEMEN,
00:09:17.058 --> 00:09:18.691
WE DON'T HAVE
A LOT OF LATINO SERVICEMEN,
AND IT'S A BEAUTIFUL PICTURE,
00:09:18.693 --> 00:09:20.325
A LOT OF LATINO SERVICEMEN,
AND IT'S A BEAUTIFUL PICTURE,
AND HE'S A HANDSOME GUY.
00:09:20.327 --> 00:09:21.493
AND IT'S A BEAUTIFUL PICTURE,
AND HE'S A HANDSOME GUY.
>> THAT'S TRUE.
00:09:21.495 --> 00:09:24.029
AND HE'S A HANDSOME GUY.
>> THAT'S TRUE.
THAT'S ANOTHER THING.
00:09:24.031 --> 00:09:24.797
>> THAT'S TRUE.
THAT'S ANOTHER THING.
WHY NOT?
00:09:24.799 --> 00:09:26.265
THAT'S ANOTHER THING.
WHY NOT?
>> WELL HE'S YOUR NEPHEW, RIGHT?
00:09:26.267 --> 00:09:27.232
WHY NOT?
>> WELL HE'S YOUR NEPHEW, RIGHT?
>> THERE YOU GO, YES.
00:09:27.234 --> 00:09:28.300
>> WELL HE'S YOUR NEPHEW, RIGHT?
>> THERE YOU GO, YES.
>> NOW HERE'S ONE.
00:09:28.302 --> 00:09:28.901
>> THERE YOU GO, YES.
>> NOW HERE'S ONE.
WHO IS THIS HOLDING
00:09:28.903 --> 00:09:30.369
>> NOW HERE'S ONE.
WHO IS THIS HOLDING
THIS LITTLE BABY HERE?
00:09:30.371 --> 00:09:32.204
WHO IS THIS HOLDING
THIS LITTLE BABY HERE?
>> MY DAUGHTER.
00:09:32.206 --> 00:09:32.604
THIS LITTLE BABY HERE?
>> MY DAUGHTER.
MY DAUGHTER
00:09:32.606 --> 00:09:34.239
>> MY DAUGHTER.
MY DAUGHTER
AND MY GRANDDAUGHTER.
00:09:34.241 --> 00:09:34.973
MY DAUGHTER
AND MY GRANDDAUGHTER.
>> NOW IS THAT WHEN SHE
00:09:34.975 --> 00:09:35.808
AND MY GRANDDAUGHTER.
>> NOW IS THAT WHEN SHE
WAS BEING CHRISTENED?
00:09:35.810 --> 00:09:36.942
>> NOW IS THAT WHEN SHE
WAS BEING CHRISTENED?
IT LOOKS LIKE A--
00:09:36.944 --> 00:09:38.877
WAS BEING CHRISTENED?
IT LOOKS LIKE A--
>> SHE HAD BAPTISM THAT DAY.
00:09:38.879 --> 00:09:40.846
IT LOOKS LIKE A--
>> SHE HAD BAPTISM THAT DAY.
>> BAPTISM?
00:09:40.848 --> 00:09:43.482
>> SHE HAD BAPTISM THAT DAY.
>> BAPTISM?
AND YOU SAVED THIS ONE.
00:09:43.484 --> 00:09:45.651
>> BAPTISM?
AND YOU SAVED THIS ONE.
>> LOOK AT THAT GORGEOUS DRESS,
00:09:45.653 --> 00:09:48.053
AND YOU SAVED THIS ONE.
>> LOOK AT THAT GORGEOUS DRESS,
AND THE HEAD PIECE.
00:09:48.055 --> 00:09:49.221
>> LOOK AT THAT GORGEOUS DRESS,
AND THE HEAD PIECE.
>> YOU CAN SEE THE DETAIL
00:09:49.223 --> 00:09:51.056
AND THE HEAD PIECE.
>> YOU CAN SEE THE DETAIL
IN THE DRESS,
00:09:51.058 --> 00:09:51.557
>> YOU CAN SEE THE DETAIL
IN THE DRESS,
AND IT'S JUST
00:09:51.559 --> 00:09:52.691
IN THE DRESS,
AND IT'S JUST
A BEAUTIFUL PICTURE.
00:09:52.693 --> 00:09:53.726
AND IT'S JUST
A BEAUTIFUL PICTURE.
IT'S REALLY CLEAR,
00:09:53.728 --> 00:09:55.961
A BEAUTIFUL PICTURE.
IT'S REALLY CLEAR,
AND HAVING THE MISSION
00:09:55.963 --> 00:09:58.330
IT'S REALLY CLEAR,
AND HAVING THE MISSION
IN THE BACKGROUND.
00:09:58.332 --> 00:09:59.365
AND HAVING THE MISSION
IN THE BACKGROUND.
>> SOMETIMES THERE'S A PICTURE
00:09:59.367 --> 00:09:59.999
IN THE BACKGROUND.
>> SOMETIMES THERE'S A PICTURE
THAT ABSOLUTELY
00:10:00.001 --> 00:10:01.266
>> SOMETIMES THERE'S A PICTURE
THAT ABSOLUTELY
JUMPS OUT AT YOU,
00:10:01.268 --> 00:10:01.967
THAT ABSOLUTELY
JUMPS OUT AT YOU,
AND YOU DON'T CARE
00:10:01.969 --> 00:10:02.701
JUMPS OUT AT YOU,
AND YOU DON'T CARE
IF IT'S HISTORICALLY
00:10:02.703 --> 00:10:03.769
AND YOU DON'T CARE
IF IT'S HISTORICALLY
SIGNIFICANT.
00:10:03.771 --> 00:10:05.604
IF IT'S HISTORICALLY
SIGNIFICANT.
IT'S JUST A GORGEOUS PICTURE
00:10:05.606 --> 00:10:07.039
SIGNIFICANT.
IT'S JUST A GORGEOUS PICTURE
AND THIS IS ONE OF THEM
00:10:07.041 --> 00:10:08.874
IT'S JUST A GORGEOUS PICTURE
AND THIS IS ONE OF THEM
THAT YOU JUST HAVE TO COPY.
00:10:08.876 --> 00:10:10.242
AND THIS IS ONE OF THEM
THAT YOU JUST HAVE TO COPY.
>> AND HOW DOES IT MAKE YOU FEEL
00:10:10.244 --> 00:10:11.343
THAT YOU JUST HAVE TO COPY.
>> AND HOW DOES IT MAKE YOU FEEL
WHEN YOU HEAR SOMEBODY SAY THAT
00:10:11.345 --> 00:10:12.244
>> AND HOW DOES IT MAKE YOU FEEL
WHEN YOU HEAR SOMEBODY SAY THAT
ABOUT YOUR PICTURES?
00:10:12.246 --> 00:10:12.978
WHEN YOU HEAR SOMEBODY SAY THAT
ABOUT YOUR PICTURES?
>> OH, I LOVE IT,
00:10:12.980 --> 00:10:15.581
ABOUT YOUR PICTURES?
>> OH, I LOVE IT,
I LOVE IT.
00:10:15.583 --> 00:10:16.048
>> OH, I LOVE IT,
I LOVE IT.
>> DID YOU HAVE
00:10:16.050 --> 00:10:16.582
I LOVE IT.
>> DID YOU HAVE
TO GET PERMISSION
00:10:16.584 --> 00:10:17.516
>> DID YOU HAVE
TO GET PERMISSION
FROM YOUR FAMILY TO BRING IN
00:10:17.518 --> 00:10:18.217
TO GET PERMISSION
FROM YOUR FAMILY TO BRING IN
ALL THESE PICTURES?
00:10:18.219 --> 00:10:19.852
FROM YOUR FAMILY TO BRING IN
ALL THESE PICTURES?
>> YES.
00:10:19.854 --> 00:10:20.452
ALL THESE PICTURES?
>> YES.
>> BECAUSE SOME OF THESE
00:10:20.454 --> 00:10:21.754
>> YES.
>> BECAUSE SOME OF THESE
ARE KIND OF PRIVATE PICTURES.
00:10:21.756 --> 00:10:22.755
>> BECAUSE SOME OF THESE
ARE KIND OF PRIVATE PICTURES.
>> YES, WELL, MAYBE.
00:10:22.757 --> 00:10:24.123
ARE KIND OF PRIVATE PICTURES.
>> YES, WELL, MAYBE.
I DIDN'T TELL MY DAUGHTERS
00:10:24.125 --> 00:10:25.924
>> YES, WELL, MAYBE.
I DIDN'T TELL MY DAUGHTERS
BECAUSE IF I TELL HER THEY SAY,
00:10:25.926 --> 00:10:27.860
I DIDN'T TELL MY DAUGHTERS
BECAUSE IF I TELL HER THEY SAY,
"NO, YOU'RE NOT TAKING IT,"
00:10:27.862 --> 00:10:30.362
BECAUSE IF I TELL HER THEY SAY,
"NO, YOU'RE NOT TAKING IT,"
SO I DIDN'T TELL HER.
00:10:30.364 --> 00:10:31.296
"NO, YOU'RE NOT TAKING IT,"
SO I DIDN'T TELL HER.
>> WE'VE MOVED OVER
00:10:31.298 --> 00:10:32.564
SO I DIDN'T TELL HER.
>> WE'VE MOVED OVER
TO ANOTHER TABLE.
00:10:32.566 --> 00:10:33.732
>> WE'VE MOVED OVER
TO ANOTHER TABLE.
YOUR NAME IS?
00:10:33.734 --> 00:10:35.100
TO ANOTHER TABLE.
YOUR NAME IS?
>> ANTONIO VALERIO.
00:10:35.102 --> 00:10:36.001
YOUR NAME IS?
>> ANTONIO VALERIO.
>> NOW YOU'RE SITTING HERE
00:10:36.003 --> 00:10:37.002
>> ANTONIO VALERIO.
>> NOW YOU'RE SITTING HERE
IN FRONT OF WHOLE BUNCH
00:10:37.004 --> 00:10:39.038
>> NOW YOU'RE SITTING HERE
IN FRONT OF WHOLE BUNCH
OF YOUR FAMILY PICTURES, RIGHT?
00:10:39.040 --> 00:10:39.972
IN FRONT OF WHOLE BUNCH
OF YOUR FAMILY PICTURES, RIGHT?
>> YES, SIR.
00:10:39.974 --> 00:10:40.839
OF YOUR FAMILY PICTURES, RIGHT?
>> YES, SIR.
>> AND HOW DID YOU DECIDE
00:10:40.841 --> 00:10:42.975
>> YES, SIR.
>> AND HOW DID YOU DECIDE
WHICH ONES TO BRING IN?
00:10:42.977 --> 00:10:43.542
>> AND HOW DID YOU DECIDE
WHICH ONES TO BRING IN?
OR DID YOU JUST BRING
00:10:43.544 --> 00:10:44.109
WHICH ONES TO BRING IN?
OR DID YOU JUST BRING
THEM ALL IN?
00:10:44.111 --> 00:10:44.810
OR DID YOU JUST BRING
THEM ALL IN?
>> I BROUGHT THEM ALL IN
00:10:44.812 --> 00:10:48.847
THEM ALL IN?
>> I BROUGHT THEM ALL IN
AND THEN DOROTHY--CAROL SORTED
00:10:48.849 --> 00:10:50.182
>> I BROUGHT THEM ALL IN
AND THEN DOROTHY--CAROL SORTED
SOME OF THEM OUT.
00:10:50.184 --> 00:10:51.550
AND THEN DOROTHY--CAROL SORTED
SOME OF THEM OUT.
>> OKAY, SO THESE ARE THE ONES
00:10:51.552 --> 00:10:52.985
SOME OF THEM OUT.
>> OKAY, SO THESE ARE THE ONES
THAT HAVE BEEN SORTED OUT.
00:10:52.987 --> 00:10:55.154
>> OKAY, SO THESE ARE THE ONES
THAT HAVE BEEN SORTED OUT.
WHY HAVE WE PULLED
00:10:55.156 --> 00:10:58.323
THAT HAVE BEEN SORTED OUT.
WHY HAVE WE PULLED
THESE PICTURES OUT?
00:10:58.325 --> 00:11:00.526
WHY HAVE WE PULLED
THESE PICTURES OUT?
>> WELL, ONE THING
00:11:00.528 --> 00:11:01.560
THESE PICTURES OUT?
>> WELL, ONE THING
WE WERE TALKING ABOUT
00:11:01.562 --> 00:11:04.163
>> WELL, ONE THING
WE WERE TALKING ABOUT
WAS THE FACT THAT ADULTS
00:11:04.165 --> 00:11:04.863
WE WERE TALKING ABOUT
WAS THE FACT THAT ADULTS
AREN'T OFTEN PICTURED
00:11:04.865 --> 00:11:08.267
WAS THE FACT THAT ADULTS
AREN'T OFTEN PICTURED
IN THEIR HALLOWEEN COSTUMES.
00:11:08.269 --> 00:11:09.335
AREN'T OFTEN PICTURED
IN THEIR HALLOWEEN COSTUMES.
>> OH, LET'S HOLD THAT ONE UP.
00:11:09.337 --> 00:11:10.803
IN THEIR HALLOWEEN COSTUMES.
>> OH, LET'S HOLD THAT ONE UP.
LET'S TAKE A LOOK AT THAT ONE.
00:11:10.805 --> 00:11:11.837
>> OH, LET'S HOLD THAT ONE UP.
LET'S TAKE A LOOK AT THAT ONE.
>> IT'S A GREAT IMAGE.
00:11:11.839 --> 00:11:12.771
LET'S TAKE A LOOK AT THAT ONE.
>> IT'S A GREAT IMAGE.
>> NOW YOU'RE WEARING GLOVES,
00:11:12.773 --> 00:11:13.739
>> IT'S A GREAT IMAGE.
>> NOW YOU'RE WEARING GLOVES,
I'M NOT, BUT HERE'S A GREAT SHOT
00:11:13.741 --> 00:11:16.675
>> NOW YOU'RE WEARING GLOVES,
I'M NOT, BUT HERE'S A GREAT SHOT
RIGHT HERE.
00:11:16.677 --> 00:11:17.943
I'M NOT, BUT HERE'S A GREAT SHOT
RIGHT HERE.
>> IT'S NICE.
00:11:17.945 --> 00:11:19.411
RIGHT HERE.
>> IT'S NICE.
>> IS THAT YOU?
00:11:19.413 --> 00:11:21.380
>> IT'S NICE.
>> IS THAT YOU?
>> THAT'S ME, ALL RIGHT,
00:11:21.382 --> 00:11:24.016
>> IS THAT YOU?
>> THAT'S ME, ALL RIGHT,
IN DISGUISE.
00:11:24.018 --> 00:11:24.850
>> THAT'S ME, ALL RIGHT,
IN DISGUISE.
>> WHAT WAS THE HISTORY
00:11:24.852 --> 00:11:25.651
IN DISGUISE.
>> WHAT WAS THE HISTORY
OF THIS PICTURE?
00:11:25.653 --> 00:11:29.121
>> WHAT WAS THE HISTORY
OF THIS PICTURE?
WHEN WAS THIS MADE?
00:11:29.123 --> 00:11:31.523
OF THIS PICTURE?
WHEN WAS THIS MADE?
>> IT WAS MADE IN 1988.
00:11:31.525 --> 00:11:32.091
WHEN WAS THIS MADE?
>> IT WAS MADE IN 1988.
IT WAS MADE OVER
00:11:32.093 --> 00:11:33.759
>> IT WAS MADE IN 1988.
IT WAS MADE OVER
AT A LADY'S HOUSE.
00:11:33.761 --> 00:11:35.394
IT WAS MADE OVER
AT A LADY'S HOUSE.
SHE THREW A PARTY THAT--
00:11:35.396 --> 00:11:37.363
AT A LADY'S HOUSE.
SHE THREW A PARTY THAT--
SHE OWNS A HISTORICAL HOUSE
00:11:37.365 --> 00:11:39.531
SHE THREW A PARTY THAT--
SHE OWNS A HISTORICAL HOUSE
ON AVENUE 50 IN FIGUEROA.
00:11:39.533 --> 00:11:40.332
SHE OWNS A HISTORICAL HOUSE
ON AVENUE 50 IN FIGUEROA.
>> SO YOU THOUGHT YOU'D GO
00:11:40.334 --> 00:11:43.469
ON AVENUE 50 IN FIGUEROA.
>> SO YOU THOUGHT YOU'D GO
AS A HISTORICAL--
00:11:43.471 --> 00:11:45.804
>> SO YOU THOUGHT YOU'D GO
AS A HISTORICAL--
WHAT ARE YOU DRESSED UP AS?
00:11:45.806 --> 00:11:48.273
AS A HISTORICAL--
WHAT ARE YOU DRESSED UP AS?
>> A VAMPIRE.
00:11:48.275 --> 00:11:49.775
WHAT ARE YOU DRESSED UP AS?
>> A VAMPIRE.
>> AND THIS WILL REALLY
00:11:49.777 --> 00:11:52.978
>> A VAMPIRE.
>> AND THIS WILL REALLY
BE IMPORTANT TO KEEP.
00:11:52.980 --> 00:11:55.247
>> AND THIS WILL REALLY
BE IMPORTANT TO KEEP.
>> WELL, YOU NEVER KNOW.
00:11:55.249 --> 00:11:57.316
BE IMPORTANT TO KEEP.
>> WELL, YOU NEVER KNOW.
I COULD SEE THIS BEING
00:11:57.318 --> 00:12:02.087
>> WELL, YOU NEVER KNOW.
I COULD SEE THIS BEING
A VALUABLE RESEARCH IMAGE, YES.
00:12:02.089 --> 00:12:02.888
I COULD SEE THIS BEING
A VALUABLE RESEARCH IMAGE, YES.
>> WHAT ABOUT THIS ONE
00:12:02.890 --> 00:12:04.323
A VALUABLE RESEARCH IMAGE, YES.
>> WHAT ABOUT THIS ONE
RIGHT HERE?
00:12:04.325 --> 00:12:08.694
>> WHAT ABOUT THIS ONE
RIGHT HERE?
>> THAT'S HIS SON TAKING A BATH.
00:12:08.696 --> 00:12:09.228
RIGHT HERE?
>> THAT'S HIS SON TAKING A BATH.
>> DO YOU REMEMBER
00:12:09.230 --> 00:12:10.596
>> THAT'S HIS SON TAKING A BATH.
>> DO YOU REMEMBER
TAKING THIS PICTURE?
00:12:10.598 --> 00:12:11.764
>> DO YOU REMEMBER
TAKING THIS PICTURE?
>> YES, MY WIFE TOOK IT.
00:12:11.766 --> 00:12:14.133
TAKING THIS PICTURE?
>> YES, MY WIFE TOOK IT.
>> AND WHAT DO YOU THINK OF WHEN
00:12:14.135 --> 00:12:16.735
>> YES, MY WIFE TOOK IT.
>> AND WHAT DO YOU THINK OF WHEN
YOU THINK BACK TO THIS MOMENT,
00:12:16.737 --> 00:12:19.004
>> AND WHAT DO YOU THINK OF WHEN
YOU THINK BACK TO THIS MOMENT,
TO THIS PICTURE?
00:12:19.006 --> 00:12:20.072
YOU THINK BACK TO THIS MOMENT,
TO THIS PICTURE?
>> MAY I SEE IT RIGHT THERE?
00:12:20.074 --> 00:12:24.510
TO THIS PICTURE?
>> MAY I SEE IT RIGHT THERE?
>> YES.
00:12:24.512 --> 00:12:26.812
>> MAY I SEE IT RIGHT THERE?
>> YES.
>> WELL, WHEN HE WAS A BABY.
00:12:26.814 --> 00:12:29.148
>> YES.
>> WELL, WHEN HE WAS A BABY.
GOOD MEMORIES.
00:12:29.150 --> 00:12:31.016
>> WELL, WHEN HE WAS A BABY.
GOOD MEMORIES.
GOOD FEELING INSIDE.
00:12:31.018 --> 00:12:32.584
GOOD MEMORIES.
GOOD FEELING INSIDE.
NOW HE'S 20 YEARS OLD.
00:12:32.586 --> 00:12:34.687
GOOD FEELING INSIDE.
NOW HE'S 20 YEARS OLD.
>> DO YOU GO THROUGH
00:12:34.689 --> 00:12:37.156
NOW HE'S 20 YEARS OLD.
>> DO YOU GO THROUGH
YOUR PHOTO ALBUMS VERY MUCH
00:12:37.158 --> 00:12:38.357
>> DO YOU GO THROUGH
YOUR PHOTO ALBUMS VERY MUCH
OR DO THEY KIND OF COLLECT DUST
00:12:38.359 --> 00:12:39.491
YOUR PHOTO ALBUMS VERY MUCH
OR DO THEY KIND OF COLLECT DUST
ON THE SHELF?
00:12:39.493 --> 00:12:40.359
OR DO THEY KIND OF COLLECT DUST
ON THE SHELF?
BE HONEST, NOW.
00:12:40.361 --> 00:12:40.859
ON THE SHELF?
BE HONEST, NOW.
>> OH, NO.
00:12:40.861 --> 00:12:42.561
BE HONEST, NOW.
>> OH, NO.
WE GO THROUGH THEM ALL THE TIME
00:12:42.563 --> 00:12:44.096
>> OH, NO.
WE GO THROUGH THEM ALL THE TIME
AND SOMETIMES THE FAMILY MEMBERS
00:12:44.098 --> 00:12:45.798
WE GO THROUGH THEM ALL THE TIME
AND SOMETIMES THE FAMILY MEMBERS
COME OVER AND--
00:12:45.800 --> 00:12:47.066
AND SOMETIMES THE FAMILY MEMBERS
COME OVER AND--
WE HAVE A LOT OF PICTURES--
00:12:47.068 --> 00:12:47.633
COME OVER AND--
WE HAVE A LOT OF PICTURES--
AND SOMETIMES
00:12:47.635 --> 00:12:49.335
WE HAVE A LOT OF PICTURES--
AND SOMETIMES
THEY HELP THEMSELVES.
00:12:49.337 --> 00:12:50.202
AND SOMETIMES
THEY HELP THEMSELVES.
SO MY WIFE USED TO KEEP THEM
00:12:50.204 --> 00:12:51.470
THEY HELP THEMSELVES.
SO MY WIFE USED TO KEEP THEM
IN AN ALBUM AND THEN
00:12:51.472 --> 00:12:52.705
SO MY WIFE USED TO KEEP THEM
IN AN ALBUM AND THEN
THEY WOULD LOOK AT THEM,
00:12:52.707 --> 00:12:53.605
IN AN ALBUM AND THEN
THEY WOULD LOOK AT THEM,
AND THEY WOULD SEE MEMORIES
00:12:53.607 --> 00:12:54.673
THEY WOULD LOOK AT THEM,
AND THEY WOULD SEE MEMORIES
OF THEMSELVES,
00:12:54.675 --> 00:12:55.541
AND THEY WOULD SEE MEMORIES
OF THEMSELVES,
AND THEY HELPED THEMSELVES
00:12:55.543 --> 00:12:56.041
OF THEMSELVES,
AND THEY HELPED THEMSELVES
TO IT.
00:12:56.043 --> 00:12:56.642
AND THEY HELPED THEMSELVES
TO IT.
SO MY WIFE BROKE UP
00:12:56.644 --> 00:12:58.177
TO IT.
SO MY WIFE BROKE UP
THE WHOLE ALBUM AND PUT THEM
00:12:58.179 --> 00:12:59.044
SO MY WIFE BROKE UP
THE WHOLE ALBUM AND PUT THEM
IN A BOX, SO NO MORE PICTURES
00:12:59.046 --> 00:13:01.880
THE WHOLE ALBUM AND PUT THEM
IN A BOX, SO NO MORE PICTURES
WOULD DISAPPEAR.
00:13:01.882 --> 00:13:02.915
IN A BOX, SO NO MORE PICTURES
WOULD DISAPPEAR.
>> SO THIS IS A BIG DEAL
00:13:02.917 --> 00:13:04.783
WOULD DISAPPEAR.
>> SO THIS IS A BIG DEAL
TO BRING THESE DOWN HERE TODAY
00:13:04.785 --> 00:13:09.021
>> SO THIS IS A BIG DEAL
TO BRING THESE DOWN HERE TODAY
AND SHARE THEM.
00:13:09.023 --> 00:13:10.155
TO BRING THESE DOWN HERE TODAY
AND SHARE THEM.
>> HIS WHOLE FAMILY IS HERE.
00:13:10.157 --> 00:13:10.789
AND SHARE THEM.
>> HIS WHOLE FAMILY IS HERE.
>> YES.
00:13:10.791 --> 00:13:11.490
>> HIS WHOLE FAMILY IS HERE.
>> YES.
>> RIGHT HERE.
00:13:11.492 --> 00:13:12.658
>> YES.
>> RIGHT HERE.
>> YES.
00:13:12.660 --> 00:13:13.359
>> RIGHT HERE.
>> YES.
>> ACTUALLY, WE SHOULD MENTION
00:13:13.361 --> 00:13:14.493
>> YES.
>> ACTUALLY, WE SHOULD MENTION
THAT HE'S A BARBER AND HIS SHOP
00:13:14.495 --> 00:13:15.994
>> ACTUALLY, WE SHOULD MENTION
THAT HE'S A BARBER AND HIS SHOP
IS ACROSS THE STREET,
00:13:15.996 --> 00:13:17.730
THAT HE'S A BARBER AND HIS SHOP
IS ACROSS THE STREET,
AND HAS BEEN HERE SINCE 1980,
00:13:17.732 --> 00:13:18.630
IS ACROSS THE STREET,
AND HAS BEEN HERE SINCE 1980,
IS THAT WHAT YOU SAID?
00:13:18.632 --> 00:13:19.798
AND HAS BEEN HERE SINCE 1980,
IS THAT WHAT YOU SAID?
>> YES, SINCE 1980.
00:13:19.800 --> 00:13:20.366
IS THAT WHAT YOU SAID?
>> YES, SINCE 1980.
>> SO WE HAVE A COUPLE
00:13:20.368 --> 00:13:21.800
>> YES, SINCE 1980.
>> SO WE HAVE A COUPLE
OF HIS BARBERSHOP PHOTOGRAPHS,
00:13:21.802 --> 00:13:22.401
>> SO WE HAVE A COUPLE
OF HIS BARBERSHOP PHOTOGRAPHS,
AS WELL.
00:13:22.403 --> 00:13:23.002
OF HIS BARBERSHOP PHOTOGRAPHS,
AS WELL.
>> WHERE ARE THOSE?
00:13:23.004 --> 00:13:25.637
AS WELL.
>> WHERE ARE THOSE?
>> YOU GOT TO SEE THIS ONE,
00:13:25.639 --> 00:13:27.873
>> WHERE ARE THOSE?
>> YOU GOT TO SEE THIS ONE,
THIS IS THE APPREHENSIVE,
00:13:27.875 --> 00:13:30.576
>> YOU GOT TO SEE THIS ONE,
THIS IS THE APPREHENSIVE,
PROBABLY FIRST-TIME HAIR CUT
00:13:30.578 --> 00:13:31.877
THIS IS THE APPREHENSIVE,
PROBABLY FIRST-TIME HAIR CUT
HERE.
00:13:31.879 --> 00:13:33.045
PROBABLY FIRST-TIME HAIR CUT
HERE.
>> NOW I CAN SEE WHY THAT,
00:13:33.047 --> 00:13:34.980
HERE.
>> NOW I CAN SEE WHY THAT,
HISTORICALLY, WOULD BE
00:13:34.982 --> 00:13:36.081
>> NOW I CAN SEE WHY THAT,
HISTORICALLY, WOULD BE
A GREAT SHOT TO SAVE.
00:13:36.083 --> 00:13:36.648
HISTORICALLY, WOULD BE
A GREAT SHOT TO SAVE.
>> YOU CAN SEE
00:13:36.650 --> 00:13:38.550
A GREAT SHOT TO SAVE.
>> YOU CAN SEE
HIS WHOLE SHOP THERE, YOU KNOW,
00:13:38.552 --> 00:13:39.685
>> YOU CAN SEE
HIS WHOLE SHOP THERE, YOU KNOW,
THINGS THAT THEY'RE HANGING
00:13:39.687 --> 00:13:42.287
HIS WHOLE SHOP THERE, YOU KNOW,
THINGS THAT THEY'RE HANGING
ON THE WALLS.
00:13:42.289 --> 00:13:43.789
THINGS THAT THEY'RE HANGING
ON THE WALLS.
IT'S A GREAT PHOTOGRAPH.
00:13:43.791 --> 00:13:44.990
ON THE WALLS.
IT'S A GREAT PHOTOGRAPH.
>> WOULD YOU THINK
00:13:44.992 --> 00:13:45.758
IT'S A GREAT PHOTOGRAPH.
>> WOULD YOU THINK
THAT THIS WOULD BE
00:13:45.760 --> 00:13:46.692
>> WOULD YOU THINK
THAT THIS WOULD BE
THE KIND OF PHOTOGRAPH,
00:13:46.694 --> 00:13:48.027
THAT THIS WOULD BE
THE KIND OF PHOTOGRAPH,
THAT ANYBODY WOULD BE
00:13:48.029 --> 00:13:49.428
THE KIND OF PHOTOGRAPH,
THAT ANYBODY WOULD BE
INTERESTED IN THIS PHOTOGRAPH
00:13:49.430 --> 00:13:51.430
THAT ANYBODY WOULD BE
INTERESTED IN THIS PHOTOGRAPH
OTHER THAN YOU?
00:13:51.432 --> 00:13:54.533
INTERESTED IN THIS PHOTOGRAPH
OTHER THAN YOU?
>> NOT REALLY, UNTIL NOW.
00:13:54.535 --> 00:13:55.668
OTHER THAN YOU?
>> NOT REALLY, UNTIL NOW.
>> SO NOW YOU'RE GOING TO START
00:13:55.670 --> 00:13:56.268
>> NOT REALLY, UNTIL NOW.
>> SO NOW YOU'RE GOING TO START
LOOKING AT THESE
00:13:56.270 --> 00:13:58.437
>> SO NOW YOU'RE GOING TO START
LOOKING AT THESE
IN A WHOLE 'NOTHER LIGHT.
00:13:58.439 --> 00:13:59.204
LOOKING AT THESE
IN A WHOLE 'NOTHER LIGHT.
>> OH, DEFINITELY.
00:13:59.206 --> 00:14:01.707
IN A WHOLE 'NOTHER LIGHT.
>> OH, DEFINITELY.
THIS IS A MOMENT,
00:14:01.709 --> 00:14:04.009
>> OH, DEFINITELY.
THIS IS A MOMENT,
A CHAPTER IN MY LIFE.
00:14:04.011 --> 00:14:04.476
THIS IS A MOMENT,
A CHAPTER IN MY LIFE.
>> WE'VE GOT
00:14:04.478 --> 00:14:06.078
A CHAPTER IN MY LIFE.
>> WE'VE GOT
A WEDDING PICTURE HERE.
00:14:06.080 --> 00:14:07.346
>> WE'VE GOT
A WEDDING PICTURE HERE.
EXPLAIN WHO THIS IS
00:14:07.348 --> 00:14:08.547
A WEDDING PICTURE HERE.
EXPLAIN WHO THIS IS
IN THE PICTURE.
00:14:08.815 --> 00:14:09.848
>> THIS IS MY MOM,
00:14:09.983 --> 00:14:10.649
BERTHA SOLEZ,
00:14:10.784 --> 00:14:12.251
AND MY FATHER, MANUEL SOLEZ,
00:14:12.385 --> 00:14:13.752
WHEN THEY WERE FIRST MARRIED.
00:14:13.887 --> 00:14:14.553
THEY TOOK THIS PICTURE
00:14:14.688 --> 00:14:16.021
IN MEXICO.
00:14:16.156 --> 00:14:16.755
>> WOW.
00:14:16.890 --> 00:14:17.790
NOW DOES IT HANG ON THE WALL
00:14:17.924 --> 00:14:18.824
IN YOUR HOME?
00:14:18.958 --> 00:14:19.425
>> YES.
00:14:19.559 --> 00:14:20.459
>> SO YOU BROUGHT THIS IN
00:14:20.593 --> 00:14:21.260
OFF THE WALL.
00:14:21.394 --> 00:14:21.760
>> YES.
00:14:21.895 --> 00:14:22.494
[ LAUGHTER ]
00:14:22.629 --> 00:14:24.296
>> IS THIS YOU GETTING MARRIED?
00:14:24.431 --> 00:14:25.531
>> YES.
00:14:25.665 --> 00:14:28.500
I GOT MARRIED IN 1957.
00:14:28.635 --> 00:14:29.702
>> SO YOU REMEMBER THIS DAY
00:14:29.836 --> 00:14:30.736
VERY WELL.
00:14:30.870 --> 00:14:32.037
>> OH, YES.
00:14:32.172 --> 00:14:32.638
[ LAUGHTER ]
00:14:32.772 --> 00:14:33.372
>> HE WAS SWEATING A LITTLE BIT
00:14:33.506 --> 00:14:36.141
IN THIS PICTURE.
00:14:36.409 --> 00:14:40.679
BUT YOU'VE GOT OTHER PICTURES
HERE AS WELL.
NOW WHO IS THIS?
00:14:40.681 --> 00:14:43.982
HERE AS WELL.
NOW WHO IS THIS?
>> THIS IS SIENNA DE LEON.
00:14:43.984 --> 00:14:45.951
NOW WHO IS THIS?
>> THIS IS SIENNA DE LEON.
THAT'S FOR HER BAPTISM.
00:14:45.953 --> 00:14:46.652
>> THIS IS SIENNA DE LEON.
THAT'S FOR HER BAPTISM.
THAT PICTURE,
00:14:46.654 --> 00:14:47.886
THAT'S FOR HER BAPTISM.
THAT PICTURE,
WE WERE TRYING ON HER DRESS
00:14:47.888 --> 00:14:49.188
THAT PICTURE,
WE WERE TRYING ON HER DRESS
FOR HER BAPTISM.
00:14:49.190 --> 00:14:50.489
WE WERE TRYING ON HER DRESS
FOR HER BAPTISM.
>> WOW.
00:14:50.491 --> 00:14:51.323
FOR HER BAPTISM.
>> WOW.
AND HERE ARE THE PEOPLE
00:14:51.325 --> 00:14:53.726
>> WOW.
AND HERE ARE THE PEOPLE
OVER HERE WHO ARE GOING THROUGH
00:14:53.728 --> 00:14:55.961
AND HERE ARE THE PEOPLE
OVER HERE WHO ARE GOING THROUGH
ALL OF THESE PICTURES.
00:14:55.963 --> 00:14:57.996
OVER HERE WHO ARE GOING THROUGH
ALL OF THESE PICTURES.
>> THIS IS A HARD JOB.
00:14:57.998 --> 00:14:59.365
ALL OF THESE PICTURES.
>> THIS IS A HARD JOB.
>> REALLY, IT IS.
00:14:59.367 --> 00:15:00.733
>> THIS IS A HARD JOB.
>> REALLY, IT IS.
>> WHY IS IT A HARD JOB?
00:15:00.735 --> 00:15:01.233
>> REALLY, IT IS.
>> WHY IS IT A HARD JOB?
>> WELL, THERE ARE
00:15:01.235 --> 00:15:02.768
>> WHY IS IT A HARD JOB?
>> WELL, THERE ARE
SO MANY PICTURES THAT TUG
00:15:02.770 --> 00:15:04.636
>> WELL, THERE ARE
SO MANY PICTURES THAT TUG
AT HER HEARTSTRINGS
00:15:04.638 --> 00:15:05.971
SO MANY PICTURES THAT TUG
AT HER HEARTSTRINGS
AND THEY TUG AT OURS, TOO,
00:15:05.973 --> 00:15:07.072
AT HER HEARTSTRINGS
AND THEY TUG AT OURS, TOO,
WHEN WE SEE THEM,
00:15:07.074 --> 00:15:08.140
AND THEY TUG AT OURS, TOO,
WHEN WE SEE THEM,
AND WE HAVE A LIMITED AMOUNT
00:15:08.142 --> 00:15:09.441
WHEN WE SEE THEM,
AND WE HAVE A LIMITED AMOUNT
OF PICTURES THAT
00:15:09.443 --> 00:15:11.443
AND WE HAVE A LIMITED AMOUNT
OF PICTURES THAT
WE CAN DO TODAY.
00:15:11.445 --> 00:15:12.778
OF PICTURES THAT
WE CAN DO TODAY.
>> SO YOU'RE A SOFTY
00:15:12.780 --> 00:15:13.812
WE CAN DO TODAY.
>> SO YOU'RE A SOFTY
WHEN IT COMES TO LOOKING
00:15:13.814 --> 00:15:14.346
>> SO YOU'RE A SOFTY
WHEN IT COMES TO LOOKING
AT THESE--
00:15:14.348 --> 00:15:16.215
WHEN IT COMES TO LOOKING
AT THESE--
>> I'M A SOFTY.
00:15:16.217 --> 00:15:18.217
AT THESE--
>> I'M A SOFTY.
>> AND WHAT ARE YOU A SOFTY FOR
00:15:18.219 --> 00:15:19.251
>> I'M A SOFTY.
>> AND WHAT ARE YOU A SOFTY FOR
WHEN YOU THUMB
00:15:19.253 --> 00:15:20.819
>> AND WHAT ARE YOU A SOFTY FOR
WHEN YOU THUMB
THROUGH THESE ALBUMS?
00:15:20.821 --> 00:15:22.588
WHEN YOU THUMB
THROUGH THESE ALBUMS?
>> THERE IS ONE PICTURE HERE
00:15:22.590 --> 00:15:24.323
THROUGH THESE ALBUMS?
>> THERE IS ONE PICTURE HERE
THAT TELLS WHAT I'M A SOFTY FOR.
00:15:24.325 --> 00:15:25.024
>> THERE IS ONE PICTURE HERE
THAT TELLS WHAT I'M A SOFTY FOR.
>> WELL, LET'S FIND IT
00:15:25.026 --> 00:15:25.691
THAT TELLS WHAT I'M A SOFTY FOR.
>> WELL, LET'S FIND IT
AND TAKE A LOOK--
00:15:25.693 --> 00:15:26.325
>> WELL, LET'S FIND IT
AND TAKE A LOOK--
>> IT'S THIS ONE.
00:15:26.327 --> 00:15:27.693
AND TAKE A LOOK--
>> IT'S THIS ONE.
>> OH, YEAH.
00:15:27.695 --> 00:15:30.429
>> IT'S THIS ONE.
>> OH, YEAH.
>> IT'S THIS PICTURE RIGHT HERE.
00:15:30.431 --> 00:15:33.232
>> OH, YEAH.
>> IT'S THIS PICTURE RIGHT HERE.
THAT FACE--
00:15:33.234 --> 00:15:34.667
>> IT'S THIS PICTURE RIGHT HERE.
THAT FACE--
OH, IT'S JUST BEAUTIFUL.
00:15:34.669 --> 00:15:36.568
THAT FACE--
OH, IT'S JUST BEAUTIFUL.
IT IS ABSOLUTELY BEAUTIFUL.
00:15:36.570 --> 00:15:37.369
OH, IT'S JUST BEAUTIFUL.
IT IS ABSOLUTELY BEAUTIFUL.
>> BUT DO YOU KNOW WHAT?
00:15:37.371 --> 00:15:39.405
IT IS ABSOLUTELY BEAUTIFUL.
>> BUT DO YOU KNOW WHAT?
I'M NOT TRYING TO EXTRAPOLATE
00:15:39.407 --> 00:15:41.006
>> BUT DO YOU KNOW WHAT?
I'M NOT TRYING TO EXTRAPOLATE
TOO MUCH OUT OF THIS,
00:15:41.008 --> 00:15:42.608
I'M NOT TRYING TO EXTRAPOLATE
TOO MUCH OUT OF THIS,
BUT THAT COULD BE NOT JUST
00:15:42.610 --> 00:15:46.679
TOO MUCH OUT OF THIS,
BUT THAT COULD BE NOT JUST
HER PICTURE, BUT ANYBODY'S--
00:15:46.681 --> 00:15:47.246
BUT THAT COULD BE NOT JUST
HER PICTURE, BUT ANYBODY'S--
>> RIGHT.
00:15:47.248 --> 00:15:47.646
HER PICTURE, BUT ANYBODY'S--
>> RIGHT.
>> YOU KNOW,
00:15:47.648 --> 00:15:48.947
>> RIGHT.
>> YOU KNOW,
THE IDEA OF A CHILD
00:15:48.949 --> 00:15:49.648
>> YOU KNOW,
THE IDEA OF A CHILD
HAVING HER PICTURE--
00:15:49.650 --> 00:15:52.084
THE IDEA OF A CHILD
HAVING HER PICTURE--
>> OH, YES, OH, YES.
00:15:52.086 --> 00:15:53.819
HAVING HER PICTURE--
>> OH, YES, OH, YES.
AND I REMEMBER THE PROCESS, TOO,
00:15:53.821 --> 00:15:54.453
>> OH, YES, OH, YES.
AND I REMEMBER THE PROCESS, TOO,
AND I REMEMBER
00:15:54.455 --> 00:15:55.621
AND I REMEMBER THE PROCESS, TOO,
AND I REMEMBER
GOING THROUGH THIS BECAUSE
00:15:55.623 --> 00:15:57.156
AND I REMEMBER
GOING THROUGH THIS BECAUSE
I'VE DONE THIS BEFORE--
00:15:57.158 --> 00:15:59.124
GOING THROUGH THIS BECAUSE
I'VE DONE THIS BEFORE--
BROUGHT MY OWN PICTURES IN.
00:15:59.126 --> 00:16:00.359
I'VE DONE THIS BEFORE--
BROUGHT MY OWN PICTURES IN.
AND I KNOW EXACTLY
00:16:00.361 --> 00:16:01.927
BROUGHT MY OWN PICTURES IN.
AND I KNOW EXACTLY
HOW SHE FEELS.
00:16:01.929 --> 00:16:03.495
AND I KNOW EXACTLY
HOW SHE FEELS.
YOU BRING A LOT OF PICTURES IN
00:16:03.497 --> 00:16:04.329
HOW SHE FEELS.
YOU BRING A LOT OF PICTURES IN
AND YOU KNOW THERE'S ONLY
00:16:04.331 --> 00:16:05.964
YOU BRING A LOT OF PICTURES IN
AND YOU KNOW THERE'S ONLY
SO MANY THAT THEY CAN COPY
00:16:05.966 --> 00:16:06.732
AND YOU KNOW THERE'S ONLY
SO MANY THAT THEY CAN COPY
FOR YOU.
00:16:06.734 --> 00:16:08.200
SO MANY THAT THEY CAN COPY
FOR YOU.
>> SO REALLY, YOU HAVE TO WORRY
00:16:08.202 --> 00:16:09.535
FOR YOU.
>> SO REALLY, YOU HAVE TO WORRY
ABOUT DISAPPOINTING PEOPLE
00:16:09.537 --> 00:16:10.736
>> SO REALLY, YOU HAVE TO WORRY
ABOUT DISAPPOINTING PEOPLE
IF YOU DON'T CHOOSE THE PICTURES
00:16:10.738 --> 00:16:11.670
ABOUT DISAPPOINTING PEOPLE
IF YOU DON'T CHOOSE THE PICTURES
THEY THINK YOU OUGHT
00:16:11.672 --> 00:16:12.771
IF YOU DON'T CHOOSE THE PICTURES
THEY THINK YOU OUGHT
TO CHOOSE TO COPY.
00:16:12.773 --> 00:16:14.173
THEY THINK YOU OUGHT
TO CHOOSE TO COPY.
>> WELL, I THINK YOU'RE RIGHT.
00:16:14.175 --> 00:16:14.807
TO CHOOSE TO COPY.
>> WELL, I THINK YOU'RE RIGHT.
>> YOU HAVE TO BE KIND OF
00:16:14.809 --> 00:16:16.508
>> WELL, I THINK YOU'RE RIGHT.
>> YOU HAVE TO BE KIND OF
A POLITICIAN, TOO, DON'T YOU?
00:16:16.510 --> 00:16:17.242
>> YOU HAVE TO BE KIND OF
A POLITICIAN, TOO, DON'T YOU?
>> YES.
00:16:17.244 --> 00:16:19.278
A POLITICIAN, TOO, DON'T YOU?
>> YES.
YOU HAVE TO NEGOTIATE.
00:16:19.280 --> 00:16:20.012
>> YES.
YOU HAVE TO NEGOTIATE.
>> THAT'S WHY MARILYN AND I
00:16:20.014 --> 00:16:21.080
YOU HAVE TO NEGOTIATE.
>> THAT'S WHY MARILYN AND I
BALANCE EACH OTHER OUT.
00:16:21.082 --> 00:16:21.780
>> THAT'S WHY MARILYN AND I
BALANCE EACH OTHER OUT.
>> OH, REALLY?
00:16:21.782 --> 00:16:23.015
BALANCE EACH OTHER OUT.
>> OH, REALLY?
>> YES.
00:16:23.017 --> 00:16:24.850
>> OH, REALLY?
>> YES.
BECAUSE THE HISTORIAN IN ME
00:16:24.852 --> 00:16:26.318
>> YES.
BECAUSE THE HISTORIAN IN ME
LOVES TO SEE THESE WONDERFUL
00:16:26.320 --> 00:16:27.353
BECAUSE THE HISTORIAN IN ME
LOVES TO SEE THESE WONDERFUL
AERIAL SHOTS
00:16:27.355 --> 00:16:29.021
LOVES TO SEE THESE WONDERFUL
AERIAL SHOTS
THAT SHOW THE COMMUNITY,
00:16:29.023 --> 00:16:31.156
AERIAL SHOTS
THAT SHOW THE COMMUNITY,
THAT SHOW LOS ANGELES.
00:16:31.158 --> 00:16:32.524
THAT SHOW THE COMMUNITY,
THAT SHOW LOS ANGELES.
THESE LITTLE BITS OF HISTORY
00:16:32.526 --> 00:16:33.692
THAT SHOW LOS ANGELES.
THESE LITTLE BITS OF HISTORY
THAT PEOPLE CAPTURE IN THEIR OWN
00:16:33.694 --> 00:16:35.494
THESE LITTLE BITS OF HISTORY
THAT PEOPLE CAPTURE IN THEIR OWN
PERSONAL PHOTOGRAPHS, TOO.
00:16:35.496 --> 00:16:37.363
THAT PEOPLE CAPTURE IN THEIR OWN
PERSONAL PHOTOGRAPHS, TOO.
>> SO YOU'RE LOOKING AT PLACES.
00:16:37.365 --> 00:16:38.931
PERSONAL PHOTOGRAPHS, TOO.
>> SO YOU'RE LOOKING AT PLACES.
YOU'RE LOOKING AT BABY PICTURES.
00:16:38.933 --> 00:16:40.399
>> SO YOU'RE LOOKING AT PLACES.
YOU'RE LOOKING AT BABY PICTURES.
>> I'M LOOKING AT PEOPLE.
00:16:40.401 --> 00:16:41.200
YOU'RE LOOKING AT BABY PICTURES.
>> I'M LOOKING AT PEOPLE.
[ LAUGHTER ]
00:16:41.202 --> 00:16:41.967
>> I'M LOOKING AT PEOPLE.
[ LAUGHTER ]
>> AND WHEN YOU GET THROUGH
00:16:41.969 --> 00:16:44.203
[ LAUGHTER ]
>> AND WHEN YOU GET THROUGH
LOOKING AT AN ALBUM,
00:16:44.205 --> 00:16:45.771
>> AND WHEN YOU GET THROUGH
LOOKING AT AN ALBUM,
DO YOU FEEL LIKE
00:16:45.773 --> 00:16:46.939
LOOKING AT AN ALBUM,
DO YOU FEEL LIKE
THAT YOU'RE BEGINNING
00:16:46.941 --> 00:16:49.675
DO YOU FEEL LIKE
THAT YOU'RE BEGINNING
TO KNOW THE FAMILY?
00:16:49.677 --> 00:16:50.809
THAT YOU'RE BEGINNING
TO KNOW THE FAMILY?
>> BY THE TIME WE'RE FINISHED
00:16:50.811 --> 00:16:52.044
TO KNOW THE FAMILY?
>> BY THE TIME WE'RE FINISHED
GOING THROUGH THIS PROCESS
00:16:52.046 --> 00:16:52.845
>> BY THE TIME WE'RE FINISHED
GOING THROUGH THIS PROCESS
I FEEL LIKE I'VE BEEN
00:16:52.847 --> 00:16:54.013
GOING THROUGH THIS PROCESS
I FEEL LIKE I'VE BEEN
AN ADOPTED PERSON
00:16:54.015 --> 00:16:56.281
I FEEL LIKE I'VE BEEN
AN ADOPTED PERSON
IN THEIR FAMILY.
00:16:56.283 --> 00:16:57.783
AN ADOPTED PERSON
IN THEIR FAMILY.
I FEEL LIKE I BELONG.
00:16:57.785 --> 00:16:58.917
IN THEIR FAMILY.
I FEEL LIKE I BELONG.
[ LAUGHTER ]
00:16:58.919 --> 00:16:59.952
I FEEL LIKE I BELONG.
[ LAUGHTER ]
>> NOW WE'RE STANDING HERE
00:16:59.954 --> 00:17:01.553
[ LAUGHTER ]
>> NOW WE'RE STANDING HERE
WITH THE EDITOR OF THE BOOK
00:17:01.555 --> 00:17:02.454
>> NOW WE'RE STANDING HERE
WITH THE EDITOR OF THE BOOK
ENTITLED
00:17:02.456 --> 00:17:04.023
WITH THE EDITOR OF THE BOOK
ENTITLED
"SHADES OF CALIFORNIA,"
00:17:04.025 --> 00:17:05.391
ENTITLED
"SHADES OF CALIFORNIA,"
WHICH WAS KIND OF A COMPILATION
00:17:05.393 --> 00:17:07.393
"SHADES OF CALIFORNIA,"
WHICH WAS KIND OF A COMPILATION
OF ALL OF THE PHOTOS
00:17:07.395 --> 00:17:08.694
WHICH WAS KIND OF A COMPILATION
OF ALL OF THE PHOTOS
THAT WERE COLLECTED
00:17:08.696 --> 00:17:10.029
OF ALL OF THE PHOTOS
THAT WERE COLLECTED
ALL OVER CALIFORNIA.
00:17:10.031 --> 00:17:10.396
THAT WERE COLLECTED
ALL OVER CALIFORNIA.
>> RIGHT.
00:17:10.398 --> 00:17:11.030
ALL OVER CALIFORNIA.
>> RIGHT.
THERE WAS ABOUT
00:17:11.032 --> 00:17:11.764
>> RIGHT.
THERE WAS ABOUT
A THREE-YEAR PERIOD,
00:17:11.766 --> 00:17:14.700
THERE WAS ABOUT
A THREE-YEAR PERIOD,
1997 TO 1999,
00:17:14.702 --> 00:17:17.236
A THREE-YEAR PERIOD,
1997 TO 1999,
AND 24 LIBRARIES PARTICIPATED.
00:17:17.238 --> 00:17:18.103
1997 TO 1999,
AND 24 LIBRARIES PARTICIPATED.
THEY RECEIVED GRANTS FROM
00:17:18.105 --> 00:17:20.506
AND 24 LIBRARIES PARTICIPATED.
THEY RECEIVED GRANTS FROM
THE STATE OF CALIFORNIA LIBRARY,
00:17:20.508 --> 00:17:22.608
THEY RECEIVED GRANTS FROM
THE STATE OF CALIFORNIA LIBRARY,
AND THERE WAS FINALLY
00:17:22.610 --> 00:17:23.842
THE STATE OF CALIFORNIA LIBRARY,
AND THERE WAS FINALLY
AN ACCUMULATION OF ABOUT
00:17:23.844 --> 00:17:26.679
AND THERE WAS FINALLY
AN ACCUMULATION OF ABOUT
6,000 PHOTOGRAPHS.
00:17:26.681 --> 00:17:28.013
AN ACCUMULATION OF ABOUT
6,000 PHOTOGRAPHS.
>> 6,000 THAT WERE WHITTLED DOWN
00:17:28.015 --> 00:17:29.581
6,000 PHOTOGRAPHS.
>> 6,000 THAT WERE WHITTLED DOWN
FROM HUNDREDS OF THOUSANDS
00:17:29.583 --> 00:17:30.315
>> 6,000 THAT WERE WHITTLED DOWN
FROM HUNDREDS OF THOUSANDS
THAT WERE BROUGHT IN.
00:17:30.317 --> 00:17:30.683
FROM HUNDREDS OF THOUSANDS
THAT WERE BROUGHT IN.
>> RIGHT,
00:17:30.685 --> 00:17:31.617
THAT WERE BROUGHT IN.
>> RIGHT,
FROM THE DIFFERENT LIBRARIES.
00:17:31.619 --> 00:17:32.818
>> RIGHT,
FROM THE DIFFERENT LIBRARIES.
EACH LIBRARY COLLECTED, PERHAPS,
00:17:32.820 --> 00:17:34.586
FROM THE DIFFERENT LIBRARIES.
EACH LIBRARY COLLECTED, PERHAPS,
200 TO 300 PHOTOGRAPHS
00:17:34.588 --> 00:17:35.754
EACH LIBRARY COLLECTED, PERHAPS,
200 TO 300 PHOTOGRAPHS
THEMSELVES.
00:17:35.756 --> 00:17:39.425
200 TO 300 PHOTOGRAPHS
THEMSELVES.
>> SO YOU GOT 6,000 PHOTOS
00:17:39.427 --> 00:17:40.759
THEMSELVES.
>> SO YOU GOT 6,000 PHOTOS
THAT YOU HAD TO WHITTLE DOWN
00:17:40.761 --> 00:17:41.794
>> SO YOU GOT 6,000 PHOTOS
THAT YOU HAD TO WHITTLE DOWN
TO HOW MANY ENDED UP
00:17:41.796 --> 00:17:42.628
THAT YOU HAD TO WHITTLE DOWN
TO HOW MANY ENDED UP
IN THE BOOK?
00:17:42.630 --> 00:17:43.429
TO HOW MANY ENDED UP
IN THE BOOK?
>> THREE HUNDRED AND FIFTY
00:17:43.431 --> 00:17:44.263
IN THE BOOK?
>> THREE HUNDRED AND FIFTY
PHOTOGRAPHS ENDED UP
00:17:44.265 --> 00:17:46.265
>> THREE HUNDRED AND FIFTY
PHOTOGRAPHS ENDED UP
IN OUR "SHADES OF CALIFORNIA"
00:17:46.267 --> 00:17:46.665
PHOTOGRAPHS ENDED UP
IN OUR "SHADES OF CALIFORNIA"
BOOK.
00:17:46.667 --> 00:17:47.966
IN OUR "SHADES OF CALIFORNIA"
BOOK.
>> AND HOW DID YOU EVER
00:17:47.968 --> 00:17:50.669
BOOK.
>> AND HOW DID YOU EVER
MAKE THAT CUT?
00:17:50.671 --> 00:17:52.037
>> AND HOW DID YOU EVER
MAKE THAT CUT?
>> EVERYONE ASKS THAT,
00:17:52.039 --> 00:17:54.173
MAKE THAT CUT?
>> EVERYONE ASKS THAT,
AND ACTUALLY, IT WAS FAIRLY EASY
00:17:54.175 --> 00:17:56.141
>> EVERYONE ASKS THAT,
AND ACTUALLY, IT WAS FAIRLY EASY
TO GET TO THE FIRST 500,
00:17:56.143 --> 00:17:57.343
AND ACTUALLY, IT WAS FAIRLY EASY
TO GET TO THE FIRST 500,
BUT IT WAS THE PHOTOGRAPHS
00:17:57.345 --> 00:17:59.411
TO GET TO THE FIRST 500,
BUT IT WAS THE PHOTOGRAPHS
THAT REALLY JUST JUMPED OUT.
00:17:59.413 --> 00:18:01.380
BUT IT WAS THE PHOTOGRAPHS
THAT REALLY JUST JUMPED OUT.
THEY REALLY HAD A LOT OF MEANING
00:18:01.382 --> 00:18:03.515
THAT REALLY JUST JUMPED OUT.
THEY REALLY HAD A LOT OF MEANING
TO MANY DIFFERENT PEOPLE,
00:18:03.517 --> 00:18:05.684
THEY REALLY HAD A LOT OF MEANING
TO MANY DIFFERENT PEOPLE,
BUT TO GO FROM 500 TO 350 WAS--
00:18:05.686 --> 00:18:06.285
TO MANY DIFFERENT PEOPLE,
BUT TO GO FROM 500 TO 350 WAS--
I HAVE TO SAY IT WAS
00:18:06.287 --> 00:18:07.553
BUT TO GO FROM 500 TO 350 WAS--
I HAVE TO SAY IT WAS
A RATHER PAINFUL--
00:18:07.555 --> 00:18:08.654
I HAVE TO SAY IT WAS
A RATHER PAINFUL--
>> WHEN YOU WERE LOOKING
00:18:08.656 --> 00:18:10.322
A RATHER PAINFUL--
>> WHEN YOU WERE LOOKING
AT THE PICTURES,
00:18:10.324 --> 00:18:12.491
>> WHEN YOU WERE LOOKING
AT THE PICTURES,
DID YOU HAVE QUESTIONS
00:18:12.493 --> 00:18:14.626
AT THE PICTURES,
DID YOU HAVE QUESTIONS
IN YOUR OWN MIND ABOUT
00:18:14.628 --> 00:18:16.128
DID YOU HAVE QUESTIONS
IN YOUR OWN MIND ABOUT
WHO THESE PEOPLE WERE
00:18:16.130 --> 00:18:17.963
IN YOUR OWN MIND ABOUT
WHO THESE PEOPLE WERE
AND WHAT THEIR FAMILY HISTORY
00:18:17.965 --> 00:18:19.064
WHO THESE PEOPLE WERE
AND WHAT THEIR FAMILY HISTORY
WAS ALL ABOUT?
00:18:19.332 --> 00:18:20.499
DID IT SPARK QUESTIONS
00:18:20.633 --> 00:18:21.934
IN YOUR OWN MIND?
00:18:22.068 --> 00:18:23.302
>> RIGHT, FORTUNATELY,
00:18:23.436 --> 00:18:24.670
WHEN THE INTAKE HAPPENS
00:18:24.804 --> 00:18:25.704
ON THESE DAYS,
00:18:25.972 --> 00:18:29.475
THERE IS AT LEAST SOME
MINIMAL INFORMATION
ABOUT THE FAMILIES,
00:18:29.477 --> 00:18:31.043
MINIMAL INFORMATION
ABOUT THE FAMILIES,
AND THEN YOU KIND OF EXTRAPOLATE
00:18:31.045 --> 00:18:32.544
ABOUT THE FAMILIES,
AND THEN YOU KIND OF EXTRAPOLATE
FROM WHAT YOU SEE.
00:18:32.546 --> 00:18:34.113
AND THEN YOU KIND OF EXTRAPOLATE
FROM WHAT YOU SEE.
YOU KNOW, THEY'RE VISUAL IMAGES
00:18:34.115 --> 00:18:35.614
FROM WHAT YOU SEE.
YOU KNOW, THEY'RE VISUAL IMAGES
AND EVERYBODY--NOT JUST ME--
00:18:35.616 --> 00:18:36.415
YOU KNOW, THEY'RE VISUAL IMAGES
AND EVERYBODY--NOT JUST ME--
JUST EVERYBODY INVOLVED
00:18:36.417 --> 00:18:37.816
AND EVERYBODY--NOT JUST ME--
JUST EVERYBODY INVOLVED
WITH THE PROJECT WOULD COME IN
00:18:37.818 --> 00:18:39.818
JUST EVERYBODY INVOLVED
WITH THE PROJECT WOULD COME IN
AND LOOK AT WHAT WE'RE DOING
00:18:39.820 --> 00:18:41.086
WITH THE PROJECT WOULD COME IN
AND LOOK AT WHAT WE'RE DOING
DURING THE SELECTION,
00:18:41.088 --> 00:18:42.688
AND LOOK AT WHAT WE'RE DOING
DURING THE SELECTION,
AND THEY WOULD SAY, TYPICALLY,
00:18:42.690 --> 00:18:43.422
DURING THE SELECTION,
AND THEY WOULD SAY, TYPICALLY,
"OH, MY GRANDMOTHER HAD
00:18:43.424 --> 00:18:44.723
AND THEY WOULD SAY, TYPICALLY,
"OH, MY GRANDMOTHER HAD
"A DRESS LIKE THAT.
00:18:44.725 --> 00:18:45.557
"OH, MY GRANDMOTHER HAD
"A DRESS LIKE THAT.
"WE USED TO HAVE A CAR
00:18:45.559 --> 00:18:46.925
"A DRESS LIKE THAT.
"WE USED TO HAVE A CAR
LIKE THAT."
00:18:46.927 --> 00:18:48.160
"WE USED TO HAVE A CAR
LIKE THAT."
AND SO THIS RECOGNITION
00:18:48.162 --> 00:18:49.695
LIKE THAT."
AND SO THIS RECOGNITION
IN OTHER PEOPLE'S PHOTOGRAPHS
00:18:49.697 --> 00:18:50.696
AND SO THIS RECOGNITION
IN OTHER PEOPLE'S PHOTOGRAPHS
OF YOUR OWN FAMILY,
00:18:50.698 --> 00:18:51.997
IN OTHER PEOPLE'S PHOTOGRAPHS
OF YOUR OWN FAMILY,
YOUR OWN EXPERIENCES,
00:18:51.999 --> 00:18:52.765
OF YOUR OWN FAMILY,
YOUR OWN EXPERIENCES,
IS REALLY PREVALENT
00:18:52.767 --> 00:18:54.933
YOUR OWN EXPERIENCES,
IS REALLY PREVALENT
IN THIS COLLECTION.
00:18:54.935 --> 00:18:56.835
IS REALLY PREVALENT
IN THIS COLLECTION.
>> IT'S KIND OF A SHARED--
00:18:56.837 --> 00:18:58.570
IN THIS COLLECTION.
>> IT'S KIND OF A SHARED--
IT'S SOMETHING WE ALL SHARE,
00:18:58.572 --> 00:18:59.138
>> IT'S KIND OF A SHARED--
IT'S SOMETHING WE ALL SHARE,
ISN'T IT?
00:18:59.140 --> 00:18:59.538
IT'S SOMETHING WE ALL SHARE,
ISN'T IT?
>> YES.
00:18:59.540 --> 00:19:00.639
ISN'T IT?
>> YES.
YOU REALIZE THAT WE'RE
00:19:00.641 --> 00:19:02.007
>> YES.
YOU REALIZE THAT WE'RE
ALL LIVING AND GROWING UP
00:19:02.009 --> 00:19:03.609
YOU REALIZE THAT WE'RE
ALL LIVING AND GROWING UP
DURING THIS TIME AND, YOU KNOW,
00:19:03.611 --> 00:19:04.610
ALL LIVING AND GROWING UP
DURING THIS TIME AND, YOU KNOW,
"SHADES OF CALIFORNIA"
00:19:04.612 --> 00:19:06.445
DURING THIS TIME AND, YOU KNOW,
"SHADES OF CALIFORNIA"
DOES COVER, MORE OR LESS,
00:19:06.447 --> 00:19:07.479
"SHADES OF CALIFORNIA"
DOES COVER, MORE OR LESS,
THE HUNDRED YEARS
00:19:07.481 --> 00:19:09.214
DOES COVER, MORE OR LESS,
THE HUNDRED YEARS
OF PHOTOGRAPHIC HISTORY
00:19:09.216 --> 00:19:11.583
THE HUNDRED YEARS
OF PHOTOGRAPHIC HISTORY
OF HOW PEOPLE WERE ABLE,
00:19:11.585 --> 00:19:14.153
OF PHOTOGRAPHIC HISTORY
OF HOW PEOPLE WERE ABLE,
WITH THE ADVENT OF KODAK FILM--
00:19:14.155 --> 00:19:14.953
OF HOW PEOPLE WERE ABLE,
WITH THE ADVENT OF KODAK FILM--
ROLL FILM--TO ACTUALLY GO
00:19:14.955 --> 00:19:17.089
WITH THE ADVENT OF KODAK FILM--
ROLL FILM--TO ACTUALLY GO
AND TAKE THEIR OWN PHOTOGRAPHS,
00:19:17.091 --> 00:19:17.890
ROLL FILM--TO ACTUALLY GO
AND TAKE THEIR OWN PHOTOGRAPHS,
NOT DEPEND ON
00:19:17.892 --> 00:19:19.358
AND TAKE THEIR OWN PHOTOGRAPHS,
NOT DEPEND ON
A PROFESSIONAL PHOTOGRAPHER
00:19:19.360 --> 00:19:21.627
NOT DEPEND ON
A PROFESSIONAL PHOTOGRAPHER
TO RECORD WHAT WAS IMPORTANT
00:19:21.629 --> 00:19:23.328
A PROFESSIONAL PHOTOGRAPHER
TO RECORD WHAT WAS IMPORTANT
IN THEIR LIVES,
00:19:23.330 --> 00:19:24.963
TO RECORD WHAT WAS IMPORTANT
IN THEIR LIVES,
AND REALLY IT HASN'T CHANGED
00:19:24.965 --> 00:19:26.665
IN THEIR LIVES,
AND REALLY IT HASN'T CHANGED
THAT MUCH, YOU KNOW?
00:19:26.667 --> 00:19:28.500
AND REALLY IT HASN'T CHANGED
THAT MUCH, YOU KNOW?
PEOPLE DRESS UP, THEY LOOK NICE,
00:19:28.502 --> 00:19:29.535
THAT MUCH, YOU KNOW?
PEOPLE DRESS UP, THEY LOOK NICE,
"OH, HEY, LET'S GET A PICTURE
00:19:29.537 --> 00:19:30.869
PEOPLE DRESS UP, THEY LOOK NICE,
"OH, HEY, LET'S GET A PICTURE
OF YOU."
00:19:30.871 --> 00:19:31.804
"OH, HEY, LET'S GET A PICTURE
OF YOU."
THERE'S A WEDDING,
00:19:31.806 --> 00:19:33.272
OF YOU."
THERE'S A WEDDING,
THERE'S A FAMILY GROUPING.
00:19:33.274 --> 00:19:34.606
THERE'S A WEDDING,
THERE'S A FAMILY GROUPING.
IT HASN'T CHANGED THAT MUCH
00:19:34.608 --> 00:19:36.342
THERE'S A FAMILY GROUPING.
IT HASN'T CHANGED THAT MUCH
FROM THE VERY OLD PHOTOGRAPHS
00:19:36.344 --> 00:19:37.910
IT HASN'T CHANGED THAT MUCH
FROM THE VERY OLD PHOTOGRAPHS
TO WHAT PEOPLE DO TODAY.
00:19:37.912 --> 00:19:39.311
FROM THE VERY OLD PHOTOGRAPHS
TO WHAT PEOPLE DO TODAY.
IT'S REALLY NICE.
00:19:39.313 --> 00:19:41.280
TO WHAT PEOPLE DO TODAY.
IT'S REALLY NICE.
>> BUT YOU, WHEN YOU PUT
00:19:41.282 --> 00:19:42.581
IT'S REALLY NICE.
>> BUT YOU, WHEN YOU PUT
THIS BOOK TOGETHER,
00:19:42.583 --> 00:19:43.449
>> BUT YOU, WHEN YOU PUT
THIS BOOK TOGETHER,
YOU WERE DOING IT
00:19:43.451 --> 00:19:44.817
THIS BOOK TOGETHER,
YOU WERE DOING IT
IN A DETACHED WAY
00:19:44.819 --> 00:19:45.384
YOU WERE DOING IT
IN A DETACHED WAY
IN THE SENSE
00:19:45.386 --> 00:19:47.052
IN A DETACHED WAY
IN THE SENSE
THAT THE PHOTOGRAPHS
00:19:47.054 --> 00:19:48.787
IN THE SENSE
THAT THE PHOTOGRAPHS
WERE BROUGHT TO YOU.
00:19:48.789 --> 00:19:49.421
THAT THE PHOTOGRAPHS
WERE BROUGHT TO YOU.
>> RIGHT.
00:19:49.423 --> 00:19:51.023
WERE BROUGHT TO YOU.
>> RIGHT.
>> THIS IS YOUR FIRST EXPERIENCE
00:19:51.025 --> 00:19:52.925
>> RIGHT.
>> THIS IS YOUR FIRST EXPERIENCE
AT ONE OF THESE PHOTO DAYS.
00:19:52.927 --> 00:19:54.360
>> THIS IS YOUR FIRST EXPERIENCE
AT ONE OF THESE PHOTO DAYS.
>> WE HAD HEARD ABOUT
00:19:54.362 --> 00:19:55.427
AT ONE OF THESE PHOTO DAYS.
>> WE HAD HEARD ABOUT
THESE PHOTO DAYS
00:19:55.429 --> 00:19:56.795
>> WE HAD HEARD ABOUT
THESE PHOTO DAYS
AND WE TALKED TO LIBRARIANS
00:19:56.797 --> 00:19:57.696
THESE PHOTO DAYS
AND WE TALKED TO LIBRARIANS
WHO PARTICIPATED
00:19:57.698 --> 00:19:58.864
AND WE TALKED TO LIBRARIANS
WHO PARTICIPATED
IN THE PHOTO DAYS,
00:19:58.866 --> 00:20:00.165
WHO PARTICIPATED
IN THE PHOTO DAYS,
AND I HAVE TO SAY
00:20:00.167 --> 00:20:02.501
IN THE PHOTO DAYS,
AND I HAVE TO SAY
IT'S VERY MOVING TO BE HERE.
00:20:02.503 --> 00:20:04.737
AND I HAVE TO SAY
IT'S VERY MOVING TO BE HERE.
THERE IS A LOT OF EMOTION HERE.
00:20:04.739 --> 00:20:05.637
IT'S VERY MOVING TO BE HERE.
THERE IS A LOT OF EMOTION HERE.
PEOPLE ARE OPENING UP
00:20:05.639 --> 00:20:07.172
THERE IS A LOT OF EMOTION HERE.
PEOPLE ARE OPENING UP
A PHOTO ALBUM
00:20:07.174 --> 00:20:08.540
PEOPLE ARE OPENING UP
A PHOTO ALBUM
AND THEY'RE SAYING,
00:20:08.542 --> 00:20:10.109
A PHOTO ALBUM
AND THEY'RE SAYING,
"THIS IS MY LIFE.
00:20:10.111 --> 00:20:11.643
AND THEY'RE SAYING,
"THIS IS MY LIFE.
"THIS IS WHERE I COME FROM.
00:20:11.645 --> 00:20:12.578
"THIS IS MY LIFE.
"THIS IS WHERE I COME FROM.
"THESE ARE THE PEOPLE
00:20:12.580 --> 00:20:14.279
"THIS IS WHERE I COME FROM.
"THESE ARE THE PEOPLE
I LOVED AND CARED ABOUT."
00:20:14.281 --> 00:20:15.581
"THESE ARE THE PEOPLE
I LOVED AND CARED ABOUT."
AND YOU JUST FEEL THIS
00:20:15.583 --> 00:20:16.382
I LOVED AND CARED ABOUT."
AND YOU JUST FEEL THIS
IN THIS ROOM, AND THEY,
00:20:16.384 --> 00:20:18.717
AND YOU JUST FEEL THIS
IN THIS ROOM, AND THEY,
YOU KNOW, WE APPRECIATE
00:20:18.719 --> 00:20:19.718
IN THIS ROOM, AND THEY,
YOU KNOW, WE APPRECIATE
THAT THEY WOULD DO THIS,
00:20:19.720 --> 00:20:20.452
YOU KNOW, WE APPRECIATE
THAT THEY WOULD DO THIS,
THAT THEY WOULD OPEN UP
00:20:20.454 --> 00:20:21.353
THAT THEY WOULD DO THIS,
THAT THEY WOULD OPEN UP
THIS PERSONAL PART
00:20:21.355 --> 00:20:22.688
THAT THEY WOULD OPEN UP
THIS PERSONAL PART
OF THEIR LIVES.
00:20:22.690 --> 00:20:23.722
THIS PERSONAL PART
OF THEIR LIVES.
AND ALSO, I THINK THEY FEEL
00:20:23.724 --> 00:20:24.690
OF THEIR LIVES.
AND ALSO, I THINK THEY FEEL
THAT, WOW, IT'S IMPORTANT
00:20:24.692 --> 00:20:26.325
AND ALSO, I THINK THEY FEEL
THAT, WOW, IT'S IMPORTANT
TO OTHER PEOPLE
00:20:26.327 --> 00:20:28.093
THAT, WOW, IT'S IMPORTANT
TO OTHER PEOPLE
THAT WE LIVED HERE,
00:20:28.095 --> 00:20:30.129
TO OTHER PEOPLE
THAT WE LIVED HERE,
THAT WE HAD A LIFE HERE,
00:20:30.131 --> 00:20:31.263
THAT WE LIVED HERE,
THAT WE HAD A LIFE HERE,
AND OUR GRANDPARENTS
00:20:31.265 --> 00:20:32.965
THAT WE HAD A LIFE HERE,
AND OUR GRANDPARENTS
AND OUR PARENTS ALSO LIVED
00:20:32.967 --> 00:20:35.367
AND OUR GRANDPARENTS
AND OUR PARENTS ALSO LIVED
AND WORKED AND ENJOYED LIFE HERE
00:20:35.369 --> 00:20:36.568
AND OUR PARENTS ALSO LIVED
AND WORKED AND ENJOYED LIFE HERE
IN THESE COMMUNITIES.
00:20:36.570 --> 00:20:37.603
AND WORKED AND ENJOYED LIFE HERE
IN THESE COMMUNITIES.
>> WHAT DO YOU THINK IT IS?
00:20:37.605 --> 00:20:40.606
IN THESE COMMUNITIES.
>> WHAT DO YOU THINK IT IS?
JUST A BASIC SENSE OF PRIDE
00:20:40.608 --> 00:20:42.074
>> WHAT DO YOU THINK IT IS?
JUST A BASIC SENSE OF PRIDE
AND THE REALIZATION
00:20:42.076 --> 00:20:44.677
JUST A BASIC SENSE OF PRIDE
AND THE REALIZATION
THAT SOMEBODY CARES ABOUT US
00:20:44.679 --> 00:20:45.744
AND THE REALIZATION
THAT SOMEBODY CARES ABOUT US
AND ABOUT OUR FAMILY,
00:20:45.746 --> 00:20:46.845
THAT SOMEBODY CARES ABOUT US
AND ABOUT OUR FAMILY,
ABOUT OUR GRANDPARENTS,
00:20:46.847 --> 00:20:48.313
AND ABOUT OUR FAMILY,
ABOUT OUR GRANDPARENTS,
ABOUT OUR BABY PICTURES,
00:20:48.315 --> 00:20:49.214
ABOUT OUR GRANDPARENTS,
ABOUT OUR BABY PICTURES,
ABOUT?
00:20:49.216 --> 00:20:49.748
ABOUT OUR BABY PICTURES,
ABOUT?
>> RIGHT.
00:20:49.750 --> 00:20:50.916
ABOUT?
>> RIGHT.
WELL, PERSONAL HISTORY
00:20:50.918 --> 00:20:52.651
>> RIGHT.
WELL, PERSONAL HISTORY
IS YOUR OWN FAMILY HISTORY,
00:20:52.653 --> 00:20:55.487
WELL, PERSONAL HISTORY
IS YOUR OWN FAMILY HISTORY,
AND EVERYBODY'S FAMILY HISTORY
00:20:55.489 --> 00:20:57.256
IS YOUR OWN FAMILY HISTORY,
AND EVERYBODY'S FAMILY HISTORY
IS PART OF A LARGER COMMUNITY,
00:20:57.258 --> 00:20:58.824
AND EVERYBODY'S FAMILY HISTORY
IS PART OF A LARGER COMMUNITY,
AND PART OF A STATE,
00:20:58.826 --> 00:21:00.059
IS PART OF A LARGER COMMUNITY,
AND PART OF A STATE,
AND PART OF A COUNTRY,
00:21:00.061 --> 00:21:02.261
AND PART OF A STATE,
AND PART OF A COUNTRY,
AND IT'S ALL HISTORY AS WELL.
00:21:02.263 --> 00:21:04.396
AND PART OF A COUNTRY,
AND IT'S ALL HISTORY AS WELL.
IT'S NOT JUST THE EVENTS
00:21:04.398 --> 00:21:05.097
AND IT'S ALL HISTORY AS WELL.
IT'S NOT JUST THE EVENTS
THAT ARE GOING TO MAKE
00:21:05.099 --> 00:21:05.998
IT'S NOT JUST THE EVENTS
THAT ARE GOING TO MAKE
THE BIG NEWS.
00:21:06.000 --> 00:21:06.932
THAT ARE GOING TO MAKE
THE BIG NEWS.
IT'S WHAT WAS HAPPENING
00:21:06.934 --> 00:21:08.634
THE BIG NEWS.
IT'S WHAT WAS HAPPENING
IN DAILY LIFE AND THAT IS
00:21:08.636 --> 00:21:09.601
IT'S WHAT WAS HAPPENING
IN DAILY LIFE AND THAT IS
WHAT'S SO PRECIOUS
00:21:09.603 --> 00:21:11.570
IN DAILY LIFE AND THAT IS
WHAT'S SO PRECIOUS
ABOUT THIS KIND OF COLLECTION.
00:21:11.572 --> 00:21:13.072
WHAT'S SO PRECIOUS
ABOUT THIS KIND OF COLLECTION.
THIS IS HOW PEOPLE LIVED.
00:21:13.074 --> 00:21:13.739
ABOUT THIS KIND OF COLLECTION.
THIS IS HOW PEOPLE LIVED.
THIS IS HOW THEY WANT
00:21:13.741 --> 00:21:15.140
THIS IS HOW PEOPLE LIVED.
THIS IS HOW THEY WANT
TO BE REMEMBERED.
00:21:15.142 --> 00:21:16.675
THIS IS HOW THEY WANT
TO BE REMEMBERED.
>> BROTHER AND SISTER
00:21:16.677 --> 00:21:17.576
TO BE REMEMBERED.
>> BROTHER AND SISTER
SITTING HERE,
00:21:17.578 --> 00:21:19.178
>> BROTHER AND SISTER
SITTING HERE,
YOU'RE DOING YOUR OWN EDITING.
00:21:19.180 --> 00:21:20.512
SITTING HERE,
YOU'RE DOING YOUR OWN EDITING.
YOU BROUGHT IN ALL YOUR PICTURES
00:21:20.514 --> 00:21:21.413
YOU'RE DOING YOUR OWN EDITING.
YOU BROUGHT IN ALL YOUR PICTURES
AND NOW WHAT ARE YOU TRYING
00:21:21.415 --> 00:21:22.348
YOU BROUGHT IN ALL YOUR PICTURES
AND NOW WHAT ARE YOU TRYING
TO DECIDE?
00:21:22.350 --> 00:21:22.981
AND NOW WHAT ARE YOU TRYING
TO DECIDE?
>> WELL, WE'RE TRYING
00:21:22.983 --> 00:21:23.515
TO DECIDE?
>> WELL, WE'RE TRYING
TO SORT THEM
00:21:23.517 --> 00:21:24.083
>> WELL, WE'RE TRYING
TO SORT THEM
AND PUT THEM IN ORDER
00:21:24.085 --> 00:21:25.250
TO SORT THEM
AND PUT THEM IN ORDER
SO YOU'LL HAVE AN UNDERSTANDING
00:21:25.252 --> 00:21:26.352
AND PUT THEM IN ORDER
SO YOU'LL HAVE AN UNDERSTANDING
HOW IT ALL BEGAN HERE
00:21:26.354 --> 00:21:27.886
SO YOU'LL HAVE AN UNDERSTANDING
HOW IT ALL BEGAN HERE
IN CYPRESS PARK.
00:21:27.888 --> 00:21:28.587
HOW IT ALL BEGAN HERE
IN CYPRESS PARK.
>> NOW WHAT'S THE NAME
00:21:28.589 --> 00:21:29.421
IN CYPRESS PARK.
>> NOW WHAT'S THE NAME
OF THE FAMILY?
00:21:29.423 --> 00:21:30.289
>> NOW WHAT'S THE NAME
OF THE FAMILY?
>> THE DUARTE FAMILY.
00:21:30.291 --> 00:21:31.390
OF THE FAMILY?
>> THE DUARTE FAMILY.
>> THE DUARTE FAMILY.
00:21:31.392 --> 00:21:32.758
>> THE DUARTE FAMILY.
>> THE DUARTE FAMILY.
AND HOW LONG HAVE YOU LIVED
00:21:32.760 --> 00:21:34.493
>> THE DUARTE FAMILY.
AND HOW LONG HAVE YOU LIVED
HERE IN CYPRESS PARK?
00:21:34.495 --> 00:21:35.828
AND HOW LONG HAVE YOU LIVED
HERE IN CYPRESS PARK?
>> PROBABLY SINCE 1955
00:21:35.830 --> 00:21:37.329
HERE IN CYPRESS PARK?
>> PROBABLY SINCE 1955
WHEN OUR PARENTS MOVED IN.
00:21:37.331 --> 00:21:39.264
>> PROBABLY SINCE 1955
WHEN OUR PARENTS MOVED IN.
>> SO THESE PICTURES GO BACK--
00:21:39.266 --> 00:21:40.532
WHEN OUR PARENTS MOVED IN.
>> SO THESE PICTURES GO BACK--
IS THIS YOU ALL?
00:21:40.534 --> 00:21:41.333
>> SO THESE PICTURES GO BACK--
IS THIS YOU ALL?
>> YES, MY BROTHER AND I.
00:21:41.335 --> 00:21:43.035
IS THIS YOU ALL?
>> YES, MY BROTHER AND I.
>> OH, LOOK AT THIS.
00:21:43.037 --> 00:21:44.303
>> YES, MY BROTHER AND I.
>> OH, LOOK AT THIS.
WE GOT TO SHOW THIS PICTURE
00:21:44.305 --> 00:21:46.238
>> OH, LOOK AT THIS.
WE GOT TO SHOW THIS PICTURE
RIGHT HERE.
00:21:46.240 --> 00:21:47.906
WE GOT TO SHOW THIS PICTURE
RIGHT HERE.
LOOK AT THOSE CUTE LITTLE KIDS,
00:21:47.908 --> 00:21:50.009
RIGHT HERE.
LOOK AT THOSE CUTE LITTLE KIDS,
THERE.
00:21:50.011 --> 00:21:51.010
LOOK AT THOSE CUTE LITTLE KIDS,
THERE.
CAN YOU REMEMBER
00:21:51.012 --> 00:21:52.611
THERE.
CAN YOU REMEMBER
WHEN THIS PICTURE WAS MADE?
00:21:52.613 --> 00:21:53.512
CAN YOU REMEMBER
WHEN THIS PICTURE WAS MADE?
>> NO.
00:21:53.514 --> 00:21:54.113
WHEN THIS PICTURE WAS MADE?
>> NO.
>> CAN YOU?
00:21:54.115 --> 00:21:55.114
>> NO.
>> CAN YOU?
>> NO, I CAN'T.
00:21:55.116 --> 00:21:56.415
>> CAN YOU?
>> NO, I CAN'T.
[ LAUGHTER ]
00:21:56.417 --> 00:21:56.949
>> NO, I CAN'T.
[ LAUGHTER ]
>> OH, I THOUGHT
00:21:56.951 --> 00:21:57.516
[ LAUGHTER ]
>> OH, I THOUGHT
YOU WERE GOING TO HAVE
00:21:57.518 --> 00:21:59.051
>> OH, I THOUGHT
YOU WERE GOING TO HAVE
A GREAT STORY BEHIND THIS ONE.
00:21:59.053 --> 00:22:00.085
YOU WERE GOING TO HAVE
A GREAT STORY BEHIND THIS ONE.
>> OH, WELL, YOU KNOW,
00:22:00.087 --> 00:22:01.020
A GREAT STORY BEHIND THIS ONE.
>> OH, WELL, YOU KNOW,
BROTHERS ARE BROTHERS,
00:22:01.022 --> 00:22:01.854
>> OH, WELL, YOU KNOW,
BROTHERS ARE BROTHERS,
SO WHAT CAN I SAY?
00:22:01.856 --> 00:22:02.588
BROTHERS ARE BROTHERS,
SO WHAT CAN I SAY?
YOU WANT TO HEAR THE STORY
00:22:02.590 --> 00:22:04.490
SO WHAT CAN I SAY?
YOU WANT TO HEAR THE STORY
ABOUT THAT?
00:22:04.492 --> 00:22:06.492
YOU WANT TO HEAR THE STORY
ABOUT THAT?
>> NOW HOW LONG HAS IT BEEN--
00:22:06.494 --> 00:22:07.326
ABOUT THAT?
>> NOW HOW LONG HAS IT BEEN--
LOOK AT ALL THIS STUFF
00:22:07.328 --> 00:22:08.927
>> NOW HOW LONG HAS IT BEEN--
LOOK AT ALL THIS STUFF
YOU BROUGHT IN.
00:22:08.929 --> 00:22:09.862
LOOK AT ALL THIS STUFF
YOU BROUGHT IN.
>> I HAVE MUCH MORE
00:22:09.864 --> 00:22:11.130
YOU BROUGHT IN.
>> I HAVE MUCH MORE
BUT ONLY BROUGHT THESE PICTURES,
00:22:11.132 --> 00:22:12.998
>> I HAVE MUCH MORE
BUT ONLY BROUGHT THESE PICTURES,
BUT YES, I HAVE PLENTY.
00:22:13.000 --> 00:22:14.667
BUT ONLY BROUGHT THESE PICTURES,
BUT YES, I HAVE PLENTY.
I HAVE TWO OR THREE BOXES
00:22:14.669 --> 00:22:15.567
BUT YES, I HAVE PLENTY.
I HAVE TWO OR THREE BOXES
FULL OF PICTURES.
00:22:15.569 --> 00:22:16.802
I HAVE TWO OR THREE BOXES
FULL OF PICTURES.
>> AND HOW LONG HAS IT BEEN
00:22:16.804 --> 00:22:17.803
FULL OF PICTURES.
>> AND HOW LONG HAS IT BEEN
SINCE YOU'VE BEEN THROUGH
00:22:17.805 --> 00:22:19.738
>> AND HOW LONG HAS IT BEEN
SINCE YOU'VE BEEN THROUGH
ALL OF THESE PICTURES?
00:22:19.740 --> 00:22:20.539
SINCE YOU'VE BEEN THROUGH
ALL OF THESE PICTURES?
>> HOW LONG HAS IT BEEN?
00:22:20.541 --> 00:22:21.740
ALL OF THESE PICTURES?
>> HOW LONG HAS IT BEEN?
>> HOW MANY DECADES, MAYBE.
00:22:21.742 --> 00:22:22.741
>> HOW LONG HAS IT BEEN?
>> HOW MANY DECADES, MAYBE.
>> YES, DECADES.
00:22:22.743 --> 00:22:23.542
>> HOW MANY DECADES, MAYBE.
>> YES, DECADES.
>> JUST LAST NIGHT I WAS GOING
00:22:23.544 --> 00:22:24.510
>> YES, DECADES.
>> JUST LAST NIGHT I WAS GOING
THROUGH THESE PICTURES,
00:22:24.512 --> 00:22:25.310
>> JUST LAST NIGHT I WAS GOING
THROUGH THESE PICTURES,
SO I HAVEN'T SEEN THEM
00:22:25.312 --> 00:22:26.078
THROUGH THESE PICTURES,
SO I HAVEN'T SEEN THEM
FOR A LONG TIME.
00:22:26.080 --> 00:22:26.679
SO I HAVEN'T SEEN THEM
FOR A LONG TIME.
>> SHOW ME A PICTURE
00:22:26.681 --> 00:22:27.746
FOR A LONG TIME.
>> SHOW ME A PICTURE
OF YOUR PARENTS.
00:22:27.748 --> 00:22:28.313
>> SHOW ME A PICTURE
OF YOUR PARENTS.
HAVE YOU GOT A PICTURE
00:22:28.315 --> 00:22:29.782
OF YOUR PARENTS.
HAVE YOU GOT A PICTURE
OF YOUR MOM AND DAD?
00:22:29.784 --> 00:22:31.784
HAVE YOU GOT A PICTURE
OF YOUR MOM AND DAD?
>> THIS IS MY FATHER.
00:22:31.786 --> 00:22:32.451
OF YOUR MOM AND DAD?
>> THIS IS MY FATHER.
>> IS THAT YOU?
00:22:32.453 --> 00:22:33.218
>> THIS IS MY FATHER.
>> IS THAT YOU?
>> THAT'S ME AND MY FATHER
00:22:33.220 --> 00:22:34.386
>> IS THAT YOU?
>> THAT'S ME AND MY FATHER
WHEN I USED TO WORK FOR THE RTD
00:22:34.388 --> 00:22:35.387
>> THAT'S ME AND MY FATHER
WHEN I USED TO WORK FOR THE RTD
BACK THEN.
00:22:35.389 --> 00:22:36.755
WHEN I USED TO WORK FOR THE RTD
BACK THEN.
>> WOW.
00:22:36.757 --> 00:22:38.657
BACK THEN.
>> WOW.
>> AND THIS IS MY MOTHER.
00:22:38.659 --> 00:22:39.825
>> WOW.
>> AND THIS IS MY MOTHER.
AND THAT'S WITH MY BROTHER,
00:22:39.827 --> 00:22:41.760
>> AND THIS IS MY MOTHER.
AND THAT'S WITH MY BROTHER,
GRADUATION FROM JUNIOR HIGH.
00:22:41.762 --> 00:22:42.661
AND THAT'S WITH MY BROTHER,
GRADUATION FROM JUNIOR HIGH.
>> AND HOW DO YOU FEEL,
00:22:42.663 --> 00:22:44.596
GRADUATION FROM JUNIOR HIGH.
>> AND HOW DO YOU FEEL,
LOOKING AT THESE PICTURES?
00:22:44.598 --> 00:22:46.565
>> AND HOW DO YOU FEEL,
LOOKING AT THESE PICTURES?
>> IT'S MEMORIES AND FLASHBACKS
00:22:46.567 --> 00:22:49.501
LOOKING AT THESE PICTURES?
>> IT'S MEMORIES AND FLASHBACKS
OF WHAT LIFE USED TO BE,
00:22:49.503 --> 00:22:52.838
>> IT'S MEMORIES AND FLASHBACKS
OF WHAT LIFE USED TO BE,
AND IT'S HARD TO BELIEVE--
00:22:52.840 --> 00:22:53.305
OF WHAT LIFE USED TO BE,
AND IT'S HARD TO BELIEVE--
>> THAT WAS US.
00:22:53.307 --> 00:22:54.073
AND IT'S HARD TO BELIEVE--
>> THAT WAS US.
>> THAT THAT WAS US, YES,
00:22:54.075 --> 00:22:55.307
>> THAT WAS US.
>> THAT THAT WAS US, YES,
GROWING UP
00:22:55.309 --> 00:22:56.108
>> THAT THAT WAS US, YES,
GROWING UP
THERE IN CYPRESS PARK.
00:22:56.110 --> 00:22:57.109
GROWING UP
THERE IN CYPRESS PARK.
WE'VE COME A LONG WAY,
00:22:57.111 --> 00:22:57.810
THERE IN CYPRESS PARK.
WE'VE COME A LONG WAY,
AND I'M STILL HERE
00:22:57.812 --> 00:22:59.211
WE'VE COME A LONG WAY,
AND I'M STILL HERE
IN CYPRESS PARK.
00:22:59.213 --> 00:23:01.280
AND I'M STILL HERE
IN CYPRESS PARK.
>> NOW THIS IS EXCITING
00:23:01.282 --> 00:23:02.581
IN CYPRESS PARK.
>> NOW THIS IS EXCITING
AND KIND OF UNUSUAL.
00:23:02.583 --> 00:23:03.382
>> NOW THIS IS EXCITING
AND KIND OF UNUSUAL.
WHAT ARE YOU HOLDING HERE,
00:23:03.384 --> 00:23:04.383
AND KIND OF UNUSUAL.
WHAT ARE YOU HOLDING HERE,
CAROLYN?
00:23:04.385 --> 00:23:06.085
WHAT ARE YOU HOLDING HERE,
CAROLYN?
>> THESE ARE GLASS PLATE
00:23:06.087 --> 00:23:08.354
CAROLYN?
>> THESE ARE GLASS PLATE
NEGATIVES, PROBABLY FROM--
00:23:08.356 --> 00:23:09.855
>> THESE ARE GLASS PLATE
NEGATIVES, PROBABLY FROM--
I HAVEN'T HAD A CHANCE
00:23:09.857 --> 00:23:10.756
NEGATIVES, PROBABLY FROM--
I HAVEN'T HAD A CHANCE
TO LOOK INTO THIS YET,
00:23:10.758 --> 00:23:13.125
I HAVEN'T HAD A CHANCE
TO LOOK INTO THIS YET,
BUT THIS IS A HORSE DRAWN--
00:23:13.127 --> 00:23:15.194
TO LOOK INTO THIS YET,
BUT THIS IS A HORSE DRAWN--
MANY HORSES, ONE, TWO, THREE,
00:23:15.196 --> 00:23:16.362
BUT THIS IS A HORSE DRAWN--
MANY HORSES, ONE, TWO, THREE,
FOUR, MAYBE.
00:23:16.364 --> 00:23:17.129
MANY HORSES, ONE, TWO, THREE,
FOUR, MAYBE.
IT LOOKS LIKE SOMEBODY
00:23:17.131 --> 00:23:18.997
FOUR, MAYBE.
IT LOOKS LIKE SOMEBODY
TAKING VEGETABLES TO THE GARDEN.
00:23:18.999 --> 00:23:20.532
IT LOOKS LIKE SOMEBODY
TAKING VEGETABLES TO THE GARDEN.
THIS IS IN A COMMUNITY.
00:23:20.534 --> 00:23:21.667
TAKING VEGETABLES TO THE GARDEN.
THIS IS IN A COMMUNITY.
THERE ARE SMALL HOUSES.
00:23:21.669 --> 00:23:22.501
THIS IS IN A COMMUNITY.
THERE ARE SMALL HOUSES.
THE STREETS
00:23:22.503 --> 00:23:23.736
THERE ARE SMALL HOUSES.
THE STREETS
HAVE NOT BEEN PAVED YET.
00:23:23.738 --> 00:23:24.370
THE STREETS
HAVE NOT BEEN PAVED YET.
>> WOW.
00:23:24.372 --> 00:23:25.871
HAVE NOT BEEN PAVED YET.
>> WOW.
NOW YOU BROUGHT THESE IN.
00:23:25.873 --> 00:23:26.472
>> WOW.
NOW YOU BROUGHT THESE IN.
>> YES.
00:23:26.474 --> 00:23:27.806
NOW YOU BROUGHT THESE IN.
>> YES.
>> YOU'RE NAME IS--?
00:23:27.808 --> 00:23:30.142
>> YES.
>> YOU'RE NAME IS--?
>> ALEX ROSS.
00:23:30.144 --> 00:23:31.176
>> YOU'RE NAME IS--?
>> ALEX ROSS.
>> AND WHERE DID ALL OF THESE
00:23:31.178 --> 00:23:32.578
>> ALEX ROSS.
>> AND WHERE DID ALL OF THESE
COME FROM?
00:23:32.580 --> 00:23:33.445
>> AND WHERE DID ALL OF THESE
COME FROM?
HAVE THEY BEEN IN YOUR FAMILY
00:23:33.447 --> 00:23:34.480
COME FROM?
HAVE THEY BEEN IN YOUR FAMILY
ALL THESE YEARS?
00:23:34.482 --> 00:23:37.449
HAVE THEY BEEN IN YOUR FAMILY
ALL THESE YEARS?
>> YES, IN THE FAMILY.
00:23:37.451 --> 00:23:38.250
ALL THESE YEARS?
>> YES, IN THE FAMILY.
>> TELL US A LITTLE BIT
00:23:38.252 --> 00:23:40.252
>> YES, IN THE FAMILY.
>> TELL US A LITTLE BIT
ABOUT THE FAMILY.
00:23:40.254 --> 00:23:41.587
>> TELL US A LITTLE BIT
ABOUT THE FAMILY.
>> WELL, MY DAD
00:23:41.589 --> 00:23:45.057
ABOUT THE FAMILY.
>> WELL, MY DAD
WAS THE FIRST WORLD'S CHAMPION
00:23:45.059 --> 00:23:49.161
>> WELL, MY DAD
WAS THE FIRST WORLD'S CHAMPION
IN MIDGET AUTO RACING, 1915.
00:23:49.163 --> 00:23:50.129
WAS THE FIRST WORLD'S CHAMPION
IN MIDGET AUTO RACING, 1915.
>> OH, LOOK,
00:23:50.131 --> 00:23:53.265
IN MIDGET AUTO RACING, 1915.
>> OH, LOOK,
AND WE GOT A PICTURE OF IT.
00:23:53.533 --> 00:23:55.567
THAT'S AMAZING.
00:23:55.702 --> 00:23:57.136
>> YOU CAN SEE THE CHAIN
00:23:57.270 --> 00:24:02.007
THAT TURNED THE WHEELS.
00:24:02.142 --> 00:24:04.143
THE CHAIN CAME OFF--
00:24:04.277 --> 00:24:05.678
PUT HIS HAND DOWN,
00:24:05.945 --> 00:24:12.251
LOST THE TIP OF HIS THUMB.
>> REALLY?
>> HE STILL WON THE RACE.
00:24:12.253 --> 00:24:13.652
>> REALLY?
>> HE STILL WON THE RACE.
>> WILL YOU KEEP THIS?
00:24:13.654 --> 00:24:14.787
>> HE STILL WON THE RACE.
>> WILL YOU KEEP THIS?
IS THIS ONE THAT YOU'RE GONNA--
00:24:14.789 --> 00:24:15.354
>> WILL YOU KEEP THIS?
IS THIS ONE THAT YOU'RE GONNA--
>> YES,
00:24:15.356 --> 00:24:16.755
IS THIS ONE THAT YOU'RE GONNA--
>> YES,
THIS IS AN EXCELLENT PHOTOGRAPH.
00:24:16.757 --> 00:24:19.291
>> YES,
THIS IS AN EXCELLENT PHOTOGRAPH.
I MEAN, 1915,
00:24:19.293 --> 00:24:20.125
THIS IS AN EXCELLENT PHOTOGRAPH.
I MEAN, 1915,
IT'S UNUSUAL TO HAVE
00:24:20.127 --> 00:24:23.362
I MEAN, 1915,
IT'S UNUSUAL TO HAVE
A CALIFORNIAN WHO GOES BACK
00:24:23.364 --> 00:24:25.531
IT'S UNUSUAL TO HAVE
A CALIFORNIAN WHO GOES BACK
TO THE 1820s AND EVEN EARLIER.
00:24:25.533 --> 00:24:26.799
A CALIFORNIAN WHO GOES BACK
TO THE 1820s AND EVEN EARLIER.
HIS MOM IS NATIVE AMERICAN
00:24:26.801 --> 00:24:28.300
TO THE 1820s AND EVEN EARLIER.
HIS MOM IS NATIVE AMERICAN
AND FROM WHAT I CAN TELL
00:24:28.302 --> 00:24:29.435
HIS MOM IS NATIVE AMERICAN
AND FROM WHAT I CAN TELL
HIS GREAT-GREAT GRANDFATHER
00:24:29.437 --> 00:24:30.502
AND FROM WHAT I CAN TELL
HIS GREAT-GREAT GRANDFATHER
MIGHT HAVE BEEN BELGIAN
00:24:30.504 --> 00:24:33.639
HIS GREAT-GREAT GRANDFATHER
MIGHT HAVE BEEN BELGIAN
OR AS A--
00:24:33.641 --> 00:24:35.240
MIGHT HAVE BEEN BELGIAN
OR AS A--
>> SHE WAS ALL INDIAN.
00:24:35.242 --> 00:24:36.308
OR AS A--
>> SHE WAS ALL INDIAN.
>> RIGHT, SHE'S NATIVE AMERICAN,
00:24:36.310 --> 00:24:38.210
>> SHE WAS ALL INDIAN.
>> RIGHT, SHE'S NATIVE AMERICAN,
ALL INDIAN, AND HIS--
00:24:38.212 --> 00:24:38.744
>> RIGHT, SHE'S NATIVE AMERICAN,
ALL INDIAN, AND HIS--
>> BUT OUR NAME
00:24:38.746 --> 00:24:40.279
ALL INDIAN, AND HIS--
>> BUT OUR NAME
CAME FROM BELGIUM.
00:24:40.281 --> 00:24:42.147
>> BUT OUR NAME
CAME FROM BELGIUM.
>> WOW.
00:24:42.149 --> 00:24:43.682
CAME FROM BELGIUM.
>> WOW.
>> VERY INTERESTING HISTORY.
00:24:43.684 --> 00:24:45.084
>> WOW.
>> VERY INTERESTING HISTORY.
A LOT TO LOOK AT JUST
00:24:45.086 --> 00:24:47.019
>> VERY INTERESTING HISTORY.
A LOT TO LOOK AT JUST
IN HIS ARCHIVE HERE.
00:24:47.021 --> 00:24:48.620
A LOT TO LOOK AT JUST
IN HIS ARCHIVE HERE.
>> NOW IT'S KIND OF UNUSUAL
00:24:48.622 --> 00:24:49.555
IN HIS ARCHIVE HERE.
>> NOW IT'S KIND OF UNUSUAL
TO GET PICTURES THAT GO
00:24:49.557 --> 00:24:51.156
>> NOW IT'S KIND OF UNUSUAL
TO GET PICTURES THAT GO
THIS FAR BACK, ISN'T IT?
00:24:51.158 --> 00:24:52.091
TO GET PICTURES THAT GO
THIS FAR BACK, ISN'T IT?
>> IT IS,
00:24:52.093 --> 00:24:53.892
THIS FAR BACK, ISN'T IT?
>> IT IS,
AND IT'S SO WELL DOCUMENTED.
00:24:53.894 --> 00:24:54.793
>> IT IS,
AND IT'S SO WELL DOCUMENTED.
I MEAN, HE'S GOT
00:24:54.795 --> 00:24:55.694
AND IT'S SO WELL DOCUMENTED.
I MEAN, HE'S GOT
FROM GLASS PLATES
00:24:55.696 --> 00:24:56.762
I MEAN, HE'S GOT
FROM GLASS PLATES
TO BLACK AND WHITES,
00:24:56.764 --> 00:24:59.164
FROM GLASS PLATES
TO BLACK AND WHITES,
AND IT'S A COMBINATION
00:24:59.166 --> 00:25:00.499
TO BLACK AND WHITES,
AND IT'S A COMBINATION
OF DIFFERENT PHOTOGRAPHIC
00:25:00.501 --> 00:25:02.835
AND IT'S A COMBINATION
OF DIFFERENT PHOTOGRAPHIC
PERIODS OF HISTORY,
00:25:02.837 --> 00:25:04.770
OF DIFFERENT PHOTOGRAPHIC
PERIODS OF HISTORY,
AND HE HAS SAVED
00:25:04.772 --> 00:25:05.704
PERIODS OF HISTORY,
AND HE HAS SAVED
A LOT OF IMAGES.
00:25:05.706 --> 00:25:06.505
AND HE HAS SAVED
A LOT OF IMAGES.
>> KIMMY, WHAT ARE YOU
00:25:06.507 --> 00:25:07.206
A LOT OF IMAGES.
>> KIMMY, WHAT ARE YOU
LOOKING AT HERE?
00:25:07.208 --> 00:25:08.774
>> KIMMY, WHAT ARE YOU
LOOKING AT HERE?
>> THIS ONE IS REALLY UNUSUAL.
00:25:09.042 --> 00:25:10.476
IT SAYS,
00:25:10.610 --> 00:25:12.644
"THE LACY MANUFACTURING COMPANY
00:25:12.779 --> 00:25:15.981
IN LOS ANGELES, 1914."
00:25:16.116 --> 00:25:17.182
WHAT DOES THIS PHOTOGRAPH MEAN?
00:25:17.317 --> 00:25:18.450
TELL US SOMETHING ABOUT IT.
00:25:18.585 --> 00:25:19.485
>> THE BUSINESS
00:25:19.619 --> 00:25:22.988
WAS ON LACY STREET.
00:25:23.123 --> 00:25:23.555
>> AND DO YOU KNOW
00:25:23.690 --> 00:25:24.823
WHAT THEY DID THERE?
00:25:24.958 --> 00:25:26.625
>> NO, I DON'T KNOW.
00:25:26.893 --> 00:25:32.331
>> SEE THIS IS A PROBLEM, TOO,
THAT SOMETIMES EVEN THE PEOPLE
WHOSE FAMILIES ARE INVOLVED
00:25:32.333 --> 00:25:34.266
THAT SOMETIMES EVEN THE PEOPLE
WHOSE FAMILIES ARE INVOLVED
IN THESE PHOTOS
00:25:34.268 --> 00:25:35.901
WHOSE FAMILIES ARE INVOLVED
IN THESE PHOTOS
HAVE LOST CONTACT WITH WHAT
00:25:35.903 --> 00:25:37.870
IN THESE PHOTOS
HAVE LOST CONTACT WITH WHAT
THESE PHOTOS WERE ALL ABOUT.
00:25:37.872 --> 00:25:39.238
HAVE LOST CONTACT WITH WHAT
THESE PHOTOS WERE ALL ABOUT.
>> EXACTLY, BUT AT LEAST THERE
00:25:39.240 --> 00:25:41.240
THESE PHOTOS WERE ALL ABOUT.
>> EXACTLY, BUT AT LEAST THERE
IS THE PHOTOGRAPHIC EVIDENCE
00:25:41.242 --> 00:25:43.375
>> EXACTLY, BUT AT LEAST THERE
IS THE PHOTOGRAPHIC EVIDENCE
AND STILL, YOU CAN TELL
00:25:43.377 --> 00:25:44.510
AND STILL, YOU CAN TELL
THAT THIS IS
00:25:44.512 --> 00:25:46.845
THAT THIS IS
A WORKING ENVIRONMENT.
00:25:46.847 --> 00:25:48.147
A WORKING ENVIRONMENT.
PEOPLE USUALLY, IN THEIR ALBUMS,
00:25:48.149 --> 00:25:48.947
PEOPLE USUALLY, IN THEIR ALBUMS,
DON'T HAVE
00:25:48.949 --> 00:25:50.816
DON'T HAVE
A WORKING ENVIRONMENT,
00:25:50.818 --> 00:25:51.517
A WORKING ENVIRONMENT,
YOU KNOW, IT'S SOMETHING
00:25:51.519 --> 00:25:52.184
YOU KNOW, IT'S SOMETHING
THAT'S SO ORDINARY
00:25:52.186 --> 00:25:53.352
THAT'S SO ORDINARY
AND TAKE IT FOR GRANTED
00:25:53.354 --> 00:25:54.319
AND TAKE IT FOR GRANTED
WHERE YOU WORK,
00:25:54.321 --> 00:25:55.254
WHERE YOU WORK,
AND YET IT'S WONDERFUL
00:25:55.256 --> 00:25:56.288
AND YET IT'S WONDERFUL
TO HAVE THE EVIDENCE
00:25:56.290 --> 00:25:58.524
TO HAVE THE EVIDENCE
OF HOW THEY LOOKED,
WHAT THEY WORE.
00:25:58.526 --> 00:25:59.458
OF HOW THEY LOOKED,
WHAT THEY WORE.
>> BUT EVERYBODY
00:25:59.460 --> 00:26:00.492
WHAT THEY WORE.
>> BUT EVERYBODY
PROBABLY HAS A SHOT
00:26:00.494 --> 00:26:01.493
>> BUT EVERYBODY
PROBABLY HAS A SHOT
OF THEIR HOUSE.
00:26:01.495 --> 00:26:02.528
PROBABLY HAS A SHOT
OF THEIR HOUSE.
>> YES.
00:26:02.530 --> 00:26:03.395
OF THEIR HOUSE.
>> YES.
>> LOOK AT THIS ONE
00:26:03.397 --> 00:26:06.298
>> YES.
>> LOOK AT THIS ONE
IN THE FRONT--IS, YOU KNOW,
00:26:06.300 --> 00:26:08.500
>> LOOK AT THIS ONE
IN THE FRONT--IS, YOU KNOW,
THE PRIDE OF THIS FAMILY.
00:26:08.502 --> 00:26:09.301
THE PRIDE OF THIS FAMILY.
IT'S PROBABLY
00:26:09.303 --> 00:26:10.936
IT'S PROBABLY
A FAIRLY NEW HOUSE.
00:26:10.938 --> 00:26:13.639
A FAIRLY NEW HOUSE.
EVERYBODY IS DRESSED VERY WELL,
00:26:13.641 --> 00:26:15.307
EVERYBODY IS DRESSED VERY WELL,
AND SO IT WAS--YES, IT WAS TAKEN
00:26:15.309 --> 00:26:19.111
AND SO IT WAS--YES, IT WAS TAKEN
TO COMMEMORATE THIS MOMENT.
MAYBE IT WAS THE FIRST TIME
00:26:19.113 --> 00:26:20.412
TO COMMEMORATE THIS MOMENT.
MAYBE IT WAS THE FIRST TIME
THEY OWNED A HOUSE.
00:26:20.414 --> 00:26:21.380
MAYBE IT WAS THE FIRST TIME
THEY OWNED A HOUSE.
YOU CAN EXTRAPOLATE
00:26:21.382 --> 00:26:23.015
THEY OWNED A HOUSE.
YOU CAN EXTRAPOLATE
A LOT OF HISTORY FROM THESE.
00:26:23.017 --> 00:26:23.716
YOU CAN EXTRAPOLATE
A LOT OF HISTORY FROM THESE.
>> SO YOU'RE GOING TO COPY
00:26:23.718 --> 00:26:24.483
A LOT OF HISTORY FROM THESE.
>> SO YOU'RE GOING TO COPY
THIS ONE?
00:26:24.485 --> 00:26:25.084
>> SO YOU'RE GOING TO COPY
THIS ONE?
>> YES, THIS IS A REALLY
00:26:25.086 --> 00:26:25.751
THIS ONE?
>> YES, THIS IS A REALLY
BEAUTIFUL PHOTOGRAPH.
00:26:25.753 --> 00:26:26.485
>> YES, THIS IS A REALLY
BEAUTIFUL PHOTOGRAPH.
>> DO YOU KNOW THE STORY
00:26:26.487 --> 00:26:28.087
BEAUTIFUL PHOTOGRAPH.
>> DO YOU KNOW THE STORY
BEHIND THE HOUSE?
00:26:28.089 --> 00:26:29.121
>> DO YOU KNOW THE STORY
BEHIND THE HOUSE?
>> NO, I DON'T.
00:26:29.123 --> 00:26:29.722
BEHIND THE HOUSE?
>> NO, I DON'T.
>> SEE?
00:26:29.724 --> 00:26:32.825
>> NO, I DON'T.
>> SEE?
>> I WASN'T BORN.
00:26:32.827 --> 00:26:33.625
>> SEE?
>> I WASN'T BORN.
>> WHAT ARE WE LOOKING AT
00:26:33.627 --> 00:26:34.426
>> I WASN'T BORN.
>> WHAT ARE WE LOOKING AT
OVER HERE?
00:26:34.428 --> 00:26:35.794
>> WHAT ARE WE LOOKING AT
OVER HERE?
>> WE HAVE MANY PICTURES
00:26:35.796 --> 00:26:37.696
OVER HERE?
>> WE HAVE MANY PICTURES
OVER HERE THAT I CAN SHOW YOU.
00:26:37.698 --> 00:26:38.797
>> WE HAVE MANY PICTURES
OVER HERE THAT I CAN SHOW YOU.
>> WE WENT TO SCHOOL TOGETHER.
00:26:38.799 --> 00:26:39.565
OVER HERE THAT I CAN SHOW YOU.
>> WE WENT TO SCHOOL TOGETHER.
>> THIS IS
00:26:39.567 --> 00:26:41.500
>> WE WENT TO SCHOOL TOGETHER.
>> THIS IS
THE GRADUATION PICTURE, 1932.
00:26:41.502 --> 00:26:43.068
>> THIS IS
THE GRADUATION PICTURE, 1932.
>> AND THERE I AM.
00:26:43.070 --> 00:26:44.837
THE GRADUATION PICTURE, 1932.
>> AND THERE I AM.
>> THERE YOU ARE RIGHT IN THE--
00:26:44.839 --> 00:26:45.604
>> AND THERE I AM.
>> THERE YOU ARE RIGHT IN THE--
POINT IT OUT AGAIN
00:26:45.606 --> 00:26:46.739
>> THERE YOU ARE RIGHT IN THE--
POINT IT OUT AGAIN
SO WE CAN SEE IT.
00:26:46.741 --> 00:26:47.473
POINT IT OUT AGAIN
SO WE CAN SEE IT.
WHERE ARE YOU?
00:26:47.475 --> 00:26:48.507
SO WE CAN SEE IT.
WHERE ARE YOU?
>> I AM THE ONE
00:26:48.509 --> 00:26:49.508
WHERE ARE YOU?
>> I AM THE ONE
WITH THE LONG HAIR HERE.
00:26:49.510 --> 00:26:50.876
>> I AM THE ONE
WITH THE LONG HAIR HERE.
>> AND HOW LONG HAS IT BEEN
00:26:50.878 --> 00:26:52.878
WITH THE LONG HAIR HERE.
>> AND HOW LONG HAS IT BEEN
SINCE YOU'VE SEEN THIS PICTURE?
00:26:52.880 --> 00:26:54.346
SINCE YOU'VE SEEN THIS PICTURE?
>> WELL, I'M 85 NOW,
00:26:54.348 --> 00:26:55.614
>> WELL, I'M 85 NOW,
HOW LONG AGO?
00:26:55.616 --> 00:26:56.782
HOW LONG AGO?
>> WELL THIS PICTURE CAME OUT
00:26:56.784 --> 00:27:00.819
>> WELL THIS PICTURE CAME OUT
IN 1932.
>> SO WAIT A MINUTE,
00:27:00.821 --> 00:27:01.353
IN 1932.
>> SO WAIT A MINUTE,
DID THE THREE OF YOU
00:27:01.355 --> 00:27:02.488
>> SO WAIT A MINUTE,
DID THE THREE OF YOU
ALL GO TO SCHOOL TOGETHER?
00:27:02.490 --> 00:27:03.088
DID THE THREE OF YOU
ALL GO TO SCHOOL TOGETHER?
>> YES.
00:27:03.090 --> 00:27:04.723
ALL GO TO SCHOOL TOGETHER?
>> YES.
>> WHY, SURE.
00:27:04.725 --> 00:27:05.491
>> YES.
>> WHY, SURE.
>> WE'RE BROTHERS,
00:27:05.493 --> 00:27:06.658
>> WHY, SURE.
>> WE'RE BROTHERS,
TWO YEARS DIFFERENCE HERE.
00:27:06.660 --> 00:27:07.593
>> WE'RE BROTHERS,
TWO YEARS DIFFERENCE HERE.
KATHERINE AND I WERE IN
00:27:07.595 --> 00:27:11.263
TWO YEARS DIFFERENCE HERE.
KATHERINE AND I WERE IN
THE SAME KINDERGARTEN TOGETHER.
00:27:11.265 --> 00:27:11.964
KATHERINE AND I WERE IN
THE SAME KINDERGARTEN TOGETHER.
WE GRADUATED
00:27:11.966 --> 00:27:13.732
THE SAME KINDERGARTEN TOGETHER.
WE GRADUATED
FROM GRAMMAR SCHOOL TOGETHER.
00:27:13.734 --> 00:27:14.733
WE GRADUATED
FROM GRAMMAR SCHOOL TOGETHER.
>> HERE IN CYPRESS PARK.
00:27:14.735 --> 00:27:16.368
FROM GRAMMAR SCHOOL TOGETHER.
>> HERE IN CYPRESS PARK.
>> OH, SURE.
00:27:16.370 --> 00:27:18.003
>> HERE IN CYPRESS PARK.
>> OH, SURE.
>> WE LIVED ONE BLOCK OVER HERE.
00:27:18.005 --> 00:27:19.171
>> OH, SURE.
>> WE LIVED ONE BLOCK OVER HERE.
>> ON ROSEVIEW AVENUE
00:27:19.173 --> 00:27:20.606
>> WE LIVED ONE BLOCK OVER HERE.
>> ON ROSEVIEW AVENUE
AND HIS FATHER AND MOTHER
00:27:20.608 --> 00:27:22.107
>> ON ROSEVIEW AVENUE
AND HIS FATHER AND MOTHER
HAD THE BIGGEST APARTMENT
00:27:22.109 --> 00:27:23.242
AND HIS FATHER AND MOTHER
HAD THE BIGGEST APARTMENT
COMPLEX,
00:27:23.244 --> 00:27:24.643
HAD THE BIGGEST APARTMENT
COMPLEX,
AND MY MOTHER AND HIS MOTHER
00:27:24.645 --> 00:27:27.112
COMPLEX,
AND MY MOTHER AND HIS MOTHER
WERE VERY GOOD FRIENDS.
00:27:27.114 --> 00:27:28.080
AND MY MOTHER AND HIS MOTHER
WERE VERY GOOD FRIENDS.
>> NOW WAIT A MINUTE.
00:27:28.082 --> 00:27:31.116
WERE VERY GOOD FRIENDS.
>> NOW WAIT A MINUTE.
>> NOW THIS IS MY OLDEST BROTHER
00:27:31.118 --> 00:27:32.284
>> NOW WAIT A MINUTE.
>> NOW THIS IS MY OLDEST BROTHER
PLAYING THE PIANO.
00:27:32.286 --> 00:27:33.886
>> NOW THIS IS MY OLDEST BROTHER
PLAYING THE PIANO.
>> LET'S LOOK AT THIS PICTURE.
00:27:33.888 --> 00:27:36.555
PLAYING THE PIANO.
>> LET'S LOOK AT THIS PICTURE.
>> AND "THE CALIFORNIA JOYS
00:27:36.557 --> 00:27:37.790
>> LET'S LOOK AT THIS PICTURE.
>> AND "THE CALIFORNIA JOYS
ORCHESTRA."
00:27:37.792 --> 00:27:38.724
ORCHESTRA."
>> THERE'S THE SIGN.
00:27:38.726 --> 00:27:40.793
>> THERE'S THE SIGN.
"THE CALIFORNIA JOYS."
00:27:40.795 --> 00:27:42.494
"THE CALIFORNIA JOYS."
>> THE JOYS.
00:27:42.496 --> 00:27:43.028
>> THE JOYS.
>> WAS THAT BECAUSE
00:27:43.030 --> 00:27:44.196
>> WAS THAT BECAUSE
THEY BROUGHT JOY--
00:27:44.198 --> 00:27:45.030
THEY BROUGHT JOY--
>> THEY BROUGHT JOY
00:27:45.032 --> 00:27:46.165
>> THEY BROUGHT JOY
WITH THEIR MUSIC?
00:27:46.167 --> 00:27:51.837
WITH THEIR MUSIC?
>> AND THIS PROBABLY STARTED
ABOUT 1923 OR FOUR,
00:27:51.839 --> 00:27:56.942
>> AND THIS PROBABLY STARTED
ABOUT 1923 OR FOUR,
UP TO ABOUT 1933.
00:27:56.944 --> 00:27:57.710
ABOUT 1923 OR FOUR,
UP TO ABOUT 1933.
>> '35.
00:27:57.712 --> 00:27:59.244
UP TO ABOUT 1933.
>> '35.
>> HERE'S ANOTHER BAND.
00:27:59.246 --> 00:28:01.513
>> '35.
>> HERE'S ANOTHER BAND.
YOU ALL WERE A MUSICAL FAMILY.
00:28:01.515 --> 00:28:02.214
>> HERE'S ANOTHER BAND.
YOU ALL WERE A MUSICAL FAMILY.
>> ALL OF OUR FAMILY
00:28:02.216 --> 00:28:03.248
YOU ALL WERE A MUSICAL FAMILY.
>> ALL OF OUR FAMILY
WAS MUSICALLY INCLINED.
00:28:03.250 --> 00:28:04.483
>> ALL OF OUR FAMILY
WAS MUSICALLY INCLINED.
>> NOW THIS ONE IS
00:28:04.485 --> 00:28:08.187
WAS MUSICALLY INCLINED.
>> NOW THIS ONE IS
"THE HOLLYWOOD ROOF ORCHESTRA."
00:28:08.189 --> 00:28:08.887
"THE HOLLYWOOD ROOF ORCHESTRA."
>> I LIKE THE NAMES
00:28:08.889 --> 00:28:09.922
>> I LIKE THE NAMES
OF THESE ORCHESTRAS.
00:28:09.924 --> 00:28:11.423
OF THESE ORCHESTRAS.
>> YES, "HOLLYWOOD ROOF,"
00:28:11.425 --> 00:28:13.559
>> YES, "HOLLYWOOD ROOF,"
ON THE SECOND FLOOR IN HOLLYWOOD
00:28:13.561 --> 00:28:16.362
ON THE SECOND FLOOR IN HOLLYWOOD
OFF HOLLYWOOD BOULEVARD.
THIS IS MY BROTHER, ANTHONY,
00:28:16.364 --> 00:28:18.097
OFF HOLLYWOOD BOULEVARD.
THIS IS MY BROTHER, ANTHONY,
WHO PLAYED IN THAT ORCHESTRA.
00:28:18.099 --> 00:28:18.964
THIS IS MY BROTHER, ANTHONY,
WHO PLAYED IN THAT ORCHESTRA.
>> NOW WAIT A MINUTE.
00:28:18.966 --> 00:28:20.733
WHO PLAYED IN THAT ORCHESTRA.
>> NOW WAIT A MINUTE.
HERE'S ONE IN A BARBER SHOP.
00:28:20.735 --> 00:28:22.167
>> NOW WAIT A MINUTE.
HERE'S ONE IN A BARBER SHOP.
>> THAT WAS MY DAD.
00:28:22.169 --> 00:28:24.003
HERE'S ONE IN A BARBER SHOP.
>> THAT WAS MY DAD.
>> THIS IS THE BARBER SHOP.
00:28:24.005 --> 00:28:25.671
>> THAT WAS MY DAD.
>> THIS IS THE BARBER SHOP.
>> AND THIS IS TAKEN DOWN
00:28:25.673 --> 00:28:26.605
>> THIS IS THE BARBER SHOP.
>> AND THIS IS TAKEN DOWN
WHERE THE CITY HALL IS
00:28:26.607 --> 00:28:28.140
>> AND THIS IS TAKEN DOWN
WHERE THE CITY HALL IS
RIGHT NOW,
00:28:28.142 --> 00:28:30.209
WHERE THE CITY HALL IS
RIGHT NOW,
WHERE A HAIRCUT WAS 15 CENTS
00:28:30.211 --> 00:28:31.744
RIGHT NOW,
WHERE A HAIRCUT WAS 15 CENTS
AND A SHAVE WAS 10 CENTS.
00:28:31.746 --> 00:28:33.078
WHERE A HAIRCUT WAS 15 CENTS
AND A SHAVE WAS 10 CENTS.
>> AND THAT'S HOW YOUR DAD
00:28:33.080 --> 00:28:35.748
AND A SHAVE WAS 10 CENTS.
>> AND THAT'S HOW YOUR DAD
STARTED OFF, AS A BARBER.
00:28:35.750 --> 00:28:36.582
>> AND THAT'S HOW YOUR DAD
STARTED OFF, AS A BARBER.
>> THAT'S CORRECT.
00:28:36.584 --> 00:28:37.983
STARTED OFF, AS A BARBER.
>> THAT'S CORRECT.
>> WHAT A GREAT PICTURE
00:28:37.985 --> 00:28:38.984
>> THAT'S CORRECT.
>> WHAT A GREAT PICTURE
OF YOUR DAD.
00:28:38.986 --> 00:28:39.618
>> WHAT A GREAT PICTURE
OF YOUR DAD.
>> AND THIS HAD
00:28:39.620 --> 00:28:42.388
OF YOUR DAD.
>> AND THIS HAD
TO BE ABOUT 1922--
00:28:42.390 --> 00:28:43.188
>> AND THIS HAD
TO BE ABOUT 1922--
>> MY FATHER WORKED
00:28:43.190 --> 00:28:45.624
TO BE ABOUT 1922--
>> MY FATHER WORKED
FOR THE RAILROAD FROM--
00:28:45.626 --> 00:28:46.658
>> MY FATHER WORKED
FOR THE RAILROAD FROM--
>> LET'S POINT OUT
00:28:46.660 --> 00:28:47.693
FOR THE RAILROAD FROM--
>> LET'S POINT OUT
YOUR DAD AGAIN.
00:28:47.695 --> 00:28:48.660
>> LET'S POINT OUT
YOUR DAD AGAIN.
WHICH ONE IS HE?
00:28:48.662 --> 00:28:49.361
YOUR DAD AGAIN.
WHICH ONE IS HE?
>> MY DAD IS STANDING
00:28:49.363 --> 00:28:50.029
WHICH ONE IS HE?
>> MY DAD IS STANDING
RIGHT THERE.
00:28:50.031 --> 00:28:50.763
>> MY DAD IS STANDING
RIGHT THERE.
>> HE'S STANDING RIGHT OFF
00:28:50.765 --> 00:28:52.331
RIGHT THERE.
>> HE'S STANDING RIGHT OFF
TO THE SIDE THERE.
00:28:52.333 --> 00:28:52.998
>> HE'S STANDING RIGHT OFF
TO THE SIDE THERE.
>> YEAH.
00:28:53.000 --> 00:28:54.266
TO THE SIDE THERE.
>> YEAH.
DON'T COVER HIS HEAD, THOUGH.
00:28:54.268 --> 00:28:56.201
>> YEAH.
DON'T COVER HIS HEAD, THOUGH.
[ LAUGHTER ]
00:28:56.203 --> 00:28:58.337
DON'T COVER HIS HEAD, THOUGH.
[ LAUGHTER ]
>> NOW THIS IS A PICTURE OF--
00:28:58.339 --> 00:28:59.438
[ LAUGHTER ]
>> NOW THIS IS A PICTURE OF--
>> THIS IS MY
00:28:59.440 --> 00:29:00.139
>> NOW THIS IS A PICTURE OF--
>> THIS IS MY
GREAT GRANDFATHER--
00:29:00.141 --> 00:29:00.806
>> THIS IS MY
GREAT GRANDFATHER--
>> HIS NAME WAS--?
00:29:00.808 --> 00:29:02.775
GREAT GRANDFATHER--
>> HIS NAME WAS--?
>> SA'AB GEORGE.
00:29:02.777 --> 00:29:04.576
>> HIS NAME WAS--?
>> SA'AB GEORGE.
>> SA'AB GEORGE.
00:29:04.578 --> 00:29:06.879
>> SA'AB GEORGE.
>> SA'AB GEORGE.
WHAT KIND OF NAME IS THAT?
00:29:06.881 --> 00:29:07.913
>> SA'AB GEORGE.
WHAT KIND OF NAME IS THAT?
>> HE EMIGRATED
00:29:07.915 --> 00:29:09.415
WHAT KIND OF NAME IS THAT?
>> HE EMIGRATED
FROM WHAT IS NOW LEBANON
00:29:09.417 --> 00:29:11.283
>> HE EMIGRATED
FROM WHAT IS NOW LEBANON
AND WHAT WAS THEN SYRIA
00:29:11.285 --> 00:29:13.252
FROM WHAT IS NOW LEBANON
AND WHAT WAS THEN SYRIA
BACK IN 1894.
00:29:13.254 --> 00:29:14.620
AND WHAT WAS THEN SYRIA
BACK IN 1894.
>> AND IS THIS YOUR DAD HERE?
00:29:14.622 --> 00:29:15.154
BACK IN 1894.
>> AND IS THIS YOUR DAD HERE?
IS THIS--?
00:29:15.156 --> 00:29:16.088
>> AND IS THIS YOUR DAD HERE?
IS THIS--?
>> NO, THIS IS MY MOTHER'S
00:29:16.090 --> 00:29:17.823
IS THIS--?
>> NO, THIS IS MY MOTHER'S
FIRST COUSIN.
00:29:17.825 --> 00:29:18.857
>> NO, THIS IS MY MOTHER'S
FIRST COUSIN.
>> OKAY, SO YOU ALL
00:29:18.859 --> 00:29:20.392
FIRST COUSIN.
>> OKAY, SO YOU ALL
BROUGHT IN YOUR PICTURES TODAY.
00:29:20.394 --> 00:29:20.926
>> OKAY, SO YOU ALL
BROUGHT IN YOUR PICTURES TODAY.
>> RIGHT.
00:29:20.928 --> 00:29:22.394
BROUGHT IN YOUR PICTURES TODAY.
>> RIGHT.
I'M PHILLIP GEORGE.
00:29:22.396 --> 00:29:23.195
>> RIGHT.
I'M PHILLIP GEORGE.
>> SO HE WAS--
00:29:23.197 --> 00:29:24.430
I'M PHILLIP GEORGE.
>> SO HE WAS--
>> AND HE WAS MY GRANDFATHER.
00:29:24.432 --> 00:29:25.064
>> SO HE WAS--
>> AND HE WAS MY GRANDFATHER.
>> IF THIS PICTURE
00:29:25.066 --> 00:29:26.999
>> AND HE WAS MY GRANDFATHER.
>> IF THIS PICTURE
COULD ONLY TALK.
00:29:27.001 --> 00:29:28.834
>> IF THIS PICTURE
COULD ONLY TALK.
>> IT TALKS.
00:29:28.836 --> 00:29:30.302
COULD ONLY TALK.
>> IT TALKS.
>> IT TALKS TO ME
00:29:30.304 --> 00:29:31.603
>> IT TALKS.
>> IT TALKS TO ME
ABOUT MY FAMILY.
00:29:31.605 --> 00:29:32.738
>> IT TALKS TO ME
ABOUT MY FAMILY.
IT SITS IN MY HOME IN
00:29:32.740 --> 00:29:35.074
ABOUT MY FAMILY.
IT SITS IN MY HOME IN
LA HABRA HEIGHTS, CALIFORNIA,
00:29:35.076 --> 00:29:37.476
IT SITS IN MY HOME IN
LA HABRA HEIGHTS, CALIFORNIA,
AND I WALK BY IT EVERY DAY.
00:29:37.478 --> 00:29:38.043
LA HABRA HEIGHTS, CALIFORNIA,
AND I WALK BY IT EVERY DAY.
>> YOU BROUGHT IN
00:29:38.045 --> 00:29:39.311
AND I WALK BY IT EVERY DAY.
>> YOU BROUGHT IN
YOUR FAMILY PICTURES.
00:29:39.313 --> 00:29:40.412
>> YOU BROUGHT IN
YOUR FAMILY PICTURES.
>> YES.
00:29:40.414 --> 00:29:42.314
YOUR FAMILY PICTURES.
>> YES.
>> NOW YOU'RE FAMILY NAME?
00:29:42.316 --> 00:29:43.382
>> YES.
>> NOW YOU'RE FAMILY NAME?
>> RAMIREZ.
00:29:43.384 --> 00:29:44.650
>> NOW YOU'RE FAMILY NAME?
>> RAMIREZ.
>> AND WHAT KIND OF PICTURES
00:29:44.652 --> 00:29:46.218
>> RAMIREZ.
>> AND WHAT KIND OF PICTURES
DID YOU BRING IN TODAY?
00:29:46.220 --> 00:29:51.457
>> AND WHAT KIND OF PICTURES
DID YOU BRING IN TODAY?
>> PRACTICALLY FROM MY SON'S
00:29:51.459 --> 00:29:53.992
DID YOU BRING IN TODAY?
>> PRACTICALLY FROM MY SON'S
WHOLE LIFE.
00:29:53.994 --> 00:29:55.894
>> PRACTICALLY FROM MY SON'S
WHOLE LIFE.
ONLY HAD ONE SON, YES.
00:29:55.896 --> 00:29:59.098
WHOLE LIFE.
ONLY HAD ONE SON, YES.
JUST ONE SON.
00:29:59.100 --> 00:30:01.033
ONLY HAD ONE SON, YES.
JUST ONE SON.
>> BUT YOU GOT EVERYTHING HERE
00:30:01.035 --> 00:30:02.134
JUST ONE SON.
>> BUT YOU GOT EVERYTHING HERE
THAT HAS TO DO WITH HIM.
00:30:02.136 --> 00:30:04.503
>> BUT YOU GOT EVERYTHING HERE
THAT HAS TO DO WITH HIM.
>> BECAUSE HE'S NOW 31 YEARS OLD
00:30:04.505 --> 00:30:06.739
THAT HAS TO DO WITH HIM.
>> BECAUSE HE'S NOW 31 YEARS OLD
AND IT'S ALL HIS DIFFERENT--
00:30:06.741 --> 00:30:07.940
AND IT'S ALL HIS DIFFERENT--
LITTLE LEAGUE
00:30:07.942 --> 00:30:08.974
LITTLE LEAGUE
AND GRADUATING
00:30:08.976 --> 00:30:10.976
AND GRADUATING
FROM DIFFERENT SCHOOLS,
00:30:10.978 --> 00:30:11.777
FROM DIFFERENT SCHOOLS,
AND THEN FINALLY,
00:30:11.779 --> 00:30:13.912
AND THEN FINALLY,
HE'S GRADUATING
00:30:13.914 --> 00:30:15.114
HE'S GRADUATING
FROM THE POLICE ACADEMY.
00:30:15.116 --> 00:30:15.781
FROM THE POLICE ACADEMY.
>> YES.
00:30:15.783 --> 00:30:16.482
>> YES.
>> SO YOU ARE
00:30:16.484 --> 00:30:17.916
>> SO YOU ARE
ONE OF THESE MOTHERS
00:30:17.918 --> 00:30:19.351
ONE OF THESE MOTHERS
WHO TOOK PICTURES
00:30:19.353 --> 00:30:21.353
WHO TOOK PICTURES
AT EVERY SINGLE POINT
00:30:21.355 --> 00:30:22.788
AT EVERY SINGLE POINT
IN YOUR SON'S LIFE?
00:30:22.790 --> 00:30:26.658
IN YOUR SON'S LIFE?
>> EXACTLY.
>> YOU'RE NODDING IN AGREEMENT.
00:30:26.660 --> 00:30:27.826
>> EXACTLY.
>> YOU'RE NODDING IN AGREEMENT.
>> BECAUSE I DO THE SAME THING
00:30:27.828 --> 00:30:28.894
>> YOU'RE NODDING IN AGREEMENT.
>> BECAUSE I DO THE SAME THING
WITH MY SON.
00:30:28.896 --> 00:30:29.695
>> BECAUSE I DO THE SAME THING
WITH MY SON.
HE'S SEVEN YEARS OLD
00:30:29.697 --> 00:30:30.996
WITH MY SON.
HE'S SEVEN YEARS OLD
AND I'M RECORDING EVERYTHING
00:30:30.998 --> 00:30:32.197
HE'S SEVEN YEARS OLD
AND I'M RECORDING EVERYTHING
IN HIS LIFE.
00:30:32.199 --> 00:30:33.799
AND I'M RECORDING EVERYTHING
IN HIS LIFE.
I CAN SEE MYSELF HERE
00:30:33.801 --> 00:30:35.401
IN HIS LIFE.
I CAN SEE MYSELF HERE
IN THE FUTURE.
00:30:35.403 --> 00:30:36.635
I CAN SEE MYSELF HERE
IN THE FUTURE.
[ LAUGHTER ]
00:30:36.637 --> 00:30:37.469
IN THE FUTURE.
[ LAUGHTER ]
>> NOW DO YOU TAKE OUT
00:30:37.471 --> 00:30:38.771
[ LAUGHTER ]
>> NOW DO YOU TAKE OUT
THE PICTURES AND LOOK AT THEM
00:30:38.773 --> 00:30:40.472
>> NOW DO YOU TAKE OUT
THE PICTURES AND LOOK AT THEM
VERY MUCH OR--
00:30:40.474 --> 00:30:42.675
THE PICTURES AND LOOK AT THEM
VERY MUCH OR--
>> I DO WHEN I WANT TO GO BACK
00:30:42.677 --> 00:30:43.375
VERY MUCH OR--
>> I DO WHEN I WANT TO GO BACK
AND REMEMBER
00:30:43.377 --> 00:30:48.514
>> I DO WHEN I WANT TO GO BACK
AND REMEMBER
ALL THOSE BEAUTIFUL YEARS.
00:30:48.516 --> 00:30:49.648
AND REMEMBER
ALL THOSE BEAUTIFUL YEARS.
THERE'S AN OLD SAYING
00:30:49.650 --> 00:30:53.852
ALL THOSE BEAUTIFUL YEARS.
THERE'S AN OLD SAYING
THAT "REMEMBERING
00:30:53.854 --> 00:30:55.821
THERE'S AN OLD SAYING
THAT "REMEMBERING
IS LIKE LIVING AGAIN."
00:30:55.823 --> 00:30:58.323
THAT "REMEMBERING
IS LIKE LIVING AGAIN."
IT'S AN OLD SAYING IN SPANISH,
00:30:58.325 --> 00:30:59.291
IS LIKE LIVING AGAIN."
IT'S AN OLD SAYING IN SPANISH,
SO THAT'S WHY I LIKE TO LOOK
00:30:59.293 --> 00:31:00.025
IT'S AN OLD SAYING IN SPANISH,
SO THAT'S WHY I LIKE TO LOOK
AT THE PICTURES
00:31:00.027 --> 00:31:02.795
SO THAT'S WHY I LIKE TO LOOK
AT THE PICTURES
EVERY NOW AND THEN.
00:31:02.797 --> 00:31:03.629
AT THE PICTURES
EVERY NOW AND THEN.
>> AND WHEN YOU LOOK
00:31:03.631 --> 00:31:04.663
EVERY NOW AND THEN.
>> AND WHEN YOU LOOK
AT THE PICTURES HAS TIME
00:31:04.665 --> 00:31:06.699
>> AND WHEN YOU LOOK
AT THE PICTURES HAS TIME
GONE BY QUICKLY?
00:31:06.701 --> 00:31:09.034
AT THE PICTURES HAS TIME
GONE BY QUICKLY?
>> YES.
00:31:09.036 --> 00:31:14.206
GONE BY QUICKLY?
>> YES.
IT SEEMS LIKE IT WAS YESTERDAY
00:31:14.208 --> 00:31:17.443
>> YES.
IT SEEMS LIKE IT WAS YESTERDAY
AND I JUST LOOK BACK AND I SAY,
00:31:17.445 --> 00:31:19.511
IT SEEMS LIKE IT WAS YESTERDAY
AND I JUST LOOK BACK AND I SAY,
"GOSH, TIME WENT FAST."
00:31:19.513 --> 00:31:20.312
AND I JUST LOOK BACK AND I SAY,
"GOSH, TIME WENT FAST."
>> BUT YOU GOT A LOT
00:31:20.314 --> 00:31:21.246
"GOSH, TIME WENT FAST."
>> BUT YOU GOT A LOT
OF GOOD MEMORIES.
00:31:21.248 --> 00:31:23.115
>> BUT YOU GOT A LOT
OF GOOD MEMORIES.
>> I DO, A LOT OF GOOD MEMORIES,
00:31:23.117 --> 00:31:24.149
OF GOOD MEMORIES.
>> I DO, A LOT OF GOOD MEMORIES,
YES.
00:31:24.151 --> 00:31:24.983
>> I DO, A LOT OF GOOD MEMORIES,
YES.
>> NOW WE'RE LOOKING
00:31:24.985 --> 00:31:27.119
YES.
>> NOW WE'RE LOOKING
AT A GREAT PICTURE OF--
00:31:27.121 --> 00:31:28.020
>> NOW WE'RE LOOKING
AT A GREAT PICTURE OF--
>> MY MOTHER.
00:31:28.022 --> 00:31:28.721
AT A GREAT PICTURE OF--
>> MY MOTHER.
>> HER NAME?
00:31:28.723 --> 00:31:29.521
>> MY MOTHER.
>> HER NAME?
>> HOPE.
00:31:29.523 --> 00:31:30.656
>> HER NAME?
>> HOPE.
>> AND WHAT'S THE STORY
00:31:30.658 --> 00:31:32.124
>> HOPE.
>> AND WHAT'S THE STORY
BEHIND THIS PICTURE?
00:31:32.126 --> 00:31:33.425
>> AND WHAT'S THE STORY
BEHIND THIS PICTURE?
>> THE STORY BEHIND THIS PICTURE
00:31:33.427 --> 00:31:34.893
BEHIND THIS PICTURE?
>> THE STORY BEHIND THIS PICTURE
IS THAT MY MOTHER
00:31:34.895 --> 00:31:36.362
>> THE STORY BEHIND THIS PICTURE
IS THAT MY MOTHER
WAS ON TELEVISION
00:31:36.364 --> 00:31:38.430
IS THAT MY MOTHER
WAS ON TELEVISION
AND SHE WAS NOT BORN IN MEXICO,
00:31:38.432 --> 00:31:39.264
WAS ON TELEVISION
AND SHE WAS NOT BORN IN MEXICO,
BUT BECAUSE SHE WAS
00:31:39.266 --> 00:31:40.799
AND SHE WAS NOT BORN IN MEXICO,
BUT BECAUSE SHE WAS
OF MEXICAN HERITAGE
00:31:40.801 --> 00:31:43.268
BUT BECAUSE SHE WAS
OF MEXICAN HERITAGE
SHE WAS CHOSEN TO REPRESENT
00:31:43.270 --> 00:31:44.970
OF MEXICAN HERITAGE
SHE WAS CHOSEN TO REPRESENT
A TRADITIONAL STYLE,
00:31:44.972 --> 00:31:45.738
SHE WAS CHOSEN TO REPRESENT
A TRADITIONAL STYLE,
AND SO THEY ASKED HER
00:31:45.740 --> 00:31:46.905
A TRADITIONAL STYLE,
AND SO THEY ASKED HER
TO WEAR THIS CLOTHING
00:31:46.907 --> 00:31:48.474
AND SO THEY ASKED HER
TO WEAR THIS CLOTHING
FOR THIS TELEVISION SHOW.
00:31:48.476 --> 00:31:49.508
TO WEAR THIS CLOTHING
FOR THIS TELEVISION SHOW.
>> NOW WHEN WAS THIS?
00:31:49.510 --> 00:31:52.144
FOR THIS TELEVISION SHOW.
>> NOW WHEN WAS THIS?
>> THIS WAS IN ABOUT 1950 MAYBE,
00:31:52.146 --> 00:31:53.112
>> NOW WHEN WAS THIS?
>> THIS WAS IN ABOUT 1950 MAYBE,
1949.
00:31:53.114 --> 00:31:54.813
>> THIS WAS IN ABOUT 1950 MAYBE,
1949.
>> I GOT YOU, AND IS SHE--
00:31:54.815 --> 00:31:55.881
1949.
>> I GOT YOU, AND IS SHE--
>> SHE'S ABOUT 20 YEARS OLD.
00:31:55.883 --> 00:31:57.916
>> I GOT YOU, AND IS SHE--
>> SHE'S ABOUT 20 YEARS OLD.
>> IS SHE PROUD OF THIS PICTURE?
00:31:57.918 --> 00:31:58.650
>> SHE'S ABOUT 20 YEARS OLD.
>> IS SHE PROUD OF THIS PICTURE?
>> YES, SHE IS,
00:31:58.652 --> 00:31:59.918
>> IS SHE PROUD OF THIS PICTURE?
>> YES, SHE IS,
AND IT'S VERY INTERESTING
00:31:59.920 --> 00:32:01.353
>> YES, SHE IS,
AND IT'S VERY INTERESTING
BECAUSE I'M NAMED
00:32:01.355 --> 00:32:02.287
AND IT'S VERY INTERESTING
BECAUSE I'M NAMED
AFTER MY MOTHER
00:32:02.289 --> 00:32:03.322
BECAUSE I'M NAMED
AFTER MY MOTHER
AND MY GRANDCHILD
00:32:03.324 --> 00:32:04.690
AFTER MY MOTHER
AND MY GRANDCHILD
IS NAMED "HOPE" AS WELL,
00:32:04.692 --> 00:32:05.524
AND MY GRANDCHILD
IS NAMED "HOPE" AS WELL,
SO I WAS JUST TELLING
00:32:05.526 --> 00:32:06.759
IS NAMED "HOPE" AS WELL,
SO I WAS JUST TELLING
THESE LADIES HERE WE SEEM
00:32:06.761 --> 00:32:09.395
SO I WAS JUST TELLING
THESE LADIES HERE WE SEEM
TO HOLD ON TO TRADITIONS.
00:32:09.397 --> 00:32:10.529
THESE LADIES HERE WE SEEM
TO HOLD ON TO TRADITIONS.
MY MOTHER GRADUATED
00:32:10.531 --> 00:32:12.631
TO HOLD ON TO TRADITIONS.
MY MOTHER GRADUATED
FROM DIVINE SAVIOR SCHOOL
00:32:12.633 --> 00:32:13.532
MY MOTHER GRADUATED
FROM DIVINE SAVIOR SCHOOL
AND I GRADUATED
00:32:13.534 --> 00:32:15.100
FROM DIVINE SAVIOR SCHOOL
AND I GRADUATED
FROM DIVINE SAVIOR SCHOOL,
00:32:15.102 --> 00:32:16.602
AND I GRADUATED
FROM DIVINE SAVIOR SCHOOL,
AND I'M A VICE PRINCIPAL THERE,
00:32:16.604 --> 00:32:18.070
FROM DIVINE SAVIOR SCHOOL,
AND I'M A VICE PRINCIPAL THERE,
AND MY DAUGHTER AND MY NIECES
00:32:18.072 --> 00:32:19.738
AND I'M A VICE PRINCIPAL THERE,
AND MY DAUGHTER AND MY NIECES
ALL WENT THERE.
00:32:19.740 --> 00:32:21.206
AND MY DAUGHTER AND MY NIECES
ALL WENT THERE.
SO WE KIND OF CLING ON.
00:32:21.208 --> 00:32:23.275
ALL WENT THERE.
SO WE KIND OF CLING ON.
I THINK WE CLING TO THINGS
00:32:23.277 --> 00:32:26.078
SO WE KIND OF CLING ON.
I THINK WE CLING TO THINGS
THAT WE HAVE FOUND ARE BEAUTIFUL
00:32:26.080 --> 00:32:27.379
I THINK WE CLING TO THINGS
THAT WE HAVE FOUND ARE BEAUTIFUL
AND TRADITIONAL.
00:32:27.381 --> 00:32:27.813
THAT WE HAVE FOUND ARE BEAUTIFUL
AND TRADITIONAL.
>> AND SEEING
00:32:27.815 --> 00:32:29.248
AND TRADITIONAL.
>> AND SEEING
SOME OF THESE PICTURES.
00:32:29.250 --> 00:32:31.417
>> AND SEEING
SOME OF THESE PICTURES.
HERE'S ANOTHER ONE.
00:32:31.419 --> 00:32:33.185
SOME OF THESE PICTURES.
HERE'S ANOTHER ONE.
>> MY MOTHER HERE IS SITTING
00:32:33.187 --> 00:32:35.421
HERE'S ANOTHER ONE.
>> MY MOTHER HERE IS SITTING
ON THE STEPS OF HER HOUSE
00:32:35.423 --> 00:32:37.156
>> MY MOTHER HERE IS SITTING
ON THE STEPS OF HER HOUSE
ON LOOSEMORE STREET,
00:32:37.158 --> 00:32:38.057
ON THE STEPS OF HER HOUSE
ON LOOSEMORE STREET,
AND I THINK SHE'S ABOUT
00:32:38.059 --> 00:32:40.059
ON LOOSEMORE STREET,
AND I THINK SHE'S ABOUT
TWO YEARS OLD.
00:32:40.061 --> 00:32:40.626
AND I THINK SHE'S ABOUT
TWO YEARS OLD.
>> WOW.
00:32:40.628 --> 00:32:41.660
TWO YEARS OLD.
>> WOW.
>> YES, SO THIS WOULD BE,
00:32:41.662 --> 00:32:44.263
>> WOW.
>> YES, SO THIS WOULD BE,
LIKE, 1931,
00:32:44.265 --> 00:32:45.597
>> YES, SO THIS WOULD BE,
LIKE, 1931,
AND MY GRANDPARENTS CAME HERE
00:32:45.599 --> 00:32:48.534
LIKE, 1931,
AND MY GRANDPARENTS CAME HERE
FROM EL PASO AND THEIR PARENTS
00:32:48.536 --> 00:32:50.602
AND MY GRANDPARENTS CAME HERE
FROM EL PASO AND THEIR PARENTS
WERE BORN IN EL PASO,
00:32:50.604 --> 00:32:52.071
FROM EL PASO AND THEIR PARENTS
WERE BORN IN EL PASO,
SO MY FAMILY'S HERITAGE
00:32:52.073 --> 00:32:53.739
WERE BORN IN EL PASO,
SO MY FAMILY'S HERITAGE
IS FROM THE SOUTHWEST
00:32:53.741 --> 00:32:55.774
SO MY FAMILY'S HERITAGE
IS FROM THE SOUTHWEST
FROM WAY BEFORE IT WAS EVEN
00:32:55.776 --> 00:32:57.509
IS FROM THE SOUTHWEST
FROM WAY BEFORE IT WAS EVEN
PART OF THE UNITED STATES.
00:32:57.511 --> 00:32:58.510
FROM WAY BEFORE IT WAS EVEN
PART OF THE UNITED STATES.
>> NOW DOES YOUR FAMILY
00:32:58.512 --> 00:33:00.512
PART OF THE UNITED STATES.
>> NOW DOES YOUR FAMILY
TALK A LOT ABOUT ITS HISTORY?
00:33:00.780 --> 00:33:01.580
DO THEY LOOK AT THESE PICTURES
00:33:01.715 --> 00:33:02.214
A LOT?
00:33:02.349 --> 00:33:05.351
>> YES, WE USED TO, ACTUALLY.
00:33:05.485 --> 00:33:07.052
MY PARENTS HAVE BOTH PASSED AWAY
00:33:07.320 --> 00:33:10.422
BUT THESE PICTURES ARE ALL
IN ALBUMS
AND WE HAVE QUITE A FEW.
00:33:10.424 --> 00:33:12.057
IN ALBUMS
AND WE HAVE QUITE A FEW.
>> AND BEFORE THEY PASSED AWAY,
00:33:12.059 --> 00:33:14.093
AND WE HAVE QUITE A FEW.
>> AND BEFORE THEY PASSED AWAY,
YOU LEARNED THE STORIES
00:33:14.095 --> 00:33:15.027
>> AND BEFORE THEY PASSED AWAY,
YOU LEARNED THE STORIES
BEHIND THEM ALL.
00:33:15.029 --> 00:33:15.961
YOU LEARNED THE STORIES
BEHIND THEM ALL.
>> OH, YES.
00:33:15.963 --> 00:33:16.662
BEHIND THEM ALL.
>> OH, YES.
IN FACT,
00:33:16.664 --> 00:33:18.163
>> OH, YES.
IN FACT,
THERE WAS A REUNION IN EL PASO
00:33:18.165 --> 00:33:19.331
IN FACT,
THERE WAS A REUNION IN EL PASO
AND THIS IS MY GRANDMOTHER'S
00:33:19.333 --> 00:33:21.700
THERE WAS A REUNION IN EL PASO
AND THIS IS MY GRANDMOTHER'S
FAMILY NAME, GRIJALVA,
00:33:21.702 --> 00:33:23.102
AND THIS IS MY GRANDMOTHER'S
FAMILY NAME, GRIJALVA,
AND ONE OF MY COUSIN'S
00:33:23.104 --> 00:33:24.636
FAMILY NAME, GRIJALVA,
AND ONE OF MY COUSIN'S
FROM SEATTLE HAS A SON
00:33:24.638 --> 00:33:25.371
AND ONE OF MY COUSIN'S
FROM SEATTLE HAS A SON
WHO WOULDN'T GET DOWN
00:33:25.373 --> 00:33:26.705
FROM SEATTLE HAS A SON
WHO WOULDN'T GET DOWN
FROM THE TREE BECAUSE
00:33:26.707 --> 00:33:27.573
WHO WOULDN'T GET DOWN
FROM THE TREE BECAUSE
MY GRANDMOTHER
00:33:27.575 --> 00:33:30.442
FROM THE TREE BECAUSE
MY GRANDMOTHER
WAS FROM A FAMILY OF 12,
00:33:30.444 --> 00:33:31.477
MY GRANDMOTHER
WAS FROM A FAMILY OF 12,
AND HE HAD NEVER SEEN
00:33:31.479 --> 00:33:32.978
WAS FROM A FAMILY OF 12,
AND HE HAD NEVER SEEN
SO MANY COUSINS
00:33:32.980 --> 00:33:35.781
AND HE HAD NEVER SEEN
SO MANY COUSINS
AND HE WAS AFRAID TO COME DOWN.
00:33:35.783 --> 00:33:37.783
SO MANY COUSINS
AND HE WAS AFRAID TO COME DOWN.
HIS FATHER SAID, "COME ON,"
00:33:37.785 --> 00:33:38.250
AND HE WAS AFRAID TO COME DOWN.
HIS FATHER SAID, "COME ON,"
YOU KNOW,
00:33:38.252 --> 00:33:39.018
HIS FATHER SAID, "COME ON,"
YOU KNOW,
"THESE ARE YOUR COUSINS."
00:33:39.020 --> 00:33:39.918
YOU KNOW,
"THESE ARE YOUR COUSINS."
HE WOULDN'T COME DOWN.
00:33:39.920 --> 00:33:41.453
"THESE ARE YOUR COUSINS."
HE WOULDN'T COME DOWN.
HE'D NEVER SEEN SO MANY PEOPLE.
00:33:41.455 --> 00:33:42.654
HE WOULDN'T COME DOWN.
HE'D NEVER SEEN SO MANY PEOPLE.
>> SO AT THE FAMILY REUNION
00:33:42.656 --> 00:33:43.789
HE'D NEVER SEEN SO MANY PEOPLE.
>> SO AT THE FAMILY REUNION
HE STAYED UP IN THE TREE.
00:33:43.791 --> 00:33:44.790
>> SO AT THE FAMILY REUNION
HE STAYED UP IN THE TREE.
>> OH, YEAH, HE DID.
00:33:44.792 --> 00:33:45.924
HE STAYED UP IN THE TREE.
>> OH, YEAH, HE DID.
HE DIDN'T WANT TO COME DOWN.
00:33:45.926 --> 00:33:46.525
>> OH, YEAH, HE DID.
HE DIDN'T WANT TO COME DOWN.
[ LAUGHTER ]
00:33:46.527 --> 00:33:47.192
HE DIDN'T WANT TO COME DOWN.
[ LAUGHTER ]
>> YOU'RE GETTING A LOT
00:33:47.194 --> 00:33:48.027
[ LAUGHTER ]
>> YOU'RE GETTING A LOT
OF GOOD STORIES FROM THIS LADY,
00:33:48.029 --> 00:33:48.727
>> YOU'RE GETTING A LOT
OF GOOD STORIES FROM THIS LADY,
AREN'T YOU?
00:33:48.729 --> 00:33:49.361
OF GOOD STORIES FROM THIS LADY,
AREN'T YOU?
>> YES, WE ARE
00:33:49.363 --> 00:33:51.430
AREN'T YOU?
>> YES, WE ARE
AND WE'RE WRITING THEM DOWN.
00:33:51.432 --> 00:33:51.964
>> YES, WE ARE
AND WE'RE WRITING THEM DOWN.
>> NOW DO YOU WRITE
00:33:51.966 --> 00:33:52.998
AND WE'RE WRITING THEM DOWN.
>> NOW DO YOU WRITE
SOME OF THESE DOWN?
00:33:53.000 --> 00:33:53.666
>> NOW DO YOU WRITE
SOME OF THESE DOWN?
>> OH,
00:33:53.668 --> 00:33:55.067
SOME OF THESE DOWN?
>> OH,
WE WRITE A LOT OF IT DOWN,
00:33:55.069 --> 00:33:55.901
>> OH,
WE WRITE A LOT OF IT DOWN,
ALL THE STORIES
00:33:55.903 --> 00:33:57.670
WE WRITE A LOT OF IT DOWN,
ALL THE STORIES
THAT GO WITH THE PICTURES.
00:33:57.672 --> 00:33:58.671
ALL THE STORIES
THAT GO WITH THE PICTURES.
BECAUSE IT MAKES THE PICTURES
00:33:58.673 --> 00:33:59.938
THAT GO WITH THE PICTURES.
BECAUSE IT MAKES THE PICTURES
SO MUCH MORE MEANINGFUL.
00:33:59.940 --> 00:34:00.539
BECAUSE IT MAKES THE PICTURES
SO MUCH MORE MEANINGFUL.
>> YEAH.
00:34:00.541 --> 00:34:02.041
SO MUCH MORE MEANINGFUL.
>> YEAH.
>> IT'S NOT JUST A LITTLE GIRL
00:34:02.043 --> 00:34:03.609
>> YEAH.
>> IT'S NOT JUST A LITTLE GIRL
ON THE STAIRS.
00:34:03.611 --> 00:34:04.910
>> IT'S NOT JUST A LITTLE GIRL
ON THE STAIRS.
OR THE LADY IN THE DRESS,
00:34:04.912 --> 00:34:06.011
ON THE STAIRS.
OR THE LADY IN THE DRESS,
BUT--
00:34:06.013 --> 00:34:06.712
OR THE LADY IN THE DRESS,
BUT--
>> SHE'S REPRESENTING
00:34:06.714 --> 00:34:07.780
BUT--
>> SHE'S REPRESENTING
THE WHOLE CULTURE.
00:34:07.782 --> 00:34:08.213
>> SHE'S REPRESENTING
THE WHOLE CULTURE.
I MEAN
00:34:08.215 --> 00:34:09.248
THE WHOLE CULTURE.
I MEAN
FOR THE TELEVISION PROGRAM,
00:34:09.250 --> 00:34:10.349
I MEAN
FOR THE TELEVISION PROGRAM,
WHICH IS REALLY UNUSUAL
00:34:10.351 --> 00:34:12.785
FOR THE TELEVISION PROGRAM,
WHICH IS REALLY UNUSUAL
AS EARLY AS THE 1940s.
00:34:12.787 --> 00:34:14.987
WHICH IS REALLY UNUSUAL
AS EARLY AS THE 1940s.
SO IT'S REALLY FASCINATING.
00:34:14.989 --> 00:34:16.455
AS EARLY AS THE 1940s.
SO IT'S REALLY FASCINATING.
AND THEN TO HAVE, YOU KNOW,
00:34:16.457 --> 00:34:17.956
SO IT'S REALLY FASCINATING.
AND THEN TO HAVE, YOU KNOW,
THESE TWO PICTURES ARE
00:34:17.958 --> 00:34:19.525
AND THEN TO HAVE, YOU KNOW,
THESE TWO PICTURES ARE
OF THE SAME WOMAN, HER MOTHER,
00:34:19.527 --> 00:34:21.760
THESE TWO PICTURES ARE
OF THE SAME WOMAN, HER MOTHER,
BUT THEY'RE SO DIFFERENT,
00:34:21.762 --> 00:34:23.362
OF THE SAME WOMAN, HER MOTHER,
BUT THEY'RE SO DIFFERENT,
SO IT'S GETTING EVERY LITTLE BIT
00:34:23.364 --> 00:34:25.497
BUT THEY'RE SO DIFFERENT,
SO IT'S GETTING EVERY LITTLE BIT
OF INFORMATION IS IMPORTANT.
00:34:25.499 --> 00:34:26.231
SO IT'S GETTING EVERY LITTLE BIT
OF INFORMATION IS IMPORTANT.
>> I THINK ONE OF THE THINGS
00:34:26.233 --> 00:34:27.499
OF INFORMATION IS IMPORTANT.
>> I THINK ONE OF THE THINGS
THAT'S REALLY POWERFUL
00:34:27.501 --> 00:34:28.233
>> I THINK ONE OF THE THINGS
THAT'S REALLY POWERFUL
ABOUT THIS DAY IS THAT
00:34:28.235 --> 00:34:29.001
THAT'S REALLY POWERFUL
ABOUT THIS DAY IS THAT
A LOT OF TIMES PEOPLE
00:34:29.003 --> 00:34:30.135
ABOUT THIS DAY IS THAT
A LOT OF TIMES PEOPLE
THINK OF HISTORY AS BEING
00:34:30.137 --> 00:34:31.670
A LOT OF TIMES PEOPLE
THINK OF HISTORY AS BEING
SOMETHING OUT THERE--
00:34:31.672 --> 00:34:33.472
THINK OF HISTORY AS BEING
SOMETHING OUT THERE--
THAT'S TAUGHT IN SCHOOLS--
00:34:33.474 --> 00:34:34.273
SOMETHING OUT THERE--
THAT'S TAUGHT IN SCHOOLS--
BUT IN FACT,
00:34:34.275 --> 00:34:36.275
THAT'S TAUGHT IN SCHOOLS--
BUT IN FACT,
PEOPLE ARE MAKING HISTORY
00:34:36.277 --> 00:34:37.776
BUT IN FACT,
PEOPLE ARE MAKING HISTORY
EVERYDAY.
00:34:37.778 --> 00:34:38.644
PEOPLE ARE MAKING HISTORY
EVERYDAY.
JUST BY DECIDING
00:34:38.646 --> 00:34:40.145
EVERYDAY.
JUST BY DECIDING
WHAT PHOTOGRAPHS TO TAKE,
00:34:40.147 --> 00:34:41.780
JUST BY DECIDING
WHAT PHOTOGRAPHS TO TAKE,
YOU'RE DECIDING WHAT'S IMPORTANT
00:34:41.782 --> 00:34:43.482
WHAT PHOTOGRAPHS TO TAKE,
YOU'RE DECIDING WHAT'S IMPORTANT
AND WHICH PHOTOGRAPHS TO SAVE
00:34:43.484 --> 00:34:44.516
YOU'RE DECIDING WHAT'S IMPORTANT
AND WHICH PHOTOGRAPHS TO SAVE
AND PUT IN YOUR ALBUM
00:34:44.518 --> 00:34:46.018
AND WHICH PHOTOGRAPHS TO SAVE
AND PUT IN YOUR ALBUM
AND SAVE FOR YOUR CHILDREN.
00:34:46.020 --> 00:34:47.019
AND PUT IN YOUR ALBUM
AND SAVE FOR YOUR CHILDREN.
PEOPLE ARE MAKING
00:34:47.021 --> 00:34:47.720
AND SAVE FOR YOUR CHILDREN.
PEOPLE ARE MAKING
THOSE KINDS OF DECISIONS
00:34:47.722 --> 00:34:48.520
PEOPLE ARE MAKING
THOSE KINDS OF DECISIONS
AND WHAT HAPPENS ON A DAY
00:34:48.522 --> 00:34:50.155
THOSE KINDS OF DECISIONS
AND WHAT HAPPENS ON A DAY
LIKE THIS IS THAT THESE THINGS
00:34:50.157 --> 00:34:52.858
AND WHAT HAPPENS ON A DAY
LIKE THIS IS THAT THESE THINGS
THAT ARE HAPPENING EVERYDAY
00:34:52.860 --> 00:34:54.693
LIKE THIS IS THAT THESE THINGS
THAT ARE HAPPENING EVERYDAY
THAT ARE IMPORTANT TO FAMILIES
00:34:54.695 --> 00:34:57.029
THAT ARE HAPPENING EVERYDAY
THAT ARE IMPORTANT TO FAMILIES
EVERYDAY, ARE BEING RECOGNIZED
00:34:57.031 --> 00:34:58.697
THAT ARE IMPORTANT TO FAMILIES
EVERYDAY, ARE BEING RECOGNIZED
BY THIS LARGER COMMUNITY,
00:34:58.699 --> 00:35:00.199
EVERYDAY, ARE BEING RECOGNIZED
BY THIS LARGER COMMUNITY,
AND THESE KINDRED SPIRITS,
00:35:00.201 --> 00:35:01.500
BY THIS LARGER COMMUNITY,
AND THESE KINDRED SPIRITS,
AND SO I THINK THAT
00:35:01.502 --> 00:35:04.770
AND THESE KINDRED SPIRITS,
AND SO I THINK THAT
THAT SORT OF THE RECOGNITION
00:35:04.772 --> 00:35:07.840
AND SO I THINK THAT
THAT SORT OF THE RECOGNITION
THAT WE'RE ALL A PART OF HISTORY
00:35:07.842 --> 00:35:10.175
THAT SORT OF THE RECOGNITION
THAT WE'RE ALL A PART OF HISTORY
AND ARE DEFINING OUR OWN HISTORY
00:35:10.177 --> 00:35:12.378
THAT WE'RE ALL A PART OF HISTORY
AND ARE DEFINING OUR OWN HISTORY
IS REALLY VERY POWERFUL,
00:35:12.380 --> 00:35:14.680
AND ARE DEFINING OUR OWN HISTORY
IS REALLY VERY POWERFUL,
I THINK, FOR A LOT OF PEOPLE.
00:35:14.682 --> 00:35:15.547
IS REALLY VERY POWERFUL,
I THINK, FOR A LOT OF PEOPLE.
>> I THINK IT'S MOVING.
00:35:15.549 --> 00:35:16.482
I THINK, FOR A LOT OF PEOPLE.
>> I THINK IT'S MOVING.
A LOT OF TIMES PEOPLE
00:35:16.484 --> 00:35:17.583
>> I THINK IT'S MOVING.
A LOT OF TIMES PEOPLE
WILL BRING IN ALBUMS
00:35:17.585 --> 00:35:18.384
A LOT OF TIMES PEOPLE
WILL BRING IN ALBUMS
THAT THEIR FAMILIES
00:35:18.386 --> 00:35:19.718
WILL BRING IN ALBUMS
THAT THEIR FAMILIES
REALLY HAVE IGNORED
00:35:19.720 --> 00:35:21.286
THAT THEIR FAMILIES
REALLY HAVE IGNORED
AND NEVER LOOKED INTO,
00:35:21.288 --> 00:35:22.388
REALLY HAVE IGNORED
AND NEVER LOOKED INTO,
AND I KNOW THIS HAPPENED
00:35:22.390 --> 00:35:23.789
AND NEVER LOOKED INTO,
AND I KNOW THIS HAPPENED
TIME AND AGAIN.
00:35:23.791 --> 00:35:24.356
AND I KNOW THIS HAPPENED
TIME AND AGAIN.
THEY'D SIT DOWN,
00:35:24.358 --> 00:35:25.391
TIME AND AGAIN.
THEY'D SIT DOWN,
THEY'D OPEN THE ALBUM,
00:35:25.393 --> 00:35:26.158
THEY'D SIT DOWN,
THEY'D OPEN THE ALBUM,
AND THEN THEY'D STUMBLE
00:35:26.160 --> 00:35:26.658
THEY'D OPEN THE ALBUM,
AND THEN THEY'D STUMBLE
ON A PAGE,
00:35:26.660 --> 00:35:29.361
AND THEN THEY'D STUMBLE
ON A PAGE,
LIKE THEIR MOTHER HAD JUST DIED,
00:35:29.363 --> 00:35:30.829
ON A PAGE,
LIKE THEIR MOTHER HAD JUST DIED,
AND IT WAS, SORT OF, LIKE,
00:35:30.831 --> 00:35:31.897
LIKE THEIR MOTHER HAD JUST DIED,
AND IT WAS, SORT OF, LIKE,
THE WHOLE TABLE WOULD JUST
00:35:31.899 --> 00:35:33.832
AND IT WAS, SORT OF, LIKE,
THE WHOLE TABLE WOULD JUST
GET SO CAUGHT UP IN THE MOMENT
00:35:33.834 --> 00:35:35.234
THE WHOLE TABLE WOULD JUST
GET SO CAUGHT UP IN THE MOMENT
OF KNOWING HOW IMPORTANT PEOPLE
00:35:35.236 --> 00:35:36.835
GET SO CAUGHT UP IN THE MOMENT
OF KNOWING HOW IMPORTANT PEOPLE
ARE TO EACH OTHER,
00:35:36.837 --> 00:35:37.736
OF KNOWING HOW IMPORTANT PEOPLE
ARE TO EACH OTHER,
AND THEN TO GO THROUGH,
00:35:37.738 --> 00:35:38.637
ARE TO EACH OTHER,
AND THEN TO GO THROUGH,
AND WE ALL HAVE--
00:35:38.639 --> 00:35:39.772
AND THEN TO GO THROUGH,
AND WE ALL HAVE--
AND SOMETIMES WE WOULD FIND
00:35:39.774 --> 00:35:41.340
AND WE ALL HAVE--
AND SOMETIMES WE WOULD FIND
PICTURES THAT ARE SO MUCH LIKE
00:35:41.342 --> 00:35:43.409
AND SOMETIMES WE WOULD FIND
PICTURES THAT ARE SO MUCH LIKE
ONES WE HAVE IN OUR OWN ALBUM.
00:35:43.411 --> 00:35:44.243
PICTURES THAT ARE SO MUCH LIKE
ONES WE HAVE IN OUR OWN ALBUM.
IT JUST MAKES US FEEL
00:35:44.245 --> 00:35:45.878
ONES WE HAVE IN OUR OWN ALBUM.
IT JUST MAKES US FEEL
LIKE A LARGER FAMILY,
00:35:45.880 --> 00:35:46.979
IT JUST MAKES US FEEL
LIKE A LARGER FAMILY,
TO PUT IT, MAYBE, A LITTLE,
00:35:46.981 --> 00:35:47.846
LIKE A LARGER FAMILY,
TO PUT IT, MAYBE, A LITTLE,
YOU KNOW, BUT IT IS--
00:35:47.848 --> 00:35:49.048
TO PUT IT, MAYBE, A LITTLE,
YOU KNOW, BUT IT IS--
WE'RE A LARGER FAMILY
00:35:49.050 --> 00:35:50.582
YOU KNOW, BUT IT IS--
WE'RE A LARGER FAMILY
IN A SENSE BY SHARING
00:35:50.584 --> 00:35:53.018
WE'RE A LARGER FAMILY
IN A SENSE BY SHARING
THIS KIND OF A DAY
00:35:53.020 --> 00:35:53.852
IN A SENSE BY SHARING
THIS KIND OF A DAY
AND OUR IMAGES,
00:35:53.854 --> 00:35:54.420
AND OUR IMAGES,
AND THEN OF COURSE NOW
00:35:54.422 --> 00:35:56.655
AND THEN OF COURSE NOW
THE LIBRARY HAS 10,000
00:35:56.657 --> 00:35:58.157
THE LIBRARY HAS 10,000
OF THESE IMAGES,
00:35:58.159 --> 00:35:58.924
OF THESE IMAGES,
AND THEY'RE AVAILABLE
00:35:58.926 --> 00:36:00.559
AND THEY'RE AVAILABLE
TO THE PUBLIC TO LOOK AT,
00:36:00.561 --> 00:36:02.027
TO THE PUBLIC TO LOOK AT,
AND TO USE TO COMPLIMENT
00:36:02.029 --> 00:36:03.128
AND TO USE TO COMPLIMENT
THEIR OWN HISTORIES
00:36:03.130 --> 00:36:06.165
THEIR OWN HISTORIES
IN THAT COMMUNITY.
>> ARE YOU EVER SURPRISED
00:36:06.167 --> 00:36:07.333
IN THAT COMMUNITY.
>> ARE YOU EVER SURPRISED
AT THE PICTURES
00:36:07.335 --> 00:36:08.934
>> ARE YOU EVER SURPRISED
AT THE PICTURES
THAT MEAN SOMETHING TO SOMEONE
00:36:08.936 --> 00:36:11.403
AT THE PICTURES
THAT MEAN SOMETHING TO SOMEONE
ELSE THAT DON'T MEAN ANYTHING
00:36:11.405 --> 00:36:13.305
THAT MEAN SOMETHING TO SOMEONE
ELSE THAT DON'T MEAN ANYTHING
TO YOU UNTIL THEY'RE EXPLAINED
00:36:13.307 --> 00:36:14.139
ELSE THAT DON'T MEAN ANYTHING
TO YOU UNTIL THEY'RE EXPLAINED
TO YOU?
00:36:14.141 --> 00:36:15.107
TO YOU UNTIL THEY'RE EXPLAINED
TO YOU?
[ LAUGHTER ]
00:36:15.109 --> 00:36:17.009
TO YOU?
[ LAUGHTER ]
>> UH-OH.
00:36:17.011 --> 00:36:17.609
[ LAUGHTER ]
>> UH-OH.
>> WELL, I MEAN,
00:36:17.611 --> 00:36:18.644
>> UH-OH.
>> WELL, I MEAN,
THEY'RE THE ONES YOU OVERLOOK,
00:36:18.646 --> 00:36:19.144
>> WELL, I MEAN,
THEY'RE THE ONES YOU OVERLOOK,
RIGHT?
00:36:19.146 --> 00:36:19.678
THEY'RE THE ONES YOU OVERLOOK,
RIGHT?
AND THEN--
00:36:19.680 --> 00:36:20.212
RIGHT?
AND THEN--
>> YOU OUGHT TO TELL
00:36:20.214 --> 00:36:21.046
AND THEN--
>> YOU OUGHT TO TELL
THAT PICTURE--TALK ABOUT IT.
00:36:21.048 --> 00:36:21.747
>> YOU OUGHT TO TELL
THAT PICTURE--TALK ABOUT IT.
>> OH, THERE'S A PICTURE
00:36:21.749 --> 00:36:23.816
THAT PICTURE--TALK ABOUT IT.
>> OH, THERE'S A PICTURE
OVER THERE THAT I BROUGHT IN
00:36:23.818 --> 00:36:25.117
>> OH, THERE'S A PICTURE
OVER THERE THAT I BROUGHT IN
WHEN THEY HAD
00:36:25.119 --> 00:36:27.219
OVER THERE THAT I BROUGHT IN
WHEN THEY HAD
"THE SHADES OF L.A. PROJECT."
00:36:27.221 --> 00:36:28.087
WHEN THEY HAD
"THE SHADES OF L.A. PROJECT."
[ LAUGHTER ]
00:36:28.089 --> 00:36:29.321
"THE SHADES OF L.A. PROJECT."
[ LAUGHTER ]
>> PICK IT UP.
00:36:29.323 --> 00:36:31.156
[ LAUGHTER ]
>> PICK IT UP.
>> OH, IS THIS YOUR FAMILY?
00:36:31.158 --> 00:36:32.791
>> PICK IT UP.
>> OH, IS THIS YOUR FAMILY?
>> THIS IS MY FAMILY RIGHT HERE.
00:36:32.793 --> 00:36:33.525
>> OH, IS THIS YOUR FAMILY?
>> THIS IS MY FAMILY RIGHT HERE.
>> WELL, LET'S PICK THIS UP
00:36:33.527 --> 00:36:36.662
>> THIS IS MY FAMILY RIGHT HERE.
>> WELL, LET'S PICK THIS UP
AND LOOK AT IT.
00:36:36.664 --> 00:36:37.930
>> WELL, LET'S PICK THIS UP
AND LOOK AT IT.
>> AND THERE'S A STORY
00:36:37.932 --> 00:36:39.031
AND LOOK AT IT.
>> AND THERE'S A STORY
THAT GOES ALONG WITH THAT.
00:36:39.033 --> 00:36:39.898
>> AND THERE'S A STORY
THAT GOES ALONG WITH THAT.
AS YOU LOOK AT IT,
00:36:39.900 --> 00:36:42.001
THAT GOES ALONG WITH THAT.
AS YOU LOOK AT IT,
YOU WON'T SEE ANYTHING,
00:36:42.003 --> 00:36:43.869
YOU WON'T SEE ANYTHING,
BUT MY LITTLE BROTHER
00:36:43.871 --> 00:36:47.172
BUT MY LITTLE BROTHER
HAS A PAIR OF HANDCUFFS ON.
00:36:47.174 --> 00:36:48.007
HAS A PAIR OF HANDCUFFS ON.
>> OH, THERE THEY ARE.
00:36:48.009 --> 00:36:48.941
>> OH, THERE THEY ARE.
>> THAT'S RIGHT,
00:36:48.943 --> 00:36:51.377
>> THAT'S RIGHT,
AND THERE'S A BIG PROBLEM
00:36:51.379 --> 00:36:52.177
AND THERE'S A BIG PROBLEM
WITH THAT BECAUSE
00:36:52.179 --> 00:36:54.013
WITH THAT BECAUSE
HE LOST THE KEY.
00:36:54.015 --> 00:36:54.646
HE LOST THE KEY.
HE WAS PLAYING WITH
00:36:54.648 --> 00:36:55.614
HE WAS PLAYING WITH
THOSE HANDCUFFS BEFORE
00:36:55.616 --> 00:36:58.751
THOSE HANDCUFFS BEFORE
THE PHOTOGRAPHER CAME.
HE COULDN'T FIND THE KEY.
00:36:58.753 --> 00:37:00.919
THE PHOTOGRAPHER CAME.
HE COULDN'T FIND THE KEY.
MY MOTHER WAS FURIOUS.
00:37:00.921 --> 00:37:01.854
HE COULDN'T FIND THE KEY.
MY MOTHER WAS FURIOUS.
>> SO HE HAD TO HAVE
00:37:01.856 --> 00:37:03.555
MY MOTHER WAS FURIOUS.
>> SO HE HAD TO HAVE
THE FAMILY PICTURE MADE
00:37:03.557 --> 00:37:04.623
>> SO HE HAD TO HAVE
THE FAMILY PICTURE MADE
WEARING HANDCUFFS.
00:37:04.625 --> 00:37:05.024
THE FAMILY PICTURE MADE
WEARING HANDCUFFS.
[ LAUGHTER ]
00:37:05.026 --> 00:37:06.392
WEARING HANDCUFFS.
[ LAUGHTER ]
>> WEARING THE HANDCUFFS,
00:37:06.394 --> 00:37:07.259
[ LAUGHTER ]
>> WEARING THE HANDCUFFS,
BUT THANK GOODNESS
00:37:07.261 --> 00:37:10.362
>> WEARING THE HANDCUFFS,
BUT THANK GOODNESS
HIS LIFE DIDN'T GO THAT WAY.
00:37:10.364 --> 00:37:10.963
BUT THANK GOODNESS
HIS LIFE DIDN'T GO THAT WAY.
>> SEE, NOW THAT IS
00:37:10.965 --> 00:37:13.532
HIS LIFE DIDN'T GO THAT WAY.
>> SEE, NOW THAT IS
THE ULTIMATE STORY OF A PICTURE
00:37:13.534 --> 00:37:15.668
>> SEE, NOW THAT IS
THE ULTIMATE STORY OF A PICTURE
THAT NO ONE ELSE WOULD KNOW.
00:37:15.670 --> 00:37:16.435
THE ULTIMATE STORY OF A PICTURE
THAT NO ONE ELSE WOULD KNOW.
>> RIGHT, AND THIS IS ONE
00:37:16.437 --> 00:37:17.836
THAT NO ONE ELSE WOULD KNOW.
>> RIGHT, AND THIS IS ONE
OF OUR FAVORITE
00:37:17.838 --> 00:37:19.271
>> RIGHT, AND THIS IS ONE
OF OUR FAVORITE
"SHADES OF L.A." PHOTOS.
00:37:19.273 --> 00:37:20.339
OF OUR FAVORITE
"SHADES OF L.A." PHOTOS.
>> YOUR BROTHER IN HANDCUFFS.
00:37:20.341 --> 00:37:23.308
"SHADES OF L.A." PHOTOS.
>> YOUR BROTHER IN HANDCUFFS.
>> EVERYBODY RELATES TO THAT
00:37:23.310 --> 00:37:23.809
>> YOUR BROTHER IN HANDCUFFS.
>> EVERYBODY RELATES TO THAT
AND SO--
00:37:23.811 --> 00:37:24.410
>> EVERYBODY RELATES TO THAT
AND SO--
>> BUT DO YOU KNOW WHAT?
00:37:24.412 --> 00:37:25.344
AND SO--
>> BUT DO YOU KNOW WHAT?
LET'S GET SERIOUS
00:37:25.346 --> 00:37:26.245
>> BUT DO YOU KNOW WHAT?
LET'S GET SERIOUS
FOR JUST A MINUTE.
00:37:26.247 --> 00:37:28.113
LET'S GET SERIOUS
FOR JUST A MINUTE.
THIS ALSO SHOWS HOW FRAGILE
00:37:28.115 --> 00:37:29.982
FOR JUST A MINUTE.
THIS ALSO SHOWS HOW FRAGILE
HISTORY IS BECAUSE
00:37:29.984 --> 00:37:31.784
THIS ALSO SHOWS HOW FRAGILE
HISTORY IS BECAUSE
IF YOU WEREN'T HERE
00:37:31.786 --> 00:37:33.786
HISTORY IS BECAUSE
IF YOU WEREN'T HERE
TO EXPLAIN THE SIGNIFICANCE
00:37:33.788 --> 00:37:35.921
IF YOU WEREN'T HERE
TO EXPLAIN THE SIGNIFICANCE
OF THIS PICTURE,
00:37:35.923 --> 00:37:37.823
TO EXPLAIN THE SIGNIFICANCE
OF THIS PICTURE,
THE SIGNIFICANCE WOULD BE LOST
00:37:37.825 --> 00:37:39.124
OF THIS PICTURE,
THE SIGNIFICANCE WOULD BE LOST
FOREVER.
00:37:39.126 --> 00:37:39.892
THE SIGNIFICANCE WOULD BE LOST
FOREVER.
>> RIGHT.
00:37:39.894 --> 00:37:40.826
FOREVER.
>> RIGHT.
WELL, YEAH, YOU KNOW,
00:37:40.828 --> 00:37:43.429
>> RIGHT.
WELL, YEAH, YOU KNOW,
A LOT OF TIMES AT FLEA MARKETS
00:37:43.431 --> 00:37:44.363
WELL, YEAH, YOU KNOW,
A LOT OF TIMES AT FLEA MARKETS
AND AT ANTIQUE STORES,
00:37:44.365 --> 00:37:45.464
A LOT OF TIMES AT FLEA MARKETS
AND AT ANTIQUE STORES,
YOU SEE JUST PILES
00:37:45.466 --> 00:37:46.865
AND AT ANTIQUE STORES,
YOU SEE JUST PILES
OF OLD SNAPSHOTS,
00:37:46.867 --> 00:37:47.766
YOU SEE JUST PILES
OF OLD SNAPSHOTS,
AND SOMETIMES
00:37:47.768 --> 00:37:48.667
OF OLD SNAPSHOTS,
AND SOMETIMES
THEY'RE WONDERFUL IMAGES
00:37:48.669 --> 00:37:50.169
AND SOMETIMES
THEY'RE WONDERFUL IMAGES
BUT THEY'RE COMPLETELY DIVORCED
00:37:50.171 --> 00:37:51.637
THEY'RE WONDERFUL IMAGES
BUT THEY'RE COMPLETELY DIVORCED
FROM THE PEOPLE WHO OWN THEM.
00:37:51.639 --> 00:37:53.439
BUT THEY'RE COMPLETELY DIVORCED
FROM THE PEOPLE WHO OWN THEM.
THEY GOT LEFT IN SOME ATTIC
00:37:53.441 --> 00:37:56.141
FROM THE PEOPLE WHO OWN THEM.
THEY GOT LEFT IN SOME ATTIC
AND SOMEONE DIED WITHOUT
00:37:56.143 --> 00:37:57.910
THEY GOT LEFT IN SOME ATTIC
AND SOMEONE DIED WITHOUT
PASSING THEM ON,
00:37:57.912 --> 00:38:00.446
AND SOMEONE DIED WITHOUT
PASSING THEM ON,
AND I JUST ALWAYS, YOU KNOW--
00:38:00.448 --> 00:38:01.914
PASSING THEM ON,
AND I JUST ALWAYS, YOU KNOW--
THEY'RE WONDERFUL IMAGES,
00:38:01.916 --> 00:38:03.415
AND I JUST ALWAYS, YOU KNOW--
THEY'RE WONDERFUL IMAGES,
BUT THEY DON'T HAVE THE STORIES.
00:38:03.417 --> 00:38:04.316
THEY'RE WONDERFUL IMAGES,
BUT THEY DON'T HAVE THE STORIES.
HERE WE HAVE THE PEOPLE
00:38:04.318 --> 00:38:07.252
BUT THEY DON'T HAVE THE STORIES.
HERE WE HAVE THE PEOPLE
WHO SAVED THE PHOTOGRAPHS,
00:38:07.254 --> 00:38:08.187
HERE WE HAVE THE PEOPLE
WHO SAVED THE PHOTOGRAPHS,
BRINGING THEM IN,
00:38:08.189 --> 00:38:09.021
WHO SAVED THE PHOTOGRAPHS,
BRINGING THEM IN,
AND BRINGING THE STORIES
00:38:09.023 --> 00:38:10.589
BRINGING THEM IN,
AND BRINGING THE STORIES
WITH THEM, AND IT JUST MAKES
00:38:10.591 --> 00:38:12.524
AND BRINGING THE STORIES
WITH THEM, AND IT JUST MAKES
A TREMENDOUS DIFFERENCE.
00:38:12.526 --> 00:38:14.226
WITH THEM, AND IT JUST MAKES
A TREMENDOUS DIFFERENCE.
>> AND WHEN YOU DECIDE TO COPY
00:38:14.228 --> 00:38:15.194
A TREMENDOUS DIFFERENCE.
>> AND WHEN YOU DECIDE TO COPY
THESE PICTURES
00:38:15.196 --> 00:38:16.328
>> AND WHEN YOU DECIDE TO COPY
THESE PICTURES
AND KEEP THESE PICTURES,
00:38:16.330 --> 00:38:17.730
THESE PICTURES
AND KEEP THESE PICTURES,
YOU KEEP THE STORIES.
00:38:17.732 --> 00:38:18.597
AND KEEP THESE PICTURES,
YOU KEEP THE STORIES.
YOU RECORD THE STORIES
00:38:18.599 --> 00:38:19.865
YOU KEEP THE STORIES.
YOU RECORD THE STORIES
ALONG WITH THEM.
00:38:19.867 --> 00:38:21.233
YOU RECORD THE STORIES
ALONG WITH THEM.
>> DEFINITELY.
00:38:21.235 --> 00:38:22.501
ALONG WITH THEM.
>> DEFINITELY.
IT'S ALL RECORDED.
00:38:22.503 --> 00:38:24.303
>> DEFINITELY.
IT'S ALL RECORDED.
EACH PHOTOGRAPH
00:38:24.305 --> 00:38:27.506
IT'S ALL RECORDED.
EACH PHOTOGRAPH
HAS DOCUMENTATION.
00:38:27.508 --> 00:38:29.208
EACH PHOTOGRAPH
HAS DOCUMENTATION.
WE HAVE PEOPLE TAKING NOTES
00:38:29.210 --> 00:38:30.442
HAS DOCUMENTATION.
WE HAVE PEOPLE TAKING NOTES
AND--NO, THAT'S A VERY
00:38:30.444 --> 00:38:31.510
WE HAVE PEOPLE TAKING NOTES
AND--NO, THAT'S A VERY
IMPORTANT PART OF THE ARCHIVE.
00:38:31.512 --> 00:38:33.479
AND--NO, THAT'S A VERY
IMPORTANT PART OF THE ARCHIVE.
>> SO YOU KNOW NOW FOREVER.
00:38:33.481 --> 00:38:34.313
IMPORTANT PART OF THE ARCHIVE.
>> SO YOU KNOW NOW FOREVER.
[ LAUGHTER ]
00:38:34.315 --> 00:38:35.214
>> SO YOU KNOW NOW FOREVER.
[ LAUGHTER ]
THIS PICTURE OF YOU
00:38:35.216 --> 00:38:37.516
THIS PICTURE OF YOU
AND YOUR BROTHER IN HANDCUFFS.
00:38:37.518 --> 00:38:38.150
AND YOUR BROTHER IN HANDCUFFS.
>> THAT'S RIGHT,
00:38:38.152 --> 00:38:38.984
>> THAT'S RIGHT,
AND IF IT WERE NOT FOR
00:38:38.986 --> 00:38:40.319
AND IF IT WERE NOT FOR
"THE SHADES OF L.A."
00:38:40.321 --> 00:38:41.854
"THE SHADES OF L.A."
AND "THE SHADES OF CALIFORNIA,"
00:38:41.856 --> 00:38:43.322
AND "THE SHADES OF CALIFORNIA,"
THIS PHOTOGRAPH WOULD JUST BE
00:38:43.324 --> 00:38:45.724
THIS PHOTOGRAPH WOULD JUST BE
IN MY PHOTO ALBUM AT HOME,
00:38:45.726 --> 00:38:47.126
IN MY PHOTO ALBUM AT HOME,
AND THE STORY WOULD BE LOST
00:38:47.128 --> 00:38:51.230
AND THE STORY WOULD BE LOST
COMPLETELY.
>> NOW THERE'S A LOT OF ACTIVITY
00:38:51.232 --> 00:38:54.400
COMPLETELY.
>> NOW THERE'S A LOT OF ACTIVITY
GOING ON IN THE BIG ROOM HERE,
00:38:54.402 --> 00:38:56.402
>> NOW THERE'S A LOT OF ACTIVITY
GOING ON IN THE BIG ROOM HERE,
BUT THERE'S ALSO SOME ACTIVITY--
00:38:56.404 --> 00:38:58.237
GOING ON IN THE BIG ROOM HERE,
BUT THERE'S ALSO SOME ACTIVITY--
SOME VERY IMPORTANT ACTIVITY--
00:38:58.239 --> 00:38:59.638
BUT THERE'S ALSO SOME ACTIVITY--
SOME VERY IMPORTANT ACTIVITY--
GOING ON IN THIS LITTLE ROOM
00:38:59.640 --> 00:39:01.306
SOME VERY IMPORTANT ACTIVITY--
GOING ON IN THIS LITTLE ROOM
OFF TO THE SIDE,
00:39:01.574 --> 00:39:04.176
AND HERE IT IS RIGHT HERE.
00:39:04.310 --> 00:39:04.877
FELLOWS, TELL US
00:39:05.011 --> 00:39:06.812
WHAT'S HAPPENING IN HERE.
00:39:06.946 --> 00:39:07.579
>> THIS IS WHERE WE'RE COPYING
00:39:07.714 --> 00:39:08.981
THE PHOTOGRAPHS ONTO NEGATIVES.
00:39:09.115 --> 00:39:09.481
>> THE PHOTOGRAPHS
00:39:09.616 --> 00:39:12.184
THAT HAVE BEEN CHOSEN OUT HERE
00:39:12.318 --> 00:39:14.119
TO BE COPIED.
00:39:14.254 --> 00:39:14.920
>> YES.
00:39:15.055 --> 00:39:15.854
>> AND HOW DOES THIS WORK?
00:39:15.989 --> 00:39:16.689
TELL US WHAT'S GOING ON.
00:39:16.823 --> 00:39:19.958
>> WELL, WE COMPOSE THE IMAGE,
00:39:20.093 --> 00:39:21.260
PUT THE GLASS ON TOP OF IT,
00:39:21.394 --> 00:39:23.662
AND SHOOT IT.
00:39:23.797 --> 00:39:24.563
AND SOMETIMES
00:39:24.698 --> 00:39:25.931
WE HAVE TO MAKE SOME ADJUSTMENTS
00:39:26.066 --> 00:39:27.633
FOR EXPOSURE, ET CETERA,
00:39:27.767 --> 00:39:28.200
AND THINGS LIKE THAT.
00:39:28.335 --> 00:39:28.767
>> WELL, SHOW US.
00:39:28.902 --> 00:39:29.368
LET'S DO ONE HERE.
00:39:29.502 --> 00:39:31.270
THAT'S THE OLD RACE CAR PICTURE
00:39:31.404 --> 00:39:33.572
THAT WE'VE ALREADY LOOKED AT
00:39:33.707 --> 00:39:36.975
OUTSIDE.
00:39:37.110 --> 00:39:37.810
NOW WHAT'S GOING TO HAPPEN
00:39:37.944 --> 00:39:39.611
TO THESE PHOTOGRAPHS?
00:39:39.746 --> 00:39:41.213
>> THEY GO IN THE ARCHIVES.
00:39:41.348 --> 00:39:42.247
>> SO THESE ARE THE ONES
00:39:42.382 --> 00:39:44.149
THAT WILL BE PRESERVED FOREVER.
00:39:44.284 --> 00:39:49.254
>> THAT'S RIGHT.
00:39:51.958 --> 00:39:52.725
>> SO WHAT YOU HAVE
00:39:52.859 --> 00:39:55.561
EFFECTIVELY DONE IS TAKEN
00:39:55.695 --> 00:39:58.197
THIS WONDERFUL OLD PICTURE
00:39:58.331 --> 00:39:59.665
THAT THE FELLOW BROUGHT IN
00:39:59.799 --> 00:40:02.868
OF HIS DAD AS A RACE-CAR DRIVER,
00:40:03.003 --> 00:40:03.902
AND YOU HAVE SAVED IT
00:40:04.037 --> 00:40:05.471
FOR POSTERITY.
00:40:05.605 --> 00:40:07.072
HE'LL GET THE ORIGINAL BACK
00:40:07.207 --> 00:40:08.741
AND THE LIBRARY WILL GET
00:40:08.875 --> 00:40:09.475
THESE OTHERS.
00:40:09.609 --> 00:40:10.142
>> THAT'S RIGHT.
00:40:10.276 --> 00:40:12.244
>> HERE'S THE PICTURE
00:40:12.379 --> 00:40:13.612
OF THE FAMILY IN FRONT
00:40:13.747 --> 00:40:16.081
OF THEIR FIRST HOUSE.
00:40:16.216 --> 00:40:17.316
NOW YOU'RE GETTING TO SEE
00:40:17.450 --> 00:40:18.917
ALL OF THE BEST STUFF IN HERE.
00:40:19.052 --> 00:40:20.686
>> OH, WE HAVE FOR YEARS,
00:40:20.820 --> 00:40:21.587
YOU KNOW, IT'S BEEN AMAZING
00:40:21.721 --> 00:40:22.621
OVER THE YEARS,
00:40:22.756 --> 00:40:24.056
THE PHOTOGRAPHS THAT I'VE SEEN.
00:40:24.190 --> 00:40:25.157
>> DO YOU EVER WONDER
00:40:25.291 --> 00:40:26.892
THE STORIES?
00:40:27.027 --> 00:40:27.793
>> WELL, THE PHOTOGRAPHS
00:40:27.927 --> 00:40:28.961
VERY OFTEN TELL THE PICTURE,
00:40:29.095 --> 00:40:30.229
YOU KNOW, IT'S A THOUSAND WORDS.
00:40:30.363 --> 00:40:32.598
SOMETIMES THE EXPRESSIONS
00:40:32.732 --> 00:40:34.299
OF THE CHILDREN ARE JUST REALLY,
00:40:34.434 --> 00:40:36.101
YOU KNOW, FABULOUS
00:40:36.236 --> 00:40:38.170
AND IT'S EXCITING.
00:40:38.304 --> 00:40:38.971
>> YES, I WAS GOING TO SAY.
00:40:39.105 --> 00:40:40.406
THIS IS EXCITING, ISN'T IT?
00:40:40.674 --> 00:40:45.077
>> IT'S A LOT OF FUN.
IT IS.
YOU GET TO SEE
00:40:45.079 --> 00:40:46.245
IT IS.
YOU GET TO SEE
WHAT THE VOLUNTEERS HAVE CHOSEN
00:40:46.247 --> 00:40:48.447
YOU GET TO SEE
WHAT THE VOLUNTEERS HAVE CHOSEN
FROM THE FAMILY ALBUMS.
00:40:48.449 --> 00:40:49.415
WHAT THE VOLUNTEERS HAVE CHOSEN
FROM THE FAMILY ALBUMS.
IT'S A CHALLENGE, ALSO,
00:40:49.417 --> 00:40:52.151
FROM THE FAMILY ALBUMS.
IT'S A CHALLENGE, ALSO,
BECAUSE TODAY WE'RE SHOOTING
00:40:52.153 --> 00:40:54.086
IT'S A CHALLENGE, ALSO,
BECAUSE TODAY WE'RE SHOOTING
BLACK AND WHITE AND COLOR,
00:40:54.088 --> 00:40:55.154
BECAUSE TODAY WE'RE SHOOTING
BLACK AND WHITE AND COLOR,
AND SO WE HAVE TO COORDINATE
00:40:55.156 --> 00:40:56.155
BLACK AND WHITE AND COLOR,
AND SO WE HAVE TO COORDINATE
ALL THE BLACK AND WHITE
00:40:56.157 --> 00:40:56.622
AND SO WE HAVE TO COORDINATE
ALL THE BLACK AND WHITE
PHOTOGRAPHS,
00:40:56.624 --> 00:40:58.557
ALL THE BLACK AND WHITE
PHOTOGRAPHS,
ALL THE COLOR PHOTOGRAPHS,
00:40:58.559 --> 00:40:59.291
PHOTOGRAPHS,
ALL THE COLOR PHOTOGRAPHS,
AND MAKE SURE
00:40:59.293 --> 00:41:00.993
ALL THE COLOR PHOTOGRAPHS,
AND MAKE SURE
THAT WE DON'T LOSE TRACK,
00:41:00.995 --> 00:41:01.794
AND MAKE SURE
THAT WE DON'T LOSE TRACK,
SO WHEN HE GETS
00:41:01.796 --> 00:41:02.528
THAT WE DON'T LOSE TRACK,
SO WHEN HE GETS
THE PHOTOGRAPH DONE,
00:41:02.530 --> 00:41:04.630
SO WHEN HE GETS
THE PHOTOGRAPH DONE,
I MARK THE STICKER.
00:41:04.632 --> 00:41:06.098
THE PHOTOGRAPH DONE,
I MARK THE STICKER.
I DON'T MARK THE PHOTOGRAPH,
00:41:06.100 --> 00:41:06.965
I MARK THE STICKER.
I DON'T MARK THE PHOTOGRAPH,
SO WE KNOW THAT PHOTOGRAPH
00:41:06.967 --> 00:41:08.300
I DON'T MARK THE PHOTOGRAPH,
SO WE KNOW THAT PHOTOGRAPH
HAS ALREADY BEEN SHOT.
00:41:08.302 --> 00:41:09.601
SO WE KNOW THAT PHOTOGRAPH
HAS ALREADY BEEN SHOT.
>> SO YOU'RE TAKING
00:41:09.603 --> 00:41:10.836
HAS ALREADY BEEN SHOT.
>> SO YOU'RE TAKING
COLOR PICTURES
00:41:10.838 --> 00:41:12.471
>> SO YOU'RE TAKING
COLOR PICTURES
OF COLOR PICTURES.
00:41:12.473 --> 00:41:12.838
COLOR PICTURES
OF COLOR PICTURES.
>> RIGHT.
00:41:12.840 --> 00:41:14.173
OF COLOR PICTURES.
>> RIGHT.
>> AND BLACK AND WHITE PICTURES
00:41:14.175 --> 00:41:15.607
>> RIGHT.
>> AND BLACK AND WHITE PICTURES
OF BLACK AND WHITE PICTURES.
00:41:15.609 --> 00:41:16.575
>> AND BLACK AND WHITE PICTURES
OF BLACK AND WHITE PICTURES.
>> EXACTLY.
00:41:16.843 --> 00:41:17.776
>> AND YOU'RE GETTING--
00:41:17.911 --> 00:41:18.477
LOOK AT THIS--
00:41:18.611 --> 00:41:20.112
YOU'RE GETTING THESE FRAGILE,
00:41:20.246 --> 00:41:22.848
FRAGILE ALBUMS IN HERE,
00:41:22.982 --> 00:41:24.950
SO YOU HAVE TO BE VERY CAREFUL.
00:41:25.085 --> 00:41:26.285
THESE THINGS ARE PRICELESS.
00:41:26.419 --> 00:41:28.320
>> YEAH, NO DOUBT ABOUT IT.
00:41:28.455 --> 00:41:28.854
>> NOW HOW YOU GOING
00:41:28.988 --> 00:41:29.822
TO TAKE THAT ONE AND KEEP IT
00:41:29.956 --> 00:41:31.123
IN THE--
00:41:31.257 --> 00:41:33.025
>> IT SOMETIMES PROVES A TASK,
00:41:33.159 --> 00:41:33.726
FOR SURE.
00:41:33.860 --> 00:41:34.827
>> LET'S SEE HOW YOU'RE GOING
00:41:34.961 --> 00:41:38.163
TO DO THIS ONE.
00:41:38.298 --> 00:41:39.031
YOU HAVE TO LINE IT UP
00:41:39.165 --> 00:41:42.634
PERFECTLY.
00:41:42.769 --> 00:41:43.969
>> TOMAS, HOLD THIS NOW
00:41:44.104 --> 00:41:47.006
FOR ME, PLEASE.
00:41:47.140 --> 00:41:49.875
>> THIS IS QUITE A--AND IT HAS
00:41:50.010 --> 00:41:51.944
TO BE PERFECTLY FOCUSED.
00:41:52.078 --> 00:41:53.846
>> OH, YES.
00:41:53.980 --> 00:41:55.814
>> PERFECTLY LIT.
00:41:55.949 --> 00:41:58.384
>> THEN I'LL PUT THE GLASS--
00:41:58.518 --> 00:41:59.585
>> THEN YOU PUT THE GLASS
00:41:59.719 --> 00:42:02.588
OVER IT.
00:42:02.722 --> 00:42:05.791
WOW.
00:42:11.264 --> 00:42:13.799
>> FINISHED.
>> NOW, GENE,
YOU WENT BY THE LOCAL
00:42:13.801 --> 00:42:15.234
>> NOW, GENE,
YOU WENT BY THE LOCAL
JUNIOR HIGH TO BRING IN
00:42:15.236 --> 00:42:17.469
YOU WENT BY THE LOCAL
JUNIOR HIGH TO BRING IN
THIS SCRAPBOOK OF PICTURES,
00:42:17.471 --> 00:42:19.738
JUNIOR HIGH TO BRING IN
THIS SCRAPBOOK OF PICTURES,
AND THIS IS AN AMAZING STORY.
00:42:19.740 --> 00:42:22.274
THIS SCRAPBOOK OF PICTURES,
AND THIS IS AN AMAZING STORY.
THE NAME OF THE SCHOOL IS--
00:42:22.276 --> 00:42:23.776
AND THIS IS AN AMAZING STORY.
THE NAME OF THE SCHOOL IS--
>> FLORENCE NIGHTINGALE.
00:42:23.778 --> 00:42:25.244
THE NAME OF THE SCHOOL IS--
>> FLORENCE NIGHTINGALE.
>> FLORENCE NIGHTINGALE
00:42:25.246 --> 00:42:26.779
>> FLORENCE NIGHTINGALE.
>> FLORENCE NIGHTINGALE
JUNIOR HIGH SCHOOL,
00:42:26.781 --> 00:42:27.680
>> FLORENCE NIGHTINGALE
JUNIOR HIGH SCHOOL,
AND THESE PICTURES
00:42:27.682 --> 00:42:29.314
JUNIOR HIGH SCHOOL,
AND THESE PICTURES
THAT YOU FOUND.
00:42:29.316 --> 00:42:32.151
AND THESE PICTURES
THAT YOU FOUND.
LOOK AT THIS FROM 1953.
00:42:32.153 --> 00:42:33.052
THAT YOU FOUND.
LOOK AT THIS FROM 1953.
NOW WHEN YOU LOOK
00:42:33.054 --> 00:42:34.953
LOOK AT THIS FROM 1953.
NOW WHEN YOU LOOK
AT THESE PICTURES,
00:42:34.955 --> 00:42:36.488
NOW WHEN YOU LOOK
AT THESE PICTURES,
WHAT WAS IT YOU POINTED OUT
00:42:36.490 --> 00:42:39.158
AT THESE PICTURES,
WHAT WAS IT YOU POINTED OUT
TO ME THAT IS JUST AMAZING?
00:42:39.160 --> 00:42:39.825
WHAT WAS IT YOU POINTED OUT
TO ME THAT IS JUST AMAZING?
>> OKAY, THIS IS
00:42:39.827 --> 00:42:41.293
TO ME THAT IS JUST AMAZING?
>> OKAY, THIS IS
FLORENCE NIGHTINGALE
00:42:41.295 --> 00:42:42.728
>> OKAY, THIS IS
FLORENCE NIGHTINGALE
PROBABLY FOR THAT YEAR.
00:42:42.730 --> 00:42:44.396
FLORENCE NIGHTINGALE
PROBABLY FOR THAT YEAR.
THIS IS 1953.
00:42:44.398 --> 00:42:46.999
PROBABLY FOR THAT YEAR.
THIS IS 1953.
THERE'S ANOTHER GROUP PHOTO
00:42:47.001 --> 00:42:47.399
THIS IS 1953.
THERE'S ANOTHER GROUP PHOTO
OF HER WHERE
00:42:47.401 --> 00:42:48.734
THERE'S ANOTHER GROUP PHOTO
OF HER WHERE
SHE'S IN THE CENTER.
00:42:48.736 --> 00:42:49.668
OF HER WHERE
SHE'S IN THE CENTER.
I THINK THAT THESE ARE PROBABLY
00:42:49.670 --> 00:42:51.303
SHE'S IN THE CENTER.
I THINK THAT THESE ARE PROBABLY
THE GRADUATES FOR THIS YEAR
00:42:51.305 --> 00:42:52.538
I THINK THAT THESE ARE PROBABLY
THE GRADUATES FOR THIS YEAR
FROM EIGHTH GRADE, YOU KNOW,
00:42:52.540 --> 00:42:53.339
THE GRADUATES FOR THIS YEAR
FROM EIGHTH GRADE, YOU KNOW,
THE PROMOTION
00:42:53.341 --> 00:42:54.173
FROM EIGHTH GRADE, YOU KNOW,
THE PROMOTION
THAT WOULD HAVE GONE
00:42:54.175 --> 00:42:54.873
THE PROMOTION
THAT WOULD HAVE GONE
AT THAT TIME.
00:42:54.875 --> 00:42:56.675
THAT WOULD HAVE GONE
AT THAT TIME.
THIS IS JUNE 1953--
00:42:56.677 --> 00:42:59.278
AT THAT TIME.
THIS IS JUNE 1953--
>> SO THE OUTSTANDING STUDENT
00:42:59.280 --> 00:43:00.679
THIS IS JUNE 1953--
>> SO THE OUTSTANDING STUDENT
WOULD GET TO WEAR
00:43:00.681 --> 00:43:02.881
>> SO THE OUTSTANDING STUDENT
WOULD GET TO WEAR
FLORENCE NIGHTINGALE'S--
00:43:02.883 --> 00:43:06.485
WOULD GET TO WEAR
FLORENCE NIGHTINGALE'S--
A REPLICA OF HER--
00:43:06.487 --> 00:43:07.252
FLORENCE NIGHTINGALE'S--
A REPLICA OF HER--
>> THAT MIGHT BE IT--
00:43:07.254 --> 00:43:07.853
A REPLICA OF HER--
>> THAT MIGHT BE IT--
WE DON'T--
00:43:07.855 --> 00:43:08.454
>> THAT MIGHT BE IT--
WE DON'T--
>> WHAT DO YOU CALL IT?
00:43:08.456 --> 00:43:09.188
WE DON'T--
>> WHAT DO YOU CALL IT?
>> WELL, HER CAPE.
00:43:09.190 --> 00:43:10.222
>> WHAT DO YOU CALL IT?
>> WELL, HER CAPE.
THAT'S A CAPE BECAUSE
00:43:10.224 --> 00:43:11.357
>> WELL, HER CAPE.
THAT'S A CAPE BECAUSE
SHE WAS A NURSE,
00:43:11.359 --> 00:43:13.192
THAT'S A CAPE BECAUSE
SHE WAS A NURSE,
AND THESE ARE THE LAMPLIGHTERS
00:43:13.194 --> 00:43:15.794
SHE WAS A NURSE,
AND THESE ARE THE LAMPLIGHTERS
AND THEY WERE A SERVICE
00:43:15.796 --> 00:43:16.662
AND THESE ARE THE LAMPLIGHTERS
AND THEY WERE A SERVICE
ORGANIZATION.
00:43:16.664 --> 00:43:18.163
AND THEY WERE A SERVICE
ORGANIZATION.
AND THIS IS 1953,
00:43:18.165 --> 00:43:18.964
ORGANIZATION.
AND THIS IS 1953,
BUT WE CAN DATE IT BACK
00:43:18.966 --> 00:43:20.566
AND THIS IS 1953,
BUT WE CAN DATE IT BACK
INTO THE 40s,
00:43:20.568 --> 00:43:21.467
BUT WE CAN DATE IT BACK
INTO THE 40s,
BASED ON OTHER SCRAPBOOKS
00:43:21.469 --> 00:43:22.868
INTO THE 40s,
BASED ON OTHER SCRAPBOOKS
THAT WE SAW THE OTHER DAY.
00:43:22.870 --> 00:43:24.036
BASED ON OTHER SCRAPBOOKS
THAT WE SAW THE OTHER DAY.
AND I THINK THAT THE GIRLS
00:43:24.038 --> 00:43:25.237
THAT WE SAW THE OTHER DAY.
AND I THINK THAT THE GIRLS
IN WHITE ARE PROBABLY
00:43:25.239 --> 00:43:26.171
AND I THINK THAT THE GIRLS
IN WHITE ARE PROBABLY
THE EIGHTH GRADERS
00:43:26.173 --> 00:43:27.072
IN WHITE ARE PROBABLY
THE EIGHTH GRADERS
AND THEN THE OTHER GIRLS
00:43:27.074 --> 00:43:28.007
THE EIGHTH GRADERS
AND THEN THE OTHER GIRLS
ARE STILL MEMBERS
00:43:28.009 --> 00:43:29.875
AND THEN THE OTHER GIRLS
ARE STILL MEMBERS
OF THE SERVICE ORGANIZATION,
00:43:29.877 --> 00:43:30.476
ARE STILL MEMBERS
OF THE SERVICE ORGANIZATION,
THE LAMPLIGHTERS.
00:43:30.478 --> 00:43:31.276
OF THE SERVICE ORGANIZATION,
THE LAMPLIGHTERS.
>> WOW.
00:43:31.278 --> 00:43:32.111
THE LAMPLIGHTERS.
>> WOW.
>> YES, IT WAS VERY NEAT
00:43:32.113 --> 00:43:33.278
>> WOW.
>> YES, IT WAS VERY NEAT
TO FIND THAT.
00:43:33.280 --> 00:43:34.747
>> YES, IT WAS VERY NEAT
TO FIND THAT.
>> THESE ARE GREAT,
00:43:34.749 --> 00:43:36.348
TO FIND THAT.
>> THESE ARE GREAT,
GREAT PICTURES.
00:43:36.350 --> 00:43:37.616
>> THESE ARE GREAT,
GREAT PICTURES.
>> YES, THEY ARE.
00:43:37.618 --> 00:43:40.519
GREAT PICTURES.
>> YES, THEY ARE.
>> AND THE NUMBER ONE STUDENT
00:43:40.521 --> 00:43:41.954
>> YES, THEY ARE.
>> AND THE NUMBER ONE STUDENT
IN THE GRADUATING CLASS
00:43:41.956 --> 00:43:44.089
>> AND THE NUMBER ONE STUDENT
IN THE GRADUATING CLASS
EVERY YEAR GOT TO WEAR
00:43:44.091 --> 00:43:46.658
IN THE GRADUATING CLASS
EVERY YEAR GOT TO WEAR
FLORENCE NIGHTINGALE'S CAPE.
00:43:46.660 --> 00:43:47.993
EVERY YEAR GOT TO WEAR
FLORENCE NIGHTINGALE'S CAPE.
>> I THINK.
00:43:47.995 --> 00:43:49.261
FLORENCE NIGHTINGALE'S CAPE.
>> I THINK.
>> FROM FLORENCE NIGHTINGALE
00:43:49.263 --> 00:43:50.629
>> I THINK.
>> FROM FLORENCE NIGHTINGALE
JUNIOR HIGH SCHOOL.
00:43:50.631 --> 00:43:51.730
>> FROM FLORENCE NIGHTINGALE
JUNIOR HIGH SCHOOL.
>> SOMEHOW, SHE WAS CHOSEN
00:43:51.732 --> 00:43:52.698
JUNIOR HIGH SCHOOL.
>> SOMEHOW, SHE WAS CHOSEN
AS BEING OUTSTANDING.
00:43:52.700 --> 00:43:53.432
>> SOMEHOW, SHE WAS CHOSEN
AS BEING OUTSTANDING.
IT COULD HAVE BEEN
00:43:53.434 --> 00:43:54.433
AS BEING OUTSTANDING.
IT COULD HAVE BEEN
FOR THE AMOUNT OF SERVICE HOURS
00:43:54.435 --> 00:43:55.634
IT COULD HAVE BEEN
FOR THE AMOUNT OF SERVICE HOURS
THAT SHE PUT IN,
00:43:55.636 --> 00:43:56.468
FOR THE AMOUNT OF SERVICE HOURS
THAT SHE PUT IN,
OR THE LEADERSHIP,
00:43:56.470 --> 00:43:57.202
THAT SHE PUT IN,
OR THE LEADERSHIP,
THAT SORT OF THING,
00:43:57.204 --> 00:43:58.637
OR THE LEADERSHIP,
THAT SORT OF THING,
BECAUSE THIS IS A SERVICE GROUP.
00:43:58.639 --> 00:44:01.573
THAT SORT OF THING,
BECAUSE THIS IS A SERVICE GROUP.
IT'S NOT A HONOR SOCIETY
00:44:01.575 --> 00:44:02.374
BECAUSE THIS IS A SERVICE GROUP.
IT'S NOT A HONOR SOCIETY
FOR GRADES.
00:44:02.376 --> 00:44:03.542
IT'S NOT A HONOR SOCIETY
FOR GRADES.
>> THIS IS SO AMAZING--
00:44:03.544 --> 00:44:04.309
FOR GRADES.
>> THIS IS SO AMAZING--
>> YES.
00:44:04.311 --> 00:44:05.744
>> THIS IS SO AMAZING--
>> YES.
>> JUST TO FIND THESE OLD--
00:44:05.746 --> 00:44:06.979
>> YES.
>> JUST TO FIND THESE OLD--
AND THAT'S ANOTHER
00:44:06.981 --> 00:44:08.947
>> JUST TO FIND THESE OLD--
AND THAT'S ANOTHER
WONDERFUL ARCHIVE--
00:44:08.949 --> 00:44:10.883
AND THAT'S ANOTHER
WONDERFUL ARCHIVE--
ARE PICTURES FROM SCHOOL.
00:44:10.885 --> 00:44:13.752
WONDERFUL ARCHIVE--
ARE PICTURES FROM SCHOOL.
>> YES, THESE ARE FROM--
00:44:13.754 --> 00:44:14.953
ARE PICTURES FROM SCHOOL.
>> YES, THESE ARE FROM--
IT'S NOW CALLED
00:44:14.955 --> 00:44:16.321
>> YES, THESE ARE FROM--
IT'S NOW CALLED
"NIGHTINGALE MIDDLE SCHOOL"
00:44:16.323 --> 00:44:17.656
IT'S NOW CALLED
"NIGHTINGALE MIDDLE SCHOOL"
AND THESE ARE FROM THE LIBRARY.
00:44:17.658 --> 00:44:18.724
"NIGHTINGALE MIDDLE SCHOOL"
AND THESE ARE FROM THE LIBRARY.
THE LIBRARIAN THERE WENT
00:44:18.726 --> 00:44:20.125
AND THESE ARE FROM THE LIBRARY.
THE LIBRARIAN THERE WENT
INTO A BACK ROOM AND SHE SAID,
00:44:20.127 --> 00:44:22.027
THE LIBRARIAN THERE WENT
INTO A BACK ROOM AND SHE SAID,
"OH, YES, I HAVE SCRAPBOOKS,"
00:44:22.029 --> 00:44:24.329
INTO A BACK ROOM AND SHE SAID,
"OH, YES, I HAVE SCRAPBOOKS,"
AND SHE BROUGHT THEM OUT.
00:44:24.331 --> 00:44:25.330
"OH, YES, I HAVE SCRAPBOOKS,"
AND SHE BROUGHT THEM OUT.
>> HERE WE ARE STANDING
00:44:25.332 --> 00:44:26.331
AND SHE BROUGHT THEM OUT.
>> HERE WE ARE STANDING
IN FRONT OF THIS WHOLE
00:44:26.333 --> 00:44:28.067
>> HERE WE ARE STANDING
IN FRONT OF THIS WHOLE
WALL OF PICTURES HERE,
00:44:28.069 --> 00:44:29.101
IN FRONT OF THIS WHOLE
WALL OF PICTURES HERE,
AND THE ONE WE'RE LOOKING
00:44:29.103 --> 00:44:31.437
WALL OF PICTURES HERE,
AND THE ONE WE'RE LOOKING
AT HAS A STORY TO IT.
00:44:31.439 --> 00:44:32.071
AND THE ONE WE'RE LOOKING
AT HAS A STORY TO IT.
>> RIGHT, THESE ARE
00:44:32.073 --> 00:44:34.273
AT HAS A STORY TO IT.
>> RIGHT, THESE ARE
THE ARCINIEGA SISTERS.
00:44:34.275 --> 00:44:35.708
>> RIGHT, THESE ARE
THE ARCINIEGA SISTERS.
THEY'RE ALL SISTERS
00:44:35.710 --> 00:44:37.443
THE ARCINIEGA SISTERS.
THEY'RE ALL SISTERS
OF BOYLE HEIGHTS
00:44:37.445 --> 00:44:39.511
THEY'RE ALL SISTERS
OF BOYLE HEIGHTS
IN THE 1920s, AND YOU CAN SEE
00:44:39.513 --> 00:44:40.946
OF BOYLE HEIGHTS
IN THE 1920s, AND YOU CAN SEE
THE BRIDE IS THE SECOND
00:44:40.948 --> 00:44:42.081
IN THE 1920s, AND YOU CAN SEE
THE BRIDE IS THE SECOND
FROM THE LEFT, BUT--
00:44:42.083 --> 00:44:44.016
THE BRIDE IS THE SECOND
FROM THE LEFT, BUT--
AND IN FACT,
00:44:44.018 --> 00:44:45.918
FROM THE LEFT, BUT--
AND IN FACT,
THEY BROUGHT IN THE PHOTOGRAPH
00:44:45.920 --> 00:44:46.919
AND IN FACT,
THEY BROUGHT IN THE PHOTOGRAPH
AND THEN--
00:44:46.921 --> 00:44:48.787
THEY BROUGHT IN THE PHOTOGRAPH
AND THEN--
IT WAS AN EXHIBIT,
00:44:48.789 --> 00:44:49.822
AND THEN--
IT WAS AN EXHIBIT,
AND SEVERAL OF THE SISTERS
00:44:49.824 --> 00:44:50.756
IT WAS AN EXHIBIT,
AND SEVERAL OF THE SISTERS
CAME TO THE EXHIBIT.
00:44:50.758 --> 00:44:53.092
AND SEVERAL OF THE SISTERS
CAME TO THE EXHIBIT.
ONE NOW HAS A WALKER, RIGHT.
00:44:53.094 --> 00:44:55.194
CAME TO THE EXHIBIT.
ONE NOW HAS A WALKER, RIGHT.
SHE CAME IN HER WALKER
00:44:55.196 --> 00:44:58.297
ONE NOW HAS A WALKER, RIGHT.
SHE CAME IN HER WALKER
AND IT'S JUST A BEAUTIFUL,
00:44:58.299 --> 00:44:58.831
SHE CAME IN HER WALKER
AND IT'S JUST A BEAUTIFUL,
BEAUTIFUL--
00:44:58.833 --> 00:44:59.665
AND IT'S JUST A BEAUTIFUL,
BEAUTIFUL--
>> SO SOME OF THESE PICTURES
00:44:59.667 --> 00:45:00.699
BEAUTIFUL--
>> SO SOME OF THESE PICTURES
ARE ON EXHIBIT
00:45:00.701 --> 00:45:02.067
>> SO SOME OF THESE PICTURES
ARE ON EXHIBIT
IN VARIOUS LIBRARIES
00:45:02.069 --> 00:45:03.702
ARE ON EXHIBIT
IN VARIOUS LIBRARIES
AROUND THE STATE.
00:45:03.704 --> 00:45:04.803
IN VARIOUS LIBRARIES
AROUND THE STATE.
>> THEY HAVE BEEN
00:45:04.805 --> 00:45:06.538
AROUND THE STATE.
>> THEY HAVE BEEN
AT THE GOLDEN STATE MUSEUM,
00:45:06.540 --> 00:45:07.573
>> THEY HAVE BEEN
AT THE GOLDEN STATE MUSEUM,
AND THEY'VE BEEN ACTUALLY
00:45:07.575 --> 00:45:09.441
AT THE GOLDEN STATE MUSEUM,
AND THEY'VE BEEN ACTUALLY
TO MEXICO AND LOTS OF PLACES,
00:45:09.443 --> 00:45:10.376
AND THEY'VE BEEN ACTUALLY
TO MEXICO AND LOTS OF PLACES,
YOU KNOW.
00:45:10.378 --> 00:45:11.877
TO MEXICO AND LOTS OF PLACES,
YOU KNOW.
>> AND YOU KNOW, THE THING
00:45:11.879 --> 00:45:14.246
YOU KNOW.
>> AND YOU KNOW, THE THING
IS, EVERYONE OF THESE PICTURES
00:45:14.248 --> 00:45:16.281
>> AND YOU KNOW, THE THING
IS, EVERYONE OF THESE PICTURES
JUST KIND OF SUCKS YOU IN,
00:45:16.283 --> 00:45:18.917
IS, EVERYONE OF THESE PICTURES
JUST KIND OF SUCKS YOU IN,
KIND OF, DRAWS YOU IN WONDERING
00:45:18.919 --> 00:45:21.553
JUST KIND OF SUCKS YOU IN,
KIND OF, DRAWS YOU IN WONDERING
WHAT IN THE WORLD IS THE STORY
00:45:21.555 --> 00:45:24.156
KIND OF, DRAWS YOU IN WONDERING
WHAT IN THE WORLD IS THE STORY
BEHIND THESE PICTURES.
00:45:24.158 --> 00:45:25.424
WHAT IN THE WORLD IS THE STORY
BEHIND THESE PICTURES.
>> I LOVE THIS ONE HERE,
00:45:25.426 --> 00:45:27.059
BEHIND THESE PICTURES.
>> I LOVE THIS ONE HERE,
THE ORANGE JULIUS.
00:45:27.061 --> 00:45:28.293
>> I LOVE THIS ONE HERE,
THE ORANGE JULIUS.
THAT WAS VERNA WILLIAMS
00:45:28.295 --> 00:45:30.129
THE ORANGE JULIUS.
THAT WAS VERNA WILLIAMS
AND HER SON--OPENED IT
00:45:30.131 --> 00:45:31.930
THAT WAS VERNA WILLIAMS
AND HER SON--OPENED IT
ON SOUTH CENTRAL AVENUE,
00:45:31.932 --> 00:45:32.631
AND HER SON--OPENED IT
ON SOUTH CENTRAL AVENUE,
AND I THINK THAT SHE WAS
00:45:32.633 --> 00:45:33.265
ON SOUTH CENTRAL AVENUE,
AND I THINK THAT SHE WAS
ONE OF THE FIRST
00:45:33.267 --> 00:45:34.933
AND I THINK THAT SHE WAS
ONE OF THE FIRST
WOMAN ENTREPRENEURS
00:45:34.935 --> 00:45:35.567
ONE OF THE FIRST
WOMAN ENTREPRENEURS
TO HAVE HER OWN
00:45:35.569 --> 00:45:38.070
WOMAN ENTREPRENEURS
TO HAVE HER OWN
ORANGE JULIUS STAND.
00:45:38.072 --> 00:45:41.306
TO HAVE HER OWN
ORANGE JULIUS STAND.
>> AND THIS COULD GO ON FOREVER.
00:45:41.308 --> 00:45:42.441
ORANGE JULIUS STAND.
>> AND THIS COULD GO ON FOREVER.
I MEAN THERE ARE
00:45:42.443 --> 00:45:44.476
>> AND THIS COULD GO ON FOREVER.
I MEAN THERE ARE
MILLIONS AND MILLIONS
00:45:44.478 --> 00:45:47.579
I MEAN THERE ARE
MILLIONS AND MILLIONS
OF PICTURES JUST IN CALIFORNIA,
00:45:47.581 --> 00:45:49.181
MILLIONS AND MILLIONS
OF PICTURES JUST IN CALIFORNIA,
MANY OF THEM NEVER SEEN
00:45:49.183 --> 00:45:51.383
OF PICTURES JUST IN CALIFORNIA,
MANY OF THEM NEVER SEEN
BY ANYBODY BUT FAMILY MEMBERS,
00:45:51.385 --> 00:45:52.384
MANY OF THEM NEVER SEEN
BY ANYBODY BUT FAMILY MEMBERS,
SOME OF THEM FORGOTTEN
00:45:52.386 --> 00:45:54.086
BY ANYBODY BUT FAMILY MEMBERS,
SOME OF THEM FORGOTTEN
EVEN BY THE FAMILY MEMBERS.
00:45:54.088 --> 00:45:55.988
SOME OF THEM FORGOTTEN
EVEN BY THE FAMILY MEMBERS.
>> RIGHT AND ACTUALLY,
00:45:55.990 --> 00:45:57.623
EVEN BY THE FAMILY MEMBERS.
>> RIGHT AND ACTUALLY,
THERE'S BEEN A LOT OF INTEREST,
00:45:57.625 --> 00:45:59.958
>> RIGHT AND ACTUALLY,
THERE'S BEEN A LOT OF INTEREST,
REALLY, ALL OVER THE COUNTRY
00:45:59.960 --> 00:46:03.062
THERE'S BEEN A LOT OF INTEREST,
REALLY, ALL OVER THE COUNTRY
AND IN OTHER COUNTRIES AS WELL
00:46:03.064 --> 00:46:05.197
REALLY, ALL OVER THE COUNTRY
AND IN OTHER COUNTRIES AS WELL
IN REPLICATING "SHADES"
00:46:05.199 --> 00:46:07.433
AND IN OTHER COUNTRIES AS WELL
IN REPLICATING "SHADES"
IN OTHER COMMUNITIES, TOO.
00:46:07.435 --> 00:46:08.233
IN REPLICATING "SHADES"
IN OTHER COMMUNITIES, TOO.
IN MEXICO
00:46:08.235 --> 00:46:10.502
IN OTHER COMMUNITIES, TOO.
IN MEXICO
THERE'S BEEN INTEREST--
00:46:10.504 --> 00:46:11.437
IN MEXICO
THERE'S BEEN INTEREST--
>> SO YOU MEAN THIS PROJECT
00:46:11.439 --> 00:46:15.007
THERE'S BEEN INTEREST--
>> SO YOU MEAN THIS PROJECT
HAS KIND OF STARTED AWARENESS
00:46:15.009 --> 00:46:16.241
>> SO YOU MEAN THIS PROJECT
HAS KIND OF STARTED AWARENESS
IN OTHER PLACES?
00:46:16.243 --> 00:46:17.209
HAS KIND OF STARTED AWARENESS
IN OTHER PLACES?
>> RIGHT, IT HAS.
00:46:17.211 --> 00:46:18.310
IN OTHER PLACES?
>> RIGHT, IT HAS.
WE HAVE A MANUAL
00:46:18.312 --> 00:46:19.912
>> RIGHT, IT HAS.
WE HAVE A MANUAL
THAT WE SEND TO PEOPLE
00:46:19.914 --> 00:46:20.679
WE HAVE A MANUAL
THAT WE SEND TO PEOPLE
THAT TELLS HOW WE DO
00:46:20.681 --> 00:46:22.815
THAT WE SEND TO PEOPLE
THAT TELLS HOW WE DO
"THE SHADES OF L.A. PROJECT,"
00:46:22.817 --> 00:46:24.249
THAT TELLS HOW WE DO
"THE SHADES OF L.A. PROJECT,"
INCLUDING HOW MANY POST-ITS
00:46:24.251 --> 00:46:24.883
"THE SHADES OF L.A. PROJECT,"
INCLUDING HOW MANY POST-ITS
THEY'RE GOING TO NEED
00:46:24.885 --> 00:46:25.484
INCLUDING HOW MANY POST-ITS
THEY'RE GOING TO NEED
FOR THE DAY,
00:46:25.486 --> 00:46:26.852
THEY'RE GOING TO NEED
FOR THE DAY,
SO IT GETS PRETTY TECHNICAL.
00:46:26.854 --> 00:46:27.886
FOR THE DAY,
SO IT GETS PRETTY TECHNICAL.
>> SO THIS THING TECHNICALLY
00:46:27.888 --> 00:46:29.488
SO IT GETS PRETTY TECHNICAL.
>> SO THIS THING TECHNICALLY
STARTED WITH A PROJECT CALLED
00:46:29.490 --> 00:46:30.823
>> SO THIS THING TECHNICALLY
STARTED WITH A PROJECT CALLED
"SHADES OF L.A."
00:46:30.825 --> 00:46:31.357
STARTED WITH A PROJECT CALLED
"SHADES OF L.A."
>> THAT'S RIGHT.
00:46:31.359 --> 00:46:32.091
"SHADES OF L.A."
>> THAT'S RIGHT.
>> IT GREW INTO
00:46:32.093 --> 00:46:33.659
>> THAT'S RIGHT.
>> IT GREW INTO
"SHADES OF CALIFORNIA."
00:46:33.661 --> 00:46:34.360
>> IT GREW INTO
"SHADES OF CALIFORNIA."
>> THAT'S RIGHT.
00:46:34.362 --> 00:46:35.027
"SHADES OF CALIFORNIA."
>> THAT'S RIGHT.
>> AND NOW YOU'RE DOING
00:46:35.029 --> 00:46:36.495
>> THAT'S RIGHT.
>> AND NOW YOU'RE DOING
MISSIONARY WORK AND SENDING IT
00:46:36.497 --> 00:46:38.230
>> AND NOW YOU'RE DOING
MISSIONARY WORK AND SENDING IT
ALL OVER THE WORLD.
00:46:38.232 --> 00:46:39.465
MISSIONARY WORK AND SENDING IT
ALL OVER THE WORLD.
>> RIGHT, "SHADES OF THE WORLD,"
00:46:39.467 --> 00:46:39.999
ALL OVER THE WORLD.
>> RIGHT, "SHADES OF THE WORLD,"
REALLY.
00:46:40.001 --> 00:46:42.368
>> RIGHT, "SHADES OF THE WORLD,"
REALLY.
IT COULD GO ON FOREVER.
00:46:42.370 --> 00:46:43.002
REALLY.
IT COULD GO ON FOREVER.
>> SEE?
00:46:43.004 --> 00:46:43.669
IT COULD GO ON FOREVER.
>> SEE?
ISN'T THAT INTERESTING.
00:46:43.671 --> 00:46:45.237
>> SEE?
ISN'T THAT INTERESTING.
THIS WOULD WORK ANYWHERE
00:46:45.239 --> 00:46:46.305
ISN'T THAT INTERESTING.
THIS WOULD WORK ANYWHERE
IN THE WORLD BECAUSE
00:46:46.307 --> 00:46:48.507
THIS WOULD WORK ANYWHERE
IN THE WORLD BECAUSE
THIS HAPPENS ALL OVER THE WORLD.
00:46:48.509 --> 00:46:49.875
IN THE WORLD BECAUSE
THIS HAPPENS ALL OVER THE WORLD.
>> OH, DEFINITELY,
00:46:49.877 --> 00:46:50.743
THIS HAPPENS ALL OVER THE WORLD.
>> OH, DEFINITELY,
I THINK THAT THAT'S ONE
00:46:50.745 --> 00:46:52.144
>> OH, DEFINITELY,
I THINK THAT THAT'S ONE
OF THE GREAT THINGS ABOUT IT
00:46:52.146 --> 00:46:53.545
I THINK THAT THAT'S ONE
OF THE GREAT THINGS ABOUT IT
IS THAT IN ANY COMMUNITY
00:46:53.547 --> 00:46:54.246
OF THE GREAT THINGS ABOUT IT
IS THAT IN ANY COMMUNITY
YOU COULD DO THIS
00:46:54.248 --> 00:46:55.647
IS THAT IN ANY COMMUNITY
YOU COULD DO THIS
SORT OF PROJECT,
00:46:55.649 --> 00:46:57.950
YOU COULD DO THIS
SORT OF PROJECT,
AND IT'S BEEN WONDERFUL
00:46:57.952 --> 00:46:59.418
SORT OF PROJECT,
AND IT'S BEEN WONDERFUL
WHEREVER WE'VE HAD IT.
00:46:59.420 --> 00:47:02.721
AND IT'S BEEN WONDERFUL
WHEREVER WE'VE HAD IT.
AND ALSO RURAL COMMUNITIES,
00:47:02.723 --> 00:47:04.189
WHEREVER WE'VE HAD IT.
AND ALSO RURAL COMMUNITIES,
VERY DENSE URBAN COMMUNITIES,
00:47:04.191 --> 00:47:06.025
AND ALSO RURAL COMMUNITIES,
VERY DENSE URBAN COMMUNITIES,
IT DOESN'T MATTER.
00:47:06.027 --> 00:47:07.926
VERY DENSE URBAN COMMUNITIES,
IT DOESN'T MATTER.
THERE'S THIS COMMONALITY,
00:47:07.928 --> 00:47:09.628
IT DOESN'T MATTER.
THERE'S THIS COMMONALITY,
I THINK, OF THESE KINDS
00:47:09.630 --> 00:47:10.763
THERE'S THIS COMMONALITY,
I THINK, OF THESE KINDS
OF PHOTOGRAPHS AND THESE KINDS
00:47:10.765 --> 00:47:12.398
I THINK, OF THESE KINDS
OF PHOTOGRAPHS AND THESE KINDS
OF STORIES THAT I THINK PEOPLE
00:47:12.400 --> 00:47:14.667
OF PHOTOGRAPHS AND THESE KINDS
OF STORIES THAT I THINK PEOPLE
CONNECT WITH.
00:47:14.669 --> 00:47:15.934
OF STORIES THAT I THINK PEOPLE
CONNECT WITH.
I LOVE FAMILY ALBUMS
00:47:15.936 --> 00:47:17.069
CONNECT WITH.
I LOVE FAMILY ALBUMS
AND SINCE I WAS A CHILD,
00:47:17.071 --> 00:47:17.670
I LOVE FAMILY ALBUMS
AND SINCE I WAS A CHILD,
I'VE ALWAYS ASKED
00:47:17.672 --> 00:47:18.804
AND SINCE I WAS A CHILD,
I'VE ALWAYS ASKED
TO LOOK AT PEOPLE'S
00:47:18.806 --> 00:47:19.905
I'VE ALWAYS ASKED
TO LOOK AT PEOPLE'S
FAMILY ALBUMS,
00:47:19.907 --> 00:47:20.873
TO LOOK AT PEOPLE'S
FAMILY ALBUMS,
AND THE FIRST THING THEY SAY IS,
00:47:20.875 --> 00:47:21.473
FAMILY ALBUMS,
AND THE FIRST THING THEY SAY IS,
"OH, YOU DON'T WANT
00:47:21.475 --> 00:47:22.775
AND THE FIRST THING THEY SAY IS,
"OH, YOU DON'T WANT
TO LOOK AT THOSE,"
00:47:22.777 --> 00:47:23.776
"OH, YOU DON'T WANT
TO LOOK AT THOSE,"
BUT YOU CAN SEE TODAY
00:47:23.778 --> 00:47:25.010
TO LOOK AT THOSE,"
BUT YOU CAN SEE TODAY
WHAT POWER THERE IS
00:47:25.012 --> 00:47:26.612
BUT YOU CAN SEE TODAY
WHAT POWER THERE IS
AND HOW FASCINATING THEY ARE,
00:47:26.614 --> 00:47:27.780
WHAT POWER THERE IS
AND HOW FASCINATING THEY ARE,
AND HOW THEY EITHER MAKE YOU
00:47:27.782 --> 00:47:29.381
AND HOW FASCINATING THEY ARE,
AND HOW THEY EITHER MAKE YOU
FEEL REALLY YOUNG OR REALLY OLD.
00:47:29.383 --> 00:47:30.616
AND HOW THEY EITHER MAKE YOU
FEEL REALLY YOUNG OR REALLY OLD.
[ LAUGHTER ]
00:47:30.618 --> 00:47:31.483
FEEL REALLY YOUNG OR REALLY OLD.
[ LAUGHTER ]
>> WHY IS IT, DO YOU THINK,
00:47:31.485 --> 00:47:34.019
[ LAUGHTER ]
>> WHY IS IT, DO YOU THINK,
THAT WE SO DOWNPLAY
00:47:34.021 --> 00:47:35.254
>> WHY IS IT, DO YOU THINK,
THAT WE SO DOWNPLAY
THE IMPORTANCE OF OUR OWN
00:47:35.256 --> 00:47:37.156
THAT WE SO DOWNPLAY
THE IMPORTANCE OF OUR OWN
LITTLE FAMILY PHOTOGRAPHS?
00:47:37.158 --> 00:47:38.090
THE IMPORTANCE OF OUR OWN
LITTLE FAMILY PHOTOGRAPHS?
>> OH, I JUST THINK SOMETIMES
00:47:38.092 --> 00:47:38.657
LITTLE FAMILY PHOTOGRAPHS?
>> OH, I JUST THINK SOMETIMES
THE THINGS
00:47:38.659 --> 00:47:40.526
>> OH, I JUST THINK SOMETIMES
THE THINGS
THAT ARE MOST FAMILIAR--
00:47:40.528 --> 00:47:42.695
THE THINGS
THAT ARE MOST FAMILIAR--
JUST--WE FORGET ABOUT THEM.
00:47:42.697 --> 00:47:44.363
THAT ARE MOST FAMILIAR--
JUST--WE FORGET ABOUT THEM.
WE TAKE THEM FOR GRANTED
00:47:44.365 --> 00:47:45.330
JUST--WE FORGET ABOUT THEM.
WE TAKE THEM FOR GRANTED
AND IT TAKES, SORT OF,
00:47:45.332 --> 00:47:47.866
WE TAKE THEM FOR GRANTED
AND IT TAKES, SORT OF,
STANDING BACK FROM THE EVERYDAY
00:47:47.868 --> 00:47:49.134
AND IT TAKES, SORT OF,
STANDING BACK FROM THE EVERYDAY
AND THE FAMILIAR TO SAY,
00:47:49.136 --> 00:47:50.135
STANDING BACK FROM THE EVERYDAY
AND THE FAMILIAR TO SAY,
"GOSH, THIS IS REALLY
00:47:50.137 --> 00:47:50.936
AND THE FAMILIAR TO SAY,
"GOSH, THIS IS REALLY
"IS IMPORTANT
00:47:50.938 --> 00:47:52.104
"GOSH, THIS IS REALLY
"IS IMPORTANT
IN THIS LARGER CONTEXT,"
00:47:52.106 --> 00:47:53.272
"IS IMPORTANT
IN THIS LARGER CONTEXT,"
AND I THINK THIS HELPS US ALL
00:47:53.274 --> 00:47:54.173
IN THIS LARGER CONTEXT,"
AND I THINK THIS HELPS US ALL
DO THAT.
00:47:54.175 --> 00:47:55.174
AND I THINK THIS HELPS US ALL
DO THAT.
I KNOW, YOU KNOW,
00:47:55.176 --> 00:47:56.108
DO THAT.
I KNOW, YOU KNOW,
ONE OF OUR GREAT HOPES
00:47:56.110 --> 00:47:56.875
I KNOW, YOU KNOW,
ONE OF OUR GREAT HOPES
FOR THE PROJECT IS THAT
00:47:56.877 --> 00:47:57.910
ONE OF OUR GREAT HOPES
FOR THE PROJECT IS THAT
EVERYONE GO BACK,
00:47:57.912 --> 00:47:59.712
FOR THE PROJECT IS THAT
EVERYONE GO BACK,
LOOK AT THEIR FAMILY PHOTOS
00:47:59.714 --> 00:48:01.880
EVERYONE GO BACK,
LOOK AT THEIR FAMILY PHOTOS
WITH A WHOLE DIFFERENT VIEW
00:48:01.882 --> 00:48:03.549
LOOK AT THEIR FAMILY PHOTOS
WITH A WHOLE DIFFERENT VIEW
AND WITH NEW EYES.
00:48:03.551 --> 00:48:05.050
WITH A WHOLE DIFFERENT VIEW
AND WITH NEW EYES.
AND I THINK SOMETIMES IT TAKES,
00:48:05.052 --> 00:48:06.685
AND WITH NEW EYES.
AND I THINK SOMETIMES IT TAKES,
KIND OF, JOLTING OURSELVES
00:48:06.687 --> 00:48:07.486
AND I THINK SOMETIMES IT TAKES,
KIND OF, JOLTING OURSELVES
OUT OF THE EVERYDAY
00:48:07.488 --> 00:48:09.154
KIND OF, JOLTING OURSELVES
OUT OF THE EVERYDAY
AND THE FAMILIAR
00:48:09.156 --> 00:48:11.824
OUT OF THE EVERYDAY
AND THE FAMILIAR
WHEN WE TAKE THEM FOR GRANTED.
00:48:11.826 --> 00:48:12.391
AND THE FAMILIAR
WHEN WE TAKE THEM FOR GRANTED.
>> WOW.
00:48:12.393 --> 00:48:13.058
WHEN WE TAKE THEM FOR GRANTED.
>> WOW.
>> ISN'T THAT GREAT?
00:48:13.060 --> 00:48:14.660
>> WOW.
>> ISN'T THAT GREAT?
SHE SUMS IT UP SO WELL, I THINK.
00:48:14.662 --> 00:48:17.162
>> ISN'T THAT GREAT?
SHE SUMS IT UP SO WELL, I THINK.
>> AND I FEEL SO GOOD,
00:48:17.164 --> 00:48:18.597
SHE SUMS IT UP SO WELL, I THINK.
>> AND I FEEL SO GOOD,
AND I FEEL SO GOOD
00:48:18.599 --> 00:48:20.766
>> AND I FEEL SO GOOD,
AND I FEEL SO GOOD
ABOUT WHAT THIS PROJECT
00:48:20.768 --> 00:48:23.836
AND I FEEL SO GOOD
ABOUT WHAT THIS PROJECT
HAS DONE, NOT ONLY IN THE PAST
00:48:23.838 --> 00:48:25.304
ABOUT WHAT THIS PROJECT
HAS DONE, NOT ONLY IN THE PAST
AND TODAY,
00:48:25.306 --> 00:48:26.372
HAS DONE, NOT ONLY IN THE PAST
AND TODAY,
BUT HOW IT CAN START
00:48:26.374 --> 00:48:29.141
AND TODAY,
BUT HOW IT CAN START
ALL OF OUR MINDS, YOU KNOW,
00:48:29.143 --> 00:48:31.944
BUT HOW IT CAN START
ALL OF OUR MINDS, YOU KNOW,
THINKING ABOUT OUR OWN FAMILIES.
00:48:31.946 --> 00:48:35.280
ALL OF OUR MINDS, YOU KNOW,
THINKING ABOUT OUR OWN FAMILIES.
AND THIS REALLY IS A WAY
00:48:35.282 --> 00:48:36.615
THINKING ABOUT OUR OWN FAMILIES.
AND THIS REALLY IS A WAY
OF GLIMPSING
00:48:36.617 --> 00:48:39.084
AND THIS REALLY IS A WAY
OF GLIMPSING
AT ALL OF CALIFORNIA,
00:48:39.086 --> 00:48:41.553
OF GLIMPSING
AT ALL OF CALIFORNIA,
OF WHAT CALIFORNIA HAS ALWAYS
00:48:41.555 --> 00:48:42.821
AT ALL OF CALIFORNIA,
OF WHAT CALIFORNIA HAS ALWAYS
BEEN ABOUT.
00:48:42.823 --> 00:48:44.423
OF WHAT CALIFORNIA HAS ALWAYS
BEEN ABOUT.
>> RIGHT, DEFINITELY.
00:48:44.425 --> 00:48:45.491
BEEN ABOUT.
>> RIGHT, DEFINITELY.
I KNOW WHEN YOU THINK
00:48:45.493 --> 00:48:47.760
>> RIGHT, DEFINITELY.
I KNOW WHEN YOU THINK
OF JUST THE USUAL IMAGES
00:48:47.762 --> 00:48:49.728
I KNOW WHEN YOU THINK
OF JUST THE USUAL IMAGES
OF CALIFORNIA, YOU KNOW,
00:48:49.730 --> 00:48:52.664
OF JUST THE USUAL IMAGES
OF CALIFORNIA, YOU KNOW,
THE MOVIES AND WHATEVER.
00:48:52.666 --> 00:48:54.199
OF CALIFORNIA, YOU KNOW,
THE MOVIES AND WHATEVER.
>> POST CARDS
00:48:54.201 --> 00:48:55.868
THE MOVIES AND WHATEVER.
>> POST CARDS
AND THE FORMAL SETTINGS.
00:48:55.870 --> 00:48:56.468
>> POST CARDS
AND THE FORMAL SETTINGS.
>> RIGHT,
00:48:56.470 --> 00:48:57.336
AND THE FORMAL SETTINGS.
>> RIGHT,
AND THEN YOU REALIZE
00:48:57.338 --> 00:48:58.137
>> RIGHT,
AND THEN YOU REALIZE
THAT, REALLY,
00:48:58.139 --> 00:49:00.806
AND THEN YOU REALIZE
THAT, REALLY,
THIS IS CALIFORNIA.
00:49:00.808 --> 00:49:01.740
THAT, REALLY,
THIS IS CALIFORNIA.
>> BOY, IT SURE IS.
00:49:01.742 --> 00:49:02.941
THIS IS CALIFORNIA.
>> BOY, IT SURE IS.
>> IT'S DIVERSITY,
00:49:02.943 --> 00:49:03.809
>> BOY, IT SURE IS.
>> IT'S DIVERSITY,
IT'S AGES,
00:49:03.811 --> 00:49:05.678
>> IT'S DIVERSITY,
IT'S AGES,
AND JUST ALL THE DIFFERENT TYPES
00:49:05.680 --> 00:49:07.446
IT'S AGES,
AND JUST ALL THE DIFFERENT TYPES
OF PEOPLE THAT WE ARE--
00:49:07.448 --> 00:49:08.380
AND JUST ALL THE DIFFERENT TYPES
OF PEOPLE THAT WE ARE--
HOW GREAT A DAY LIKE THIS IS.
00:49:08.382 --> 00:49:11.417
OF PEOPLE THAT WE ARE--
HOW GREAT A DAY LIKE THIS IS.
>> BOY, IT HAS BEEN A GREAT DAY.
00:49:11.419 --> 00:49:12.718
HOW GREAT A DAY LIKE THIS IS.
>> BOY, IT HAS BEEN A GREAT DAY.
>> THANK YOU SO MUCH.
00:49:12.720 --> 00:49:13.352
>> BOY, IT HAS BEEN A GREAT DAY.
>> THANK YOU SO MUCH.
>> WE STARTED THE DAY
00:49:13.354 --> 00:49:13.986
>> THANK YOU SO MUCH.
>> WE STARTED THE DAY
BY SAYING IT
00:49:13.988 --> 00:49:16.522
>> WE STARTED THE DAY
BY SAYING IT
WAS A DAY OF FAMILY, OF HISTORY,
00:49:16.524 --> 00:49:19.358
BY SAYING IT
WAS A DAY OF FAMILY, OF HISTORY,
OF CONNECTIONS, OF PRIDE.
00:49:19.360 --> 00:49:21.493
WAS A DAY OF FAMILY, OF HISTORY,
OF CONNECTIONS, OF PRIDE.
IT'S BEEN ALL OF THOSE THINGS
00:49:21.495 --> 00:49:22.361
OF CONNECTIONS, OF PRIDE.
IT'S BEEN ALL OF THOSE THINGS
AND MORE.
00:49:22.363 --> 00:49:22.828
IT'S BEEN ALL OF THOSE THINGS
AND MORE.
IT'S A DAY
00:49:22.830 --> 00:49:25.330
AND MORE.
IT'S A DAY
THAT BELONGS TO ALL OF US.
00:49:25.332 --> 00:49:27.399
IT'S A DAY
THAT BELONGS TO ALL OF US.
A DAY THAT SHOWS IN ALL
00:49:27.401 --> 00:49:28.967
THAT BELONGS TO ALL OF US.
A DAY THAT SHOWS IN ALL
ITS GRANDEUR
00:49:28.969 --> 00:49:33.839
A DAY THAT SHOWS IN ALL
ITS GRANDEUR
THE SHADES OF CALIFORNIA.
00:49:34.107 --> 00:49:37.743
[ MUSIC ]